The First International Queer Death Studies Conference: CfP deadline 30 June!

The First International Queer Death Studies Conference:
“Death Matters, Queer(ing) Mourning, Attuning to Transitionings”

4-5 NOVEMBER 2019,
KARLSTAD UNIVERSITY,
SWEDEN

Radomska - short lichen
Photo: Marietta Radomska

ORGANISERS:
Queer Death Studies Network
Centre for Gender Studies, Karlstad University
Tema Genus, Linköping University

[for CfP – see below. Deadline for abstracts: 30 June]

Official conference website: https://www.kau.se/en/centre-gender-studies/date/first-international-queer-death-studies-conference-death-matters

In the context of the current environmental crises, the degradation of natural resources transforms certain habitats into unliveable spaces, while social and economic inequalities and geopolitical, social and symbolic violence expose differential vulnerabilities of communities and individuals. Both global and local mechanisms of necropolitics (Mbembe 2003) exert their power over the lives and deaths of populations, making some deaths more grievable than others (Butler 2004). Simultaneously, unsustainable living conditions and environments contribute to increased mortality rates and the extinction of species.

While natural sciences emphasise the interdependence of human and the environment, Western cultural imaginaries keep drawing a dividing line between humans and nonhuman others, particularly visible in the context of death. The division is combined with a dual approach to death – human death in particular – namely, Western cultural frameworks tend to present human death either as a step towards a disembodied afterlife (Christian tradition), or as something to be eradicated in favour of survival (secular biomedical perspective).

Arguably, the questions of death have been present in Western philosophy since antiquity. While these perspectives explore both ontological and axiological aspects of death, they are primarily concerned with the death of human individuals, seen from the perspective of the sovereign subject. Furthermore, questions around death, human remnants and the cultural and medical aspects of dying have been studied from anthropological, sociological, historical, and psychological perspectives, next to the biomedical ones. Since its establishment as a research field in the 1970s, Death Studies has drawn attention to the questions of death, dying and mourning as complex and multifaceted phenomena that require interdisciplinary approaches.

Yet, the engagements with death, dying and mourning constitutive of conventional Death Studies’ research, have left many questions open insofar as they have often been governed by the normative notions of: the subject; continuing bonds; family relations and communities; rituals; and experiences of mourning, and bereavement. Individuals who do not fulfil the conditions of the normative idea of the human (usually imagined to be white, middle-class, heterosexual, cis-gendered, able-bodied) tend to be ignored in dominant stories on death, loss, grief and mourning. Moreover, the current environmental crisis seems to produce a growing consciousness about living in ecological and social proximities to death, which also gives rise to demands for more diverse, nuanced and inclusive stories of death, dying and mourning.

The emerging field of Queer Death Studies (QDS), which the conference creates an arena for, aims to fill these gaps in traditional Death Studies, by attending to issues of: diverse cultural, socio-political, historical, and economic conditions; entangled relations between human and the environment in the context of the Anthropocene; differential experiences of marginalised communities and individuals excluded from the hegemonic discourses on death, loss, grief and mourning, associated for example with the heteronormative model of family bonds; and, contemporary forms of necropolitics: mechanisms of power that force certain bodies into liminal spaces between life and death.

Against this background, QDS emerges as a transdisciplinary field of research that critically and (self) reflexively investigates and challenges conventional normativities, assumptions, expectations, and regimes of truths that are brought to life and made evident by death, dying and mourning. By bringing together conceptual and analytical tools grounded in feminist materialisms and feminist theorising broadly speaking (e.g. Braidotti 2006; MacCormack 2012), queer theory (e.g. Haritaworn, Kuntsman & Posocco 2014) and decolonial critique (e.g. Fanon 1965; Mignolo 2011), QDS strives to advance methodologies and understandings that critically and creatively attend to the problem of death, dying, and mourning in the current environmental, cultural, and socio-political contexts.

In order to search for broad inspirations for alternative articulations and stories which queer, that is, unpack and question the normativities (Chen 2012; Sandilands & Erickson 2012) that often frame contemporary discourses on death, dying and mourning, The First International Queer Death Studies Conference Death Matters, Queer(ing) Mourning, Attuning to Transitionings mobilises a transdisciplinary engagement involving not only academics, but also activists, artists and other practitioners. In the context of the conference, to queer issues of death, dying and mourning means to unhinge certainties, “undo normative entanglements and fashion alternative imaginaries” beyond the exclusive concern with gender and sexuality, often associated with the term “queer” (Giffney & Hird 2008, 6). In particular, the conference calls for papers within the following three overall themes: (1) death matters and materialities, (2) queering mourning, and (3) attuning to transitionings run through both days and all keynote lectures.

KEYNOTE SPEAKERS:

Stine Willum Adrian (Aalborg University, DK) – “Stitching Stories of Broken Hearts: Rethinking technologies of Death and Dying at the Beginning of Life”

Patricia MacCormack (Anglia Ruskin University, UK) – “Embracing Death, Opening the World”

Kira O’Reilly (independent artist, Helsinki, FI),
“An un’seaming mourning
(second iteration)
a year later”

C. Riley Snorton (University of Chicago, USA) – “Mud: Queer Death and Teeming Forms of Wildlife”

CALL FOR PAPERS:

The First International Queer Death Studies Conference: “Death Matters, Queer(ing) Mourning, Attuning to Transitionings” aims to create an arena for critical discussion of death, dying and mourning that goes beyond the dual approach to death – human death in particular – that is common within Western cultural frameworks of Christian tradition or secular biomedical perspectives. As such, the conference invites scholars who work with death, dying, mourning and afterlife in relation to: diverse cultural, socio-political, historical, and economic conditions; entangled relations between human and the environment in the context of the Anthropocene; differential experiences of marginalised communities and individuals excluded from the hegemonic discourses on death, loss, grief and mourning, associated for example with the heteronormative model of family bonds; and, contemporary forms of necropolitics: mechanisms of power that force certain bodies into liminal spaces between life and death (for instance, refugees whose lives in detention camps turn into the state of “social death” (Mirzoeff 2019)). Interventions that focus on practices that resist hegemonic norms, as well as queer and decolonialise mourning and remembering are also welcome.

In order to search for broad inspirations for alternative articulations and stories which queer, that is, unpack and question the normativities (Chen 2012; Sandilands & Erickson 2012) that often frame contemporary discourses on death, dying, mourning and afterlife, the conference is based on a transdisciplinary engagement involving not only academics, but also activists, artists and other practitioners. In the context of the conference, to queer issues of death, dying, mourning and afterlife means to unhinge certainties, “undo normative entanglements and fashion alternative imaginaries” beyond the exclusive concern with gender and sexuality, often associated with the term “queer” (Giffney & Hird 2008, 6). In particular, the conference will call for papers within the following three overall themes: (1) death matters and materialities, (2) queering mourning, and (3) attuning to transitionings run through both days and all the keynote lectures.

The conference invites individual papers (length: 20 min) that engage with – but are not necessarily limited to – the following themes:

– Queer methodologies of researching death, dying, mourning and afterlife
– Queering and decolonialising practices of mourning, bereavement and remembrance
– Materiality of death and corpses
– Queering philosophies of death
– Death/life ecologies
– Necropolitics and borders
– Queer and trans necropolitics
– Un/grievable lives and deaths
– Death and biotechnology/biomedicine
– Queering cancer and other life-threatening diseases
– Suicide
-Technologies of life/death
– Queer widowhood
– Decolonialising death
– Illness narratives and death
– Ethico-politics and practices of killability
– Nonhuman death and dying
– Extinction and annihilation
– Death and acts of resistance
– ‘Slow death’
– Queering temporalities of death
– Queer spiritualities
– Death, ghosts and hauntology

Please, send a 300-word long abstract, accompanied by a 100-long bio to: qdsconference[at]gmail.com .

Deadline for abstracts: 30 June 2019

Workshop: Becoming with Alien Encounters and Speculative Storytelling

Welcome to the workshop “Becoming with Alien Encounters and Speculative Storytelling in a More-than-human World” that takes place on 4th June at 13:15 – 16:00, in the big seminar room at Division of History of Science, Technology and Environment, KTH (Teknikringen 74 D, Stockholm).

No registration is required.

Workshop: Becoming with Alien Encounters and Speculative Storytelling

Speculative storytelling refers to a wide range of narrative fiction, poetic and artistic articulations that employ ’fantastic’, supernatural, spiritual or other non-mimetic elements. In the times of the climate change and environmental crisis, accompanied by futuristic ’technology-will-save-us’ scenarios, on the one hand, and visions of  ‘doom and gloom’, on the other, speculative storytelling has gained momentum as a way to reimagine futures beyond the human-centred narratives of the Anthropocene. This, importantly, includes a reimagining and experimentally re-establishing of new posthuman relationalities, corpo-affectively grounded in a situated caring ethics, as well as a decentring and deconstruction of the sovereign human subject and its claim to an exceptional position of enunciation. In this poetic/artistic-philosophical workshop, we will reflect on theoretical and practical tools to be interpellated to approach the radically different, without gesturing towards anthropomorphisation or domestication. Alongside of the theorising, we will also, through poetic-artistic articulations, explore the processes of decentring the human subject position and preparing for ’alien encounters’ – what in the ethics of Gilles Deleuze is framed as ’making yourself worthy of the event’. We will draw examples from alien encounters with lichen, algae, pollen, and underwater creatures, among others. As part of the workshop, we will invite the audience to try out their own approaches to such encounters through short writing prompts.

Speakers/workshop facilitators:

Katja Aglert, independent artist and researcher, SE

Line Henriksen, University of Copenhagen and IT University of Copenhagen, DK

Nina Lykke, University of Linköping, SE

Camila Marambio, Melbourne University, AUS

Tara Mehrabi, Karlstad University, SE

Marietta Radomska, Linköping University, SE and University of Helsinki, FI

PHOTO - M. RADOMSKA
Photo: Marietta Radomska
Bios:

Katja Aglert is a Stockholm based independent artist and researcher whose practice – situated in feminist, more-than-human imaginaries – is transdisciplinary in nature, and includes both individual and collaborative projects. Currently she examines artistically through hybrid forms of storytelling how we through the experiences of multi-beings-encounters can investigate what it can mean to materialise perspectives beyond the human-centred narratives. She exhibited widely, including venues such as Marabouparken and Biologiska Museet, Stockholm (SE); Solyanka State Gallery, Moscow (RU); Polarmuseet, Tromsø (NO); Fotografisk center, Copenhagen (DK); FLORA ars+natura, Bogota (COL); Museum for Contemporary Art, Santiago (CHL). She is an executive board member of The Seed Box, an international environmental humanities collaboratory headquartered at Linköping University. She teaches regularly at Umeå Art Academy, and Konstfack University of Arts, Crafts, and Design. katjaaglert.com

Line Henriksen, PhD is a lecturer in Gender Studies at the University of Copenhagen and IT University Copenhagen, DK. She holds a PhD in Gender Studies from the Unit of Gender Studies at Linköping University, Sweden. Henriksen has published on the subjects of monster theory, hauntology and digital media in journals such as Women & Performance and Somatechnics, and her fiction has appeared in Andromeda Spaceways and Tales to Terrify, among others. She is a founding member of the Monster Network.

Nina Lykke, PhD, Professor Emerita, Gender Studies, Linköping University, Sweden. Co-founder of Queer Death Studies Network, and The International Network for ECOcritical and DECOlonial Research. Current research: queering of cancer, death, and mourning in queerfeminist materialist, decolonial and eco-critical perspectives; autophenomenographic and poetic writing. Recent publications:  Queer Widowhood. Lambda Nordica. 2015:4; Academic Feminisms: Between Disidentification, Messy Everyday Utopianism, and Cruel Optimism. Feminist Encounters.  2017:1(1); When death cuts apart, in: Juvonen & Kohlemainen: Affective Inequalities in Intimate Relationships. Routledge, New York 2018; Rethinking socialist and Marxist legacies in feminist imaginaries of protest from postsocialist perspectives. Social Identities. Journal for the Study of Race, Nation and Culture.  2018:24 (2). Website: https://ninalykke.net

Camila Marambio is curator of Ensayos, and her work with the program has been represented in exhibitions and performances at the Kadist Art Foundation, Paris; the Institute for Art and Olfaction, Los Angeles; BHQFU, New York; Puerto de Ideas, Valparaíso; Festival Cielos del Infinito, Puerto Williams, CL; Kurant, Tromsø, NO; and Psi #22, Melbourne, AU. Currently a PhD Candidate in Curatorial Practice at MADA in Melbourne, Australia, Marambio received an M.A. in Modern Art: Critical Studies at Columbia University and a Master of Experiments in Art and Politics at Science Po in Paris; attended the Curatorial Programme at de Appel Arts Center in Amsterdam; and was Head Curator at Matucana 100 (Santiago, CL) and Assistant Curator at Exit Art (New York, NY).

Tara Mehrabi, PhD, is a Lecturer at the Centre for Gender Studies, Karlstad University (Sweden). She is a feminist technoscience studies scholar who is interested in the intersection of gender studies, medical humanities and environmental humanities. She is a founding member of Queer Death Studies Network and a member of The Posthumanities Hub. Meharbi is the author of the monograph Making Death Matter: A Feminist Technoscience Study of Alzheimer’s Sciences in the Laboratory (2016). She has published in anthologies such as Animal Places. Lively Cartographies of Human Animal Relations, (eds.) by J. Bull, T. Holmberg & C. Åsberg, Routledge (2018), Gendering Drugs: feminist studies of pharmaceuticals, (ed.) by E. Johnson, Palgrave (2017) and journal Gender, Women & Research (2018).  Website: https://taramehrabi.wordpress.com/.

Marietta Radomska, PhD, is a Postdoc at the Department of Thematic Studies (Gender Studies), Linköping University, SE, and at the Department of Cultures (Art History), University of Helsinki, FI. She is the co-director of The Posthumanities Hub; founder of The Eco- and Bioart Research Network, co-founder of International Network for ECOcritical and DECOlonial Studies and a founding member of Queer Death Studies Network. Her current research focuses on ecologies of death in the context of contemporary art. She is the author of the monograph Uncontainable Life: A Biophilosophy of Bioart (2016), and has published in Australian Feminist Studies, Somatechnics, and Angelaki, among others. Website: https://mariettaradomska.com/

Bioart Society: SOLU Space Opening

[Repost from Bioart Society]

SOLU_Space_merged_new
source: Bioart Society https://bioartsociety.fi/posts/solu-space-opening

SOLU Space opening

Dear friends and colleagues,

In spring we commemorated together the 10th anniversary of Bioart Society. It is now again time to celebrate big time and with great pleasure, we invite you to the opening of our new SOLU Space. The new SOLU Space is a major component of an ongoing transformation from Bioart Society to SOLU – an artistic laboratory and platform for art, science and society. Please join us on Nov. 9th and 10th at Luotsikatu 13 in Katajanokka to celebrate and reminisce the past successful years and to toast to the coming ones!

Friday 9th of November 15:00h

We start with brief opening speeches by Mari Keski Korsu (Bioart Society), Antti Tenetz (TAIKE), Anna Talasniemi (Kone Foundation), Atte Korhola (HY) and a toast to the new SOLU Space with sparkling. After that we continue with an inaugural speech, a journey through (bio)art history with bioart pioneer Antero Kare, performative interventions by Till BovermannKira O’Reilly and Ava Grayson, and the opening of a photographic retrospective of ten years work of the Bioart Society. We commence with food and a proper party. For the party in the evening we kindly ask you to bring some drinks.

Saturday 10th of November 09:30h – 15:30h

A Conversation in Progress
ambiguous, changeable, erratic, fickle, insecure, irrational, precarious, risky, rocky, sensitive, shaky, slippery, ticklish, tricky, uncertain, unpredictable, unsettled, unsteady, volatile, weak, wobbly, borderline, capricious, dizzy, dubious, fitful, fluctuating, giddy, inconsistent, inconstant, lubricious, mercurial, mobile, movable, moving, mutable, not fixed, rickety, shifty, suspect, teetering, temperamental, untrustworthy, vacillating, variable, wavering, weaving, wiggly

09:30-10:00h Welcome with coffees and pulla

10:00-12:00h What we do in the shadows
– a sneak preview into the upcoming book of the Bioart Society with writers and the editorial team moderated by Kira O’Reilly with

Marietta RadomskaDoing Away with Life: On Biophilosophy, the Non/Living, Toxic Embodiment, and Reimagining Ethics
Erich Berger(Deep) Time Machines – artistic vehicles and the scope of the real
Antti TenetzMachine Wilderness – a field report

Short break

Helena SederhomExamining the Monstrous
Kaspari Mäki ReinikkaCave paintings for the AI – Art in the age of Singularity

12:00-13:00 Pizza, lemonade, coffee, mingling

13:00-14:00 What we do in the lights
– an art and science Petcha Kutcha session with
Leena Valkeapää, Minna Langström, Paula Humberg, Lauri Linna, Björn Kröger, Jose Cano Arias, Maarit Laihonen, Jussi Eronen

Short break

14:15-15:00 Discussion panel moderated by Juha Huuskonen/HIAP with
Taru Elfving/Seili residency, Lucy Davies/Aalto Univ., Paul O’Neill/Publics, Pauliina Leikas/Mustarinda, Piritta Puhto/Bioart Society

For more see: Bioart Society

Who are the feminist environmental and environmental justice heroes currently MISSING from Wikipedia?

Recognizing that Wikipedia is the first point of entry for curious people everywhere, we are launching a new project to increase the representation of key environmental figures on the Wikipedia platform. We are especially interested in women, people of color, and social justice activists, as well as in terms, concepts, or key historical events in the realms of environmental justice and feminist environmental practices.

Who are the people, concepts, or events you have found missing from Wikipedia? Who is there, but needs a more up-to-date or more nuanced entry?

Please feel free to consult either the Swedish or English-language sites, and specify below from which Wikipedia your person, concept, or event is missing. For example, perhaps the English site has a person the Swedish site does not, or vice versa. We aim to update pages for both audiences.

Over the next few months, we’ll be focusing on adding and revising entries within the broad areas of environmental justice and feminist environmental studies, and we’ll keep you posted about our results.

8th Biennial Conference of the European Association for the Study of Literature, Culture and Environment (EASLCE): “The Garden – Ecological Paradigms of Space, History, and Community”

The Garden Conference poster

Join the 8th Biennial Conference of the European Association for the Study of Literature, Culture and Environment (EASLCE): “The Garden – Ecological Paradigms of Space, History, and Community” at the University of Würzburg (Germany) from September 26 -29, 2018.

For more info click HERE.

Early bird registration until 31st Augst!

 

The Second International Symposium “Eco/Decolonial Arts: Re-imagining Futures”, 28 August at Konstfack, Stockholm, SE

The International Network for ECOcritical and DECOlonial Research in collaboration with The Posthumanities Hub and with a generous support by Konstfack University of Arts, Crafts, and Design present:

The Second International Symposium

Eco/Decolonial Arts: Re-imagining Futures

28th August 2018, 10:15 – 18:00

Venue: Konstfack University of Arts, Crafts, and Design, Stockholm

(room: MANDELGREN)

eco deco Aug 2018
Photo: Cecilia Åsberg

As the current ecological crises and different forms of oppression, discrimination and injustice around the globe demonstrate, the questions of the environment and the people, as well as of social and environmental justice, are not isolated from one another. These concerns and connections come to the fore in both implicit and explicit ways in the work of artists, activists and academics working with the issues of decolonisation, on the one hand, and ecology, on the other.

The International Network for ECOcritical and DECOlonial Research connects artists, activists and academics, who in their work, in both implicit and explicit ways, concentrate on these connections and concerns: the issues of ecology, on the one hand, and decolonisation, on the other.

The network was officially launched at the workshop ‘Eco/Decolonial Arts: Open-ended Poetic/Philosophical Forays’, which took place on 28-29 June 2017 in Linköping. The two-day event was focused on the developing of transversal dialogues between various ways of engagement with both decolonial and ecocritical/ecological perspectives. The slash [‘/’] in the name of the workshop (‘Eco/Decolonial’) refers to feminist scholar Karen Barad’s (2014) concept of ‘cutting together apart’ that points to the necessary entanglement of nature and culture; the environment and the human; epistemic, symbolic and physical violence towards nonhumans and humans alike; and finally, to the call for environmental and social justice.

The rich conversations that arose during the last-year workshop and still fuel the network’s activities have also inspired us to organise the second edition of ‘Eco/Decolonial Arts’ – yet, this time in a form of a one-day symposium. Thus, the upcoming event, scheduled on 28th August 2018 and taking place at Konstfack University of Arts, Crafts, and Design in Stockholm, will focus not only on the urgency of posing questions that combine concerns with the environment and decolonial critique in their broadest understanding, but also on the arts’ unique potential for a diverse, multifaceted, creative and critical query of what such transdisciplinary engagements might mean for reimaging a different future in a ‘more-than-human’ world.

Programme :

10:00 – 10:30 – Introduction

10:30 – 11:05 – Katja Aglert, Turning over the grounds of sgulS and.

11:05 – 11:40 – Vera Weetzel, White tears and tear art. Reflections on whiteness and    complicity in bio/eco art

11:40 – 12:15 – Marietta Radomska, Non/living Archives: Deterritorialising Death

12:15 – 13:30 – Lunch break (self-paid basis)

13:30 – 14:05 – Madina Tlostanova, On the way to a pluriverse? A Feetless Bird in a Vanished Forest-garden

14:05 – 15:15 – Camila Marambio and Nina Lykke, Vulnerable Story Telling. Queering cancer beyond the life/death hierarchy

15:15 – 15:45 – Coffee break (self-paid basis)

15:45 – 16:20 – Cecilia Åsberg, Why the environmental humanities needs art, worldly situatedness and integrative feminist theory-practices

16:20 – 16:55 – Anne Gough, Walking to Al Quds

16:55 – 17:30 – Dalida Maria Benfield, Where We Are Now: A Dispatch From “Indigenous Knowledges and Sustainable Pasts/Futures”

17:30 – 18:00 – Final discussion: the future of the network (‘where do we go from here?’)

Full programme with abstracts and bios: click HERE.

 

CALL FOR APPLICATIONS: EASCLE Webinar on ‘Toxic Embodiment’ by Prof. Cecilia Åsberg and Dr. Marietta Radomska

Photo: Cecilia Åsberg

Join us for the EASCLE Webinar on ‘Toxic Embodiment’ – for more info click HERE.

Webinar: ‘Toxic Embodiment’

By Prof. Cecilia Åsberg and Dr. Marietta Radomska

Sat, Aug 25th, 10:30-12:00 CEST.

REGISTER HERE

Existential concerns around environmental health today involve a much wider set of issues (and a wider set of bodies) as we intra-act with antibiotics, nanoparticles, and untested chemical cocktails through the food we eat, the make-up we wear, the new sofas we sit on, or the environments we dwell in. We are more acutely aware today of how we are in nature, and nature – polluted as it may be – in us. With the recognition of the ecological crisis and its gravity, we have – according to some scientific experts – entered a new geological period: the Anthropocene, in which it is the human who constitutes the biggest threat to the survival of the earth and its human as well as more-than-human inhabitants.

Through the proliferation of plastics and chemical pollution more generally, petrochemicals constitute in effect forms of social, material, and biological writing of toxic embodiment. This makes toxic embodiment an urgent concern for environmental humanities and for environmental literacies at large.

Advancements in genetic engineering, the chemicalization of food production, and the rapid growth of the pharmaceutical industry have made human, animal, and plant embodiments simultaneously enhanced and debilitated. They become ‘toxic bodies’, ‘pharmaceutical subjects’, and they leave a toxic footprint in the world.

By approaching the theme of ‘toxic embodiment’ from a broad and transdisciplinary perspective (eco-cultural studies; body and gender studies; medicine and life sciences; posthumanities; science, technology, and society; and, especially, the environmental humanities), this webinar will explore the risks and the opportunities that these changes may bring.

More specifically, the session will engage with the topic of toxic embodiment as our always-already environed technobodies, and how they/we are shaped by health norms and toxic realities that put into question the notions of health and disease, vulnerability and well-being, as well as life/death, and the dis/ability of the ‘natural’ human body. Here, the ‘human’ emerges as a set of toxic embodiments – ones that are radically tethered to, or shaped by, their milieus, including their more-than-human companions (synthetic molecules, microbes, fungi, plants, and animals), and the ways they/we all come together.

 

Inspirational questions:

  1.  How do questions of toxicity and its impact on both human and nonhuman bodies influence environmental discourses? How do they influence the articulation of environmental problems? What kind of imaginaries do they mobilise and what futures do they seek to envision?
  2. What conceptualisations of the body emerge from the present narratives on toxicity? What are the understandings of the subject that are (re)produced through these narratives?
  3. Environmental discourses that engage with the issues of toxicity often put emphasis on the ideas of the natural and the anthropogenic, the normal and the abnormal, as well as health and illness. How are these notions understood in the context of the webinar readings? Are they reworked or abandoned? What does the enquiry of toxic embodiment do to their conventional understandings?
  4. What new approaches, methodologies, and methods does the work on toxic embodiment offer?

Primary literature:

Ah-King, Malin and Eva Hayward. 2013. ‘Toxic Sexes: Perverting Pollution and Queering Hormone Disruption’. O-zone: A journal of object-oriented studies 1: 1-12. Available at: https://www.academia.edu/6368781/Toxic_sexes_Perverting_pollution_and_queering_hormone_disruption

Alaimo, Stacy. 2016. ‘Conclusion’ in Exposed. Minneapolis: Minnesota University Press. Available at: https://dearchivecollaboration.files.wordpress.com/2016/02/alaimo-from-exposed.pdf

Chen, Mel Y. 2011. ‘Toxic Animacies. Inanimate Affections’. GLQ 17(2-3): 265-286. Available at: https://doi.org/10.1215/10642684-1163400

Davis, Heather. 2015. ‘Toxic Progeny: The Plastisphere and Other Queer Futures.’ philoSOPHIA 5 (2): 231-250. Available at: http://heathermdavis.com/wp-content/uploads/2016/01/Philosophia_Davis.pdf

Additional readings:

Zahara, Alexander R.D. and Myra Hird. 2015. ‘Raven, Dog, Human: Inhuman Colonialism and Unsettling Cosmologies’. Environmental Humanities 7: 169-190. Available at: http://environmentalhumanities.org/arch/vol7/7.9.pdf

Giovanna DiChiro (2010) ‘Polluted Politics? Confronting Toxic Discourse, Sex Panic, and Eco-Normativity’ in Queer Ecologies, eds. C. Sandilands & B. Erickson. Bloomington: Indiana University Press: 199-230.

Haraway, Donna. 2016. ‘Awash in Urine: DES and Premarin in Multispecies Response-ability’ in Staying with the Trouble. Durham: Duke University Press: 104-116.

SYMPOSIUM: Deterritorialising the Future

Deterritorialising the Future - Poster-page-001

Deterritorialising the Future: A symposium on heritage inof and after the Anthropocene

14th September 2018, 9:30 – 17:30
Senate House London
UK

What does it mean to conserve, collect, curate or interpret ‘the past’ in the shadow of the Anthropocene? How might we reimagine issues of care, vulnerability, diversity and inheritance in this new geological/conceptual framework? Drawing on current investigative work in the environmental humanities, comparative literature, media studies, archaeology, museology, and cultural geography, this transdisciplinary symposium seeks to ‘deterritorialise’ the future by exploring new modes of doing and thinking heritage in more-than-human worlds.

Confirmed speakers:

  • Cecilia Åsberg, Stockholm University
  • Denis Byrne, Western Sydney University
  • Rick Crownshaw, Goldsmiths University of London
  • Caitlin DeSilvey, University of Exeter
  • Christina Fredengren, Stockholm University
  • Franklin Ginn, University of Bristol
  • Þóra Pétursdóttir, University of Tromsø
  • Mary Thomas, Ohio State University
  • Adrian Van Allen, Musee du Quai Branly
  • Kathryn Yusoff, Queen Mary University of London
  • Joanna Zylinska, Goldsmiths University of London

Register for Tickets

 

* SAVE THE DATE *

The symposium will be preceded by a public lecture from Professor Claire Colebrook, Penn State University, on Thursday 13th September. See the AHRC Heritage Research Events Page for further details.

The lecture and symposium form part of the AHRC Heritage Research programme. Please visit the website to find out about our other events and activities.

To keep up to date with news and events follow us on Twitter: @AhrcHeritage