Workshop: Becoming with Alien Encounters and Speculative Storytelling

Welcome to the workshop “Becoming with Alien Encounters and Speculative Storytelling in a More-than-human World” that takes place on 4th June at 13:15 – 16:00, in the big seminar room at Division of History of Science, Technology and Environment, KTH (Teknikringen 74 D, Stockholm).

No registration is required.

Workshop: Becoming with Alien Encounters and Speculative Storytelling

Speculative storytelling refers to a wide range of narrative fiction, poetic and artistic articulations that employ ’fantastic’, supernatural, spiritual or other non-mimetic elements. In the times of the climate change and environmental crisis, accompanied by futuristic ’technology-will-save-us’ scenarios, on the one hand, and visions of  ‘doom and gloom’, on the other, speculative storytelling has gained momentum as a way to reimagine futures beyond the human-centred narratives of the Anthropocene. This, importantly, includes a reimagining and experimentally re-establishing of new posthuman relationalities, corpo-affectively grounded in a situated caring ethics, as well as a decentring and deconstruction of the sovereign human subject and its claim to an exceptional position of enunciation. In this poetic/artistic-philosophical workshop, we will reflect on theoretical and practical tools to be interpellated to approach the radically different, without gesturing towards anthropomorphisation or domestication. Alongside of the theorising, we will also, through poetic-artistic articulations, explore the processes of decentring the human subject position and preparing for ’alien encounters’ – what in the ethics of Gilles Deleuze is framed as ’making yourself worthy of the event’. We will draw examples from alien encounters with lichen, algae, pollen, and underwater creatures, among others. As part of the workshop, we will invite the audience to try out their own approaches to such encounters through short writing prompts.

Speakers/workshop facilitators:

Katja Aglert, independent artist and researcher, SE

Line Henriksen, University of Copenhagen and IT University of Copenhagen, DK

Nina Lykke, University of Linköping, SE

Camila Marambio, Melbourne University, AUS

Tara Mehrabi, Karlstad University, SE

Marietta Radomska, Linköping University, SE and University of Helsinki, FI

PHOTO - M. RADOMSKA
Photo: Marietta Radomska
Bios:

Katja Aglert is a Stockholm based independent artist and researcher whose practice – situated in feminist, more-than-human imaginaries – is transdisciplinary in nature, and includes both individual and collaborative projects. Currently she examines artistically through hybrid forms of storytelling how we through the experiences of multi-beings-encounters can investigate what it can mean to materialise perspectives beyond the human-centred narratives. She exhibited widely, including venues such as Marabouparken and Biologiska Museet, Stockholm (SE); Solyanka State Gallery, Moscow (RU); Polarmuseet, Tromsø (NO); Fotografisk center, Copenhagen (DK); FLORA ars+natura, Bogota (COL); Museum for Contemporary Art, Santiago (CHL). She is an executive board member of The Seed Box, an international environmental humanities collaboratory headquartered at Linköping University. She teaches regularly at Umeå Art Academy, and Konstfack University of Arts, Crafts, and Design. katjaaglert.com

Line Henriksen, PhD is a lecturer in Gender Studies at the University of Copenhagen and IT University Copenhagen, DK. She holds a PhD in Gender Studies from the Unit of Gender Studies at Linköping University, Sweden. Henriksen has published on the subjects of monster theory, hauntology and digital media in journals such as Women & Performance and Somatechnics, and her fiction has appeared in Andromeda Spaceways and Tales to Terrify, among others. She is a founding member of the Monster Network.

Nina Lykke, PhD, Professor Emerita, Gender Studies, Linköping University, Sweden. Co-founder of Queer Death Studies Network, and The International Network for ECOcritical and DECOlonial Research. Current research: queering of cancer, death, and mourning in queerfeminist materialist, decolonial and eco-critical perspectives; autophenomenographic and poetic writing. Recent publications:  Queer Widowhood. Lambda Nordica. 2015:4; Academic Feminisms: Between Disidentification, Messy Everyday Utopianism, and Cruel Optimism. Feminist Encounters.  2017:1(1); When death cuts apart, in: Juvonen & Kohlemainen: Affective Inequalities in Intimate Relationships. Routledge, New York 2018; Rethinking socialist and Marxist legacies in feminist imaginaries of protest from postsocialist perspectives. Social Identities. Journal for the Study of Race, Nation and Culture.  2018:24 (2). Website: https://ninalykke.net

Camila Marambio is curator of Ensayos, and her work with the program has been represented in exhibitions and performances at the Kadist Art Foundation, Paris; the Institute for Art and Olfaction, Los Angeles; BHQFU, New York; Puerto de Ideas, Valparaíso; Festival Cielos del Infinito, Puerto Williams, CL; Kurant, Tromsø, NO; and Psi #22, Melbourne, AU. Currently a PhD Candidate in Curatorial Practice at MADA in Melbourne, Australia, Marambio received an M.A. in Modern Art: Critical Studies at Columbia University and a Master of Experiments in Art and Politics at Science Po in Paris; attended the Curatorial Programme at de Appel Arts Center in Amsterdam; and was Head Curator at Matucana 100 (Santiago, CL) and Assistant Curator at Exit Art (New York, NY).

Tara Mehrabi, PhD, is a Lecturer at the Centre for Gender Studies, Karlstad University (Sweden). She is a feminist technoscience studies scholar who is interested in the intersection of gender studies, medical humanities and environmental humanities. She is a founding member of Queer Death Studies Network and a member of The Posthumanities Hub. Meharbi is the author of the monograph Making Death Matter: A Feminist Technoscience Study of Alzheimer’s Sciences in the Laboratory (2016). She has published in anthologies such as Animal Places. Lively Cartographies of Human Animal Relations, (eds.) by J. Bull, T. Holmberg & C. Åsberg, Routledge (2018), Gendering Drugs: feminist studies of pharmaceuticals, (ed.) by E. Johnson, Palgrave (2017) and journal Gender, Women & Research (2018).  Website: https://taramehrabi.wordpress.com/.

Marietta Radomska, PhD, is a Postdoc at the Department of Thematic Studies (Gender Studies), Linköping University, SE, and at the Department of Cultures (Art History), University of Helsinki, FI. She is the co-director of The Posthumanities Hub; founder of The Eco- and Bioart Research Network, co-founder of International Network for ECOcritical and DECOlonial Studies and a founding member of Queer Death Studies Network. Her current research focuses on ecologies of death in the context of contemporary art. She is the author of the monograph Uncontainable Life: A Biophilosophy of Bioart (2016), and has published in Australian Feminist Studies, Somatechnics, and Angelaki, among others. Website: https://mariettaradomska.com/

The Posthumanities Hub Seminar with Nina Lykke and Camila Marambio: 4th June, 10:15 – 12:00

Welcome to The Posthumanities Hub Seminar with Nina Lykke and Camila Marambio on Decolonialising Mourning Through Speculative Wonder and Unthinkable Questions? On the Selk’nam ‘Hain’ and Its Layers of Lostness.

The seminar takes place in the seminar room at the Division of History of Science, Technology and Environment, KTH (Teknikringen 74 D, Stockholm).

When: 4th June, 10:15 – 12:00

Cementerio grupo

Abstract:

This lecture investigates multi-layered meanings of mourning, death and loss in the context of decolonialising endeavours to learn from indigenous cosm-onto-epistemologies.  In focus is the so-called Hain, an initiation ceremony of the Selk’nam people of Tierra del Fuego. As described by Austrian ethnologist and Christian priest Martin Gusinde (1886-1969), it is recorded as having been performed for the last time in 1923. Gusinde’s research was later revised by US anthropologist Anne Chapman (1922-2010) and her Selk’nam research participant Lola Kiepja (died 1966). Since the ceremony is no longer performed, it is ‘lost’ as lived spiritual experience. Accordingly, Gusinde and Chapman embed their accounts in a context of white Western melancholia (cf. reoccurring phrases such as ‘the last Selk’nam’, ‘the last Hain’ etc). The lecture aims at critically analysing these ways of sustaining coloniality through mourning, and exploring other critically-affirmative, decolonialising approaches, and caring ethics. It builds on one author’s (Marambio) longtime fieldwork in Tierra del Fuego, carried out together with Fuegans, and on both authors’ joint work to organise Hain-workshops, using speculative wonder (Stengers 2011) and creative analytical practices to ask unthinkable questions and engage participants in collective endeavours to approach the Hain and mourn its layers of lostness otherwise.

Bio:

Camila Marambio is curator of Ensayos, and her work with the program has been represented in exhibitions and performances at the Kadist Art Foundation, Paris; the Institute for Art and Olfaction, Los Angeles; BHQFU, New York; Puerto de Ideas, Valparaíso; Festival Cielos del Infinito, Puerto Williams, CL; Kurant, Tromsø, NO; and Psi #22, Melbourne, AU. Currently a PhD Candidate in Curatorial Practice at MADA in Melbourne, Australia, Marambio received an M.A. in Modern Art: Critical Studies at Columbia University and a Master of Experiments in Art and Politics at Science Po in Paris; attended the Curatorial Programme at de Appel Arts Center in Amsterdam; and was Head Curator at Matucana 100 (Santiago, CL) and Assistant Curator at Exit Art (New York, NY).

Nina Lykke, PhD, Professor Emerita, Gender Studies, Linköping University, Sweden. Has participated in the building of Feminist Studies in Scandinavia and Europe more broadly since the 1970s. Co-founder of International Network for Queer Death Studies, and International Network for ECOcritical and DECOlonial Research. Current research interests: queering of cancer, death, and mourning in posthuman, queerfeminist, materialist, decolonial and eco-critical perspectives; autophenomenographic and poetic writing. Recent publications:  Queer Widowhood. Lambda Nordica. 2015:4; Assisted Reproduction Across Borders (co-ed. Merete Lie, Routledge 2016); Academic Feminisms: Between Disidentification, Messy Everyday Utopianism, and Cruel Optimism. Feminist Encounters.  2017:1(1); When death cuts apart: On affective difference, compassionate companionship and lesbian widowhood. T.Juvonen & M.Kohlemainen (eds): Affective Inequalities in Intimate Relationships. (Routledge 2018). She has served on numerous international editorial boards, among others for European Journal of Women’s Studies; currently she is in the advisory board of Signs. Journal of Women in Culture and Society, and co-editor of the book series Routledge Advances in Feminist Studies and Intersectionality.

 

 

QUEERING THE HAIN – DECOLONIALIZING MOURNING: Creative and reflexive writing workshop with Camila Marambio and Nina Lykke

Creative and reflexive writing workshop with

Camila Marambio, Monash University, Australia

Nina Lykke, Linköping University

QUEERING THE HAIN – DECOLONIALIZING MOURNING

An invitation to gather and ask the unthinkable

May 23, 2019, 10-15

Venue:   Linköping University: Campus Norrköping.

Building: Kopparhammaren, Norra Grytgatan, Entrance 10A, Floor 2, room KO22.

Registration:  Please register with name, address/affiliation and e-mail, at the latest May 20, to nina.lykke@liu.se  (max 20 participants)

Cementerio grupo

WORKSHOP FORMAT:

Through creative writing, listening exercises, and sharing of reflections, the workshop will question the Hain and other similar ceremonies, as they are understood through the anthropological material that represents them.

The workshop will take as a point of departure an introduction to the Hain, as it appears in the anthropological/ethnological literature, then move through stories told by descendants of those performing the last Hain in the early 20th century, and to the implied layers of “lostness” and the task of translation and decolonializing.

WHAT IS THE HAIN?

As described by Austrian ethnologist and Christian priest Martin Gusinde (1886-1969), the Kloketen-Hain is an initiation ceremony of the Selk’nam people of Tierra del Fuego.  It is recorded as having been performed for the last time in 1923. Gusinde’s research was later revised by the anthropologist Anne Chapman (1922-2010) and her Selk’nam research participant Lola Kiepja (died 1966). Since the ceremony is no longer performed, it seems to have been “lost” as a lived spiritual experience. Anthropologists and ethnologists, most coming from colonial Western contexts, who have described ceremonies such as the Hain, often limit their description to the specific event (located in space and time) and from their situatedness in the outlooks of White Western Modernity.

SOME KEY QUESTIONS:

* If and, if yes, how, is it possible to “read/write/perform in-between the lines” of the descriptions, framed from the point of view of a specifically located white Western, colonial gaze?

* What kind of “readings/writings/performings-in-between-the-lines” can and can’t “we” (differently located workshop participants) perform

* Which tools and performative re/worlding practices can and can’t “we” collectively develop?

* What can “we” learn as well as unlearn from such processes of collective “reading/writing/performing in-between-the-lines”?

* Which kinds of ethical reflections does the process of generating new approaches to the Hain require and produce?

BACKGROUND

The workshop builds on Camila Marambio’s longtime fieldwork in Tierra del Fuego, as part of the nomadic research programme Ensayos and her  PhD research in Curatorial Practice at Monash University, Melbourne, and on both authors’ joint work to organize ‘Queering the Hain-workshops’ (Melbourne, Australia, 2018, and Santiago, Chile, 2019), recently in collaboration with Hema’ny Molina Vargas, President of the Selk’nam organization Covadonga Ona (Corporación Selk’nam Chile, Comunidad indigena Covadonga Ona).

BIO-NOTES

Camila Marambio,  is curator of Ensayos (https://ensayostierradelfuego.net/), and her work with the program has been represented in exhibitions and performances at the Kadist Art Foundation, Paris; the Institute for Art and Olfaction, Los Angeles; BHQFU, New York; Puerto de Ideas, Valparaíso; Festival Cielos del Infinito, Puerto Williams, CL; Kurant, Tromsø, NO; and Psi #22, Melbourne, AU. Currently a PhD Candidate in Curatorial Practice at MADA in Melbourne, Australia, Marambio received an M.A. in Modern Art: Critical Studies at Columbia University and a Master of Experiments in Art and Politics at Science Po in Paris; attended the Curatorial Programme at de Appel Arts Center in Amsterdam; and was Head Curator at Matucana 100 (Santiago, CL) and Assistant Curator at Exit Art (New York, NY).

Nina Lykke, Professor Emerita, Gender Studies, Linköping University, Sweden. Co-founder of Queer Death Studies Network, and Network for Ecocritical-Decolonial Research. Current research: queering of  cancer, death, and  mourning in queerfeminist materialist, decolonial and eco-critical perspectives; autophenomenographic and poetic writing. Recent publications:  When death cuts apart, in: Juvonen & Kohlemainen: Affective Inequalities in Intimate Relationships. Routledge, New York  2018; Rethinking socialist and Marxist legacies in feminist imaginaries of protest from postsocialist perspectives. Social Identities. Journal for the Study of Race, Nation and Culture.  2018:24 (2). Making Live and Letting Die: Cancerous Bodies between Anthropocene Necropolitics and Chthulucene Kinship. Environmental Humanities. 2019: 11 (1): 108-136. Personal website: https://ninalykke.net

ORGANIZERS: The workshop is co-organized by Tema Genus and REMESO, Linköping University. Contact: Professor Nina Lykke (nina.lykke@liu.se), Tema Genus, and PhD student Asher Goldstein (asher.goldstein@liu.se), REMESO.

 

Open call: The Kelp Congress

[DEADLINE: 2 May 2019]

See: The Kelp Congress open call (LIAF 2019 website)

The Kelp Congress at LIAF (Lofoten International Art Festival) 2019 between the 17th and 22nd of September in Svolvær is an event consisting of three parallel workshops that will lead into a weekend public programme. These workshops will harness the recent discourse surrounding seaweed within contexts such as energy, nutrition, agriculture, and medicine, and will shift the focus onto lesser explored artistic and cultural dimensions related to kelp and other macroalgae.

Who can apply? 
Artists, scientists, activists, writers, film-makers, researchers, and those working within arts and culture organisations. The Kelp Congress is grounded within a Nordic context, but the call is open to all nationalities.

Conditions:
Food, accommodation, and local transportation will be provided. Travel to and from Lofoten is not included.

How to Apply:
If you are interested in participating, please submit an Application Form.
We aim to contact all applicants by mid-May.

Deadline: 
Thursday 2 May, 2019

The Kelp Congress is organised as part of LIAF 2019, in collaboration with Mustarinda, The Department of Seaweed, Posthumanities Hub, ArtLab Gnesta, Skaftfell – Center for Visual Art, and co-produced with Annette Wolfsberger. LIAF 2019 is curated by Hilde Methi, Neal Cahoon, Karolin Tampere, and Torill Østby Haaland.

Contact & Further Information: info@liaf.no

Open call in a pdf format..

The Posthumanities Hub Seminar with Dr. Marietta Radomska at KTH Royal Institute of Technology Stockholm (22nd January)

Welcome to The Posthumanities Hub seminar with Dr. Marietta Radomska on Deterritorialising Death: Queer(ing) Methodology and Contemporary Art, which takes place on 22 January (Tuesday) at 10:15 – 12:00 in the seminar room at Division of History of Science, Technology and Environment KTH, Teknikringen 74 D, Stockholm.

Deterritorialising Death: Queer(ing) Methodology and Contemporary Art

Abstract:

This paper stems from a project that asks what happens when contemporary art – in a dialogue with feminist materialist philosophies – is mobilised in order to challenge conventional (i.e. anchored in the Western tradition of the autonomous (exclusively) human subject) understandings of death, and assess multiple vulnerabilities and power differentials that form part of the materialisations of ecologies of death in the context of the Anthropocene.

In other words, the project examines how contemporary art read through the lens of feminist materialist philosophies (e.g. Colebrook, MacCormack, Grosz) may – and do – queer, that is, unsettle, subvert and exceed binaries, given norms, normativities, and conventions that frame and govern the bodies and processes constitutive of death, extinction and annihilation, especially in the given environmental context.

In order to do so, we need an adequate set of tools. In this paper, I argue for a tripartite methodology that queers the traditional human-exceptionalist concept of death: (1) feminist biophilosophy as an examination that does not search for an ‘essence’ of life, but instead focuses on the processes that take life beyond itself; (2) ‘the non/living’ (Radomska 2016) as a way to conceptualise death/life entanglement; and (3) queer vitalism as a ground for aesthetics (Colebrook 2014). By discussing each of these components and employing them in the analysis of select artworks, I hope to open up a space for discussion on this queer(ing) methodology’s potential for mobilising a novel feminist-materialist understanding of both ontology and ethics of death.

Bio:

Marietta Radomska, PhD, is a Postdoc at the Department of Thematic Studies (Gender Studies), Linköping University, SE, and a Visiting Postdoctoral Researcher at the Department of Cultures (Art History), University of Helsinki, FI. She is the co-director of The Posthumanities Hub; founder of The Eco- and Bioart Research Network, co-founder of International Network for ECOcritical and DECOlonial Studies and a founding member of Queer Death Studies Network. Radomska is a feminist philosopher and transdisciplinary gender studies and posthumanities scholar. Her current research project focuses on ecologies of death in the context of contemporary art. She is the author of the monograph Uncontainable Life: A Biophilosophy of Bioart (2016), and has published in Australian Feminist Studies, Somatechnics, and Angelaki, among others.

Who are the feminist environmental and environmental justice heroes currently MISSING from Wikipedia?

Recognizing that Wikipedia is the first point of entry for curious people everywhere, we are launching a new project to increase the representation of key environmental figures on the Wikipedia platform. We are especially interested in women, people of color, and social justice activists, as well as in terms, concepts, or key historical events in the realms of environmental justice and feminist environmental practices.

Who are the people, concepts, or events you have found missing from Wikipedia? Who is there, but needs a more up-to-date or more nuanced entry?

Please feel free to consult either the Swedish or English-language sites, and specify below from which Wikipedia your person, concept, or event is missing. For example, perhaps the English site has a person the Swedish site does not, or vice versa. We aim to update pages for both audiences.

Over the next few months, we’ll be focusing on adding and revising entries within the broad areas of environmental justice and feminist environmental studies, and we’ll keep you posted about our results.

8th Biennial Conference of the European Association for the Study of Literature, Culture and Environment (EASLCE): “The Garden – Ecological Paradigms of Space, History, and Community”

The Garden Conference poster

Join the 8th Biennial Conference of the European Association for the Study of Literature, Culture and Environment (EASLCE): “The Garden – Ecological Paradigms of Space, History, and Community” at the University of Würzburg (Germany) from September 26 -29, 2018.

For more info click HERE.

Early bird registration until 31st Augst!

 

REMINDER: Prof. Rosi Braidotti’s summer school “Posthuman Ethics, Pain and Endurance (How to Live an Anti-Fascist Life and Endure the Pain)”

Prof. Rosi Braidotti’s summer school “Posthuman Ethics, Pain and
Endurance (How to Live an Anti-Fascist Life and Endure the Pain)”

20-24th of August 2018
uu summer school UU logo
Drift 13, 004 – Utrecht University, 3512 BR Utrecht, the Netherlands
Course Director: Prof. Rosi Braidotti
Lecturers: Prof. Rosi Braidotti (Utrecht University), Dr. Rick Dolphijn
(Utrecht University), Lucas van der Velden (Sonic Acts), and Simone
Bignall (Flinders, University of South Australia)

The 2018 summer school, titled “Posthuman Ethics, Pain and Endurance,” which will take place between the 20th-24th of August 2018 at Utrecht University, in Utrecht, the Netherlands, combines an introduction to the basic tenets of Braidotti’s brand of critical posthuman theory with an overview on contemporary debates about the ethical implications of posthumanism and the so-called ‘posthuman turn’.
While the emphasis of the course will be on the mutually enriching relationship between the posthuman, neo-materialism, and the ethics of affirmation, this year the main topic will be both the practical and theoretical issues around the notions of pain and endurance in the contemporary world.
How does a vision of the posthuman subject as a process of interaction between human, non-human and inhuman forces help us cope with the multi-facetted challenges of the contemporary world, caught between the Fourth Industrial Revolution and the Sixth Extinction? How does the neo-Spinozist notion of endurance foster the project of constructing an affirmative ethics for posthuman subjects, at a time of social and political regression on so many fronts? How does
this vital ethics of affirmation help us confront suffering, death and dying? What does it mean to lead an anti-fascist life in brutal times?
Following an established tradition, each day of the course is structured as follows: the mornings are devoted to plenary keynote lectures, by the course leader, invited teachers and special guests. The afternoons are devoted to parallel seminar sessions. All of the participants will be sub-divided into smaller tutoring groups, led by a team of tutors who follow the same group throughout.
Participants will be notified of the group they have been assigned to and receive the name and contact details of their tutor before the summer school starts. Rosi Braidotti will be present every afternoon, will visit all the groups and will participate in all of them in turns. Adjustments and changes to the assigned groups can be made if necessary. At the end of the afternoon all the tutorial groups come together for a closing plenary discussion session, chaired by Braidotti.
Please click on the following registration link if you are interested in participating:
https://www.utrechtsummerschool.nl/courses/culture/posthuman_ethics_pain_and_endurance
Or send an e-mail to receive more information to: gw.braidottiass@uu.nl
*Please note that all participants of this summer school are expected to
have read several selected entries of The Posthuman Glossary
(Bloomsbury 2018, see https://www.bloomsbury.com/uk/posthumanglossary-9781350030244/),
plus the Posthuman (Polity 2013).
*Please note that the course fees (excluding housing) are 300.00 euros.
You can receive 2.0 ECTS for active participation during this summer
school.

For a pdf version of this call see here.

For ‘Posthuman Glossary’ flyer see here.