Workshop: Becoming with Alien Encounters and Speculative Storytelling

Welcome to the workshop “Becoming with Alien Encounters and Speculative Storytelling in a More-than-human World” that takes place on 4th June at 13:15 – 16:00, in the big seminar room at Division of History of Science, Technology and Environment, KTH (Teknikringen 74 D, Stockholm).

No registration is required.

Workshop: Becoming with Alien Encounters and Speculative Storytelling

Speculative storytelling refers to a wide range of narrative fiction, poetic and artistic articulations that employ ’fantastic’, supernatural, spiritual or other non-mimetic elements. In the times of the climate change and environmental crisis, accompanied by futuristic ’technology-will-save-us’ scenarios, on the one hand, and visions of  ‘doom and gloom’, on the other, speculative storytelling has gained momentum as a way to reimagine futures beyond the human-centred narratives of the Anthropocene. This, importantly, includes a reimagining and experimentally re-establishing of new posthuman relationalities, corpo-affectively grounded in a situated caring ethics, as well as a decentring and deconstruction of the sovereign human subject and its claim to an exceptional position of enunciation. In this poetic/artistic-philosophical workshop, we will reflect on theoretical and practical tools to be interpellated to approach the radically different, without gesturing towards anthropomorphisation or domestication. Alongside of the theorising, we will also, through poetic-artistic articulations, explore the processes of decentring the human subject position and preparing for ’alien encounters’ – what in the ethics of Gilles Deleuze is framed as ’making yourself worthy of the event’. We will draw examples from alien encounters with lichen, algae, pollen, and underwater creatures, among others. As part of the workshop, we will invite the audience to try out their own approaches to such encounters through short writing prompts.

Speakers/workshop facilitators:

Katja Aglert, independent artist and researcher, SE

Line Henriksen, University of Copenhagen and IT University of Copenhagen, DK

Nina Lykke, University of Linköping, SE

Camila Marambio, Melbourne University, AUS

Tara Mehrabi, Karlstad University, SE

Marietta Radomska, Linköping University, SE and University of Helsinki, FI

PHOTO - M. RADOMSKA
Photo: Marietta Radomska
Bios:

Katja Aglert is a Stockholm based independent artist and researcher whose practice – situated in feminist, more-than-human imaginaries – is transdisciplinary in nature, and includes both individual and collaborative projects. Currently she examines artistically through hybrid forms of storytelling how we through the experiences of multi-beings-encounters can investigate what it can mean to materialise perspectives beyond the human-centred narratives. She exhibited widely, including venues such as Marabouparken and Biologiska Museet, Stockholm (SE); Solyanka State Gallery, Moscow (RU); Polarmuseet, Tromsø (NO); Fotografisk center, Copenhagen (DK); FLORA ars+natura, Bogota (COL); Museum for Contemporary Art, Santiago (CHL). She is an executive board member of The Seed Box, an international environmental humanities collaboratory headquartered at Linköping University. She teaches regularly at Umeå Art Academy, and Konstfack University of Arts, Crafts, and Design. katjaaglert.com

Line Henriksen, PhD is a lecturer in Gender Studies at the University of Copenhagen and IT University Copenhagen, DK. She holds a PhD in Gender Studies from the Unit of Gender Studies at Linköping University, Sweden. Henriksen has published on the subjects of monster theory, hauntology and digital media in journals such as Women & Performance and Somatechnics, and her fiction has appeared in Andromeda Spaceways and Tales to Terrify, among others. She is a founding member of the Monster Network.

Nina Lykke, PhD, Professor Emerita, Gender Studies, Linköping University, Sweden. Co-founder of Queer Death Studies Network, and The International Network for ECOcritical and DECOlonial Research. Current research: queering of cancer, death, and mourning in queerfeminist materialist, decolonial and eco-critical perspectives; autophenomenographic and poetic writing. Recent publications:  Queer Widowhood. Lambda Nordica. 2015:4; Academic Feminisms: Between Disidentification, Messy Everyday Utopianism, and Cruel Optimism. Feminist Encounters.  2017:1(1); When death cuts apart, in: Juvonen & Kohlemainen: Affective Inequalities in Intimate Relationships. Routledge, New York 2018; Rethinking socialist and Marxist legacies in feminist imaginaries of protest from postsocialist perspectives. Social Identities. Journal for the Study of Race, Nation and Culture.  2018:24 (2). Website: https://ninalykke.net

Camila Marambio is curator of Ensayos, and her work with the program has been represented in exhibitions and performances at the Kadist Art Foundation, Paris; the Institute for Art and Olfaction, Los Angeles; BHQFU, New York; Puerto de Ideas, Valparaíso; Festival Cielos del Infinito, Puerto Williams, CL; Kurant, Tromsø, NO; and Psi #22, Melbourne, AU. Currently a PhD Candidate in Curatorial Practice at MADA in Melbourne, Australia, Marambio received an M.A. in Modern Art: Critical Studies at Columbia University and a Master of Experiments in Art and Politics at Science Po in Paris; attended the Curatorial Programme at de Appel Arts Center in Amsterdam; and was Head Curator at Matucana 100 (Santiago, CL) and Assistant Curator at Exit Art (New York, NY).

Tara Mehrabi, PhD, is a Lecturer at the Centre for Gender Studies, Karlstad University (Sweden). She is a feminist technoscience studies scholar who is interested in the intersection of gender studies, medical humanities and environmental humanities. She is a founding member of Queer Death Studies Network and a member of The Posthumanities Hub. Meharbi is the author of the monograph Making Death Matter: A Feminist Technoscience Study of Alzheimer’s Sciences in the Laboratory (2016). She has published in anthologies such as Animal Places. Lively Cartographies of Human Animal Relations, (eds.) by J. Bull, T. Holmberg & C. Åsberg, Routledge (2018), Gendering Drugs: feminist studies of pharmaceuticals, (ed.) by E. Johnson, Palgrave (2017) and journal Gender, Women & Research (2018).  Website: https://taramehrabi.wordpress.com/.

Marietta Radomska, PhD, is a Postdoc at the Department of Thematic Studies (Gender Studies), Linköping University, SE, and at the Department of Cultures (Art History), University of Helsinki, FI. She is the co-director of The Posthumanities Hub; founder of The Eco- and Bioart Research Network, co-founder of International Network for ECOcritical and DECOlonial Studies and a founding member of Queer Death Studies Network. Her current research focuses on ecologies of death in the context of contemporary art. She is the author of the monograph Uncontainable Life: A Biophilosophy of Bioart (2016), and has published in Australian Feminist Studies, Somatechnics, and Angelaki, among others. Website: https://mariettaradomska.com/

The Posthumanities Hub Seminar with Nina Lykke and Camila Marambio: 4th June, 10:15 – 12:00

Welcome to The Posthumanities Hub Seminar with Nina Lykke and Camila Marambio on Decolonialising Mourning Through Speculative Wonder and Unthinkable Questions? On the Selk’nam ‘Hain’ and Its Layers of Lostness.

The seminar takes place in the seminar room at the Division of History of Science, Technology and Environment, KTH (Teknikringen 74 D, Stockholm).

When: 4th June, 10:15 – 12:00

Cementerio grupo

Abstract:

This lecture investigates multi-layered meanings of mourning, death and loss in the context of decolonialising endeavours to learn from indigenous cosm-onto-epistemologies.  In focus is the so-called Hain, an initiation ceremony of the Selk’nam people of Tierra del Fuego. As described by Austrian ethnologist and Christian priest Martin Gusinde (1886-1969), it is recorded as having been performed for the last time in 1923. Gusinde’s research was later revised by US anthropologist Anne Chapman (1922-2010) and her Selk’nam research participant Lola Kiepja (died 1966). Since the ceremony is no longer performed, it is ‘lost’ as lived spiritual experience. Accordingly, Gusinde and Chapman embed their accounts in a context of white Western melancholia (cf. reoccurring phrases such as ‘the last Selk’nam’, ‘the last Hain’ etc). The lecture aims at critically analysing these ways of sustaining coloniality through mourning, and exploring other critically-affirmative, decolonialising approaches, and caring ethics. It builds on one author’s (Marambio) longtime fieldwork in Tierra del Fuego, carried out together with Fuegans, and on both authors’ joint work to organise Hain-workshops, using speculative wonder (Stengers 2011) and creative analytical practices to ask unthinkable questions and engage participants in collective endeavours to approach the Hain and mourn its layers of lostness otherwise.

Bio:

Camila Marambio is curator of Ensayos, and her work with the program has been represented in exhibitions and performances at the Kadist Art Foundation, Paris; the Institute for Art and Olfaction, Los Angeles; BHQFU, New York; Puerto de Ideas, Valparaíso; Festival Cielos del Infinito, Puerto Williams, CL; Kurant, Tromsø, NO; and Psi #22, Melbourne, AU. Currently a PhD Candidate in Curatorial Practice at MADA in Melbourne, Australia, Marambio received an M.A. in Modern Art: Critical Studies at Columbia University and a Master of Experiments in Art and Politics at Science Po in Paris; attended the Curatorial Programme at de Appel Arts Center in Amsterdam; and was Head Curator at Matucana 100 (Santiago, CL) and Assistant Curator at Exit Art (New York, NY).

Nina Lykke, PhD, Professor Emerita, Gender Studies, Linköping University, Sweden. Has participated in the building of Feminist Studies in Scandinavia and Europe more broadly since the 1970s. Co-founder of International Network for Queer Death Studies, and International Network for ECOcritical and DECOlonial Research. Current research interests: queering of cancer, death, and mourning in posthuman, queerfeminist, materialist, decolonial and eco-critical perspectives; autophenomenographic and poetic writing. Recent publications:  Queer Widowhood. Lambda Nordica. 2015:4; Assisted Reproduction Across Borders (co-ed. Merete Lie, Routledge 2016); Academic Feminisms: Between Disidentification, Messy Everyday Utopianism, and Cruel Optimism. Feminist Encounters.  2017:1(1); When death cuts apart: On affective difference, compassionate companionship and lesbian widowhood. T.Juvonen & M.Kohlemainen (eds): Affective Inequalities in Intimate Relationships. (Routledge 2018). She has served on numerous international editorial boards, among others for European Journal of Women’s Studies; currently she is in the advisory board of Signs. Journal of Women in Culture and Society, and co-editor of the book series Routledge Advances in Feminist Studies and Intersectionality.

 

 

Meeting with Hester Blum: 16th May

Welcome to the meeting with Hester Bloom about her book The News at the Ends of the Earth: The Print Culture of Polar Exploration (Duke University Press, 2019) she has just published and about her new project on ice and temporality (Seed Box project).

When: 16th May, 13:30 – 15:00

Where: KTH Royal Institute of Technology, EHL Labroom, Teknikringen 74D, Stockholm

Hester Blum is Associate Professor of English at Penn State University in the US. Her scholarship and teaching focus on oceanic and polar studies, nineteenth-century U.S. literature and culture, Herman Melville, and the environmental humanities. Her most recent book is The News at the Ends of the Earth: The Print Culture of Polar Exploration (Duke University Press, 2019). In it she examines polar expeditionary newspapers and other forms of knowledge that circulate geophysical and climatic extremity, both in the age of polar exploration and in our current moment of climate change and polar resource extraction. In summer 2019 she will participate in the Northwest Passage Project, an Arctic expedition tracking climate change. She is at work on two new book projects: Ice Ages, about the temporalities of ice in an epoch of anthropogenic climate change; and Castaways, a meditation on female Robinson Crusoes.​

QUEERING THE HAIN – DECOLONIALIZING MOURNING: Creative and reflexive writing workshop with Camila Marambio and Nina Lykke

Creative and reflexive writing workshop with

Camila Marambio, Monash University, Australia

Nina Lykke, Linköping University

QUEERING THE HAIN – DECOLONIALIZING MOURNING

An invitation to gather and ask the unthinkable

May 23, 2019, 10-15

Venue:   Linköping University: Campus Norrköping.

Building: Kopparhammaren, Norra Grytgatan, Entrance 10A, Floor 2, room KO22.

Registration:  Please register with name, address/affiliation and e-mail, at the latest May 20, to nina.lykke@liu.se  (max 20 participants)

Cementerio grupo

WORKSHOP FORMAT:

Through creative writing, listening exercises, and sharing of reflections, the workshop will question the Hain and other similar ceremonies, as they are understood through the anthropological material that represents them.

The workshop will take as a point of departure an introduction to the Hain, as it appears in the anthropological/ethnological literature, then move through stories told by descendants of those performing the last Hain in the early 20th century, and to the implied layers of “lostness” and the task of translation and decolonializing.

WHAT IS THE HAIN?

As described by Austrian ethnologist and Christian priest Martin Gusinde (1886-1969), the Kloketen-Hain is an initiation ceremony of the Selk’nam people of Tierra del Fuego.  It is recorded as having been performed for the last time in 1923. Gusinde’s research was later revised by the anthropologist Anne Chapman (1922-2010) and her Selk’nam research participant Lola Kiepja (died 1966). Since the ceremony is no longer performed, it seems to have been “lost” as a lived spiritual experience. Anthropologists and ethnologists, most coming from colonial Western contexts, who have described ceremonies such as the Hain, often limit their description to the specific event (located in space and time) and from their situatedness in the outlooks of White Western Modernity.

SOME KEY QUESTIONS:

* If and, if yes, how, is it possible to “read/write/perform in-between the lines” of the descriptions, framed from the point of view of a specifically located white Western, colonial gaze?

* What kind of “readings/writings/performings-in-between-the-lines” can and can’t “we” (differently located workshop participants) perform

* Which tools and performative re/worlding practices can and can’t “we” collectively develop?

* What can “we” learn as well as unlearn from such processes of collective “reading/writing/performing in-between-the-lines”?

* Which kinds of ethical reflections does the process of generating new approaches to the Hain require and produce?

BACKGROUND

The workshop builds on Camila Marambio’s longtime fieldwork in Tierra del Fuego, as part of the nomadic research programme Ensayos and her  PhD research in Curatorial Practice at Monash University, Melbourne, and on both authors’ joint work to organize ‘Queering the Hain-workshops’ (Melbourne, Australia, 2018, and Santiago, Chile, 2019), recently in collaboration with Hema’ny Molina Vargas, President of the Selk’nam organization Covadonga Ona (Corporación Selk’nam Chile, Comunidad indigena Covadonga Ona).

BIO-NOTES

Camila Marambio,  is curator of Ensayos (https://ensayostierradelfuego.net/), and her work with the program has been represented in exhibitions and performances at the Kadist Art Foundation, Paris; the Institute for Art and Olfaction, Los Angeles; BHQFU, New York; Puerto de Ideas, Valparaíso; Festival Cielos del Infinito, Puerto Williams, CL; Kurant, Tromsø, NO; and Psi #22, Melbourne, AU. Currently a PhD Candidate in Curatorial Practice at MADA in Melbourne, Australia, Marambio received an M.A. in Modern Art: Critical Studies at Columbia University and a Master of Experiments in Art and Politics at Science Po in Paris; attended the Curatorial Programme at de Appel Arts Center in Amsterdam; and was Head Curator at Matucana 100 (Santiago, CL) and Assistant Curator at Exit Art (New York, NY).

Nina Lykke, Professor Emerita, Gender Studies, Linköping University, Sweden. Co-founder of Queer Death Studies Network, and Network for Ecocritical-Decolonial Research. Current research: queering of  cancer, death, and  mourning in queerfeminist materialist, decolonial and eco-critical perspectives; autophenomenographic and poetic writing. Recent publications:  When death cuts apart, in: Juvonen & Kohlemainen: Affective Inequalities in Intimate Relationships. Routledge, New York  2018; Rethinking socialist and Marxist legacies in feminist imaginaries of protest from postsocialist perspectives. Social Identities. Journal for the Study of Race, Nation and Culture.  2018:24 (2). Making Live and Letting Die: Cancerous Bodies between Anthropocene Necropolitics and Chthulucene Kinship. Environmental Humanities. 2019: 11 (1): 108-136. Personal website: https://ninalykke.net

ORGANIZERS: The workshop is co-organized by Tema Genus and REMESO, Linköping University. Contact: Professor Nina Lykke (nina.lykke@liu.se), Tema Genus, and PhD student Asher Goldstein (asher.goldstein@liu.se), REMESO.

 

Open call: The Kelp Congress

[DEADLINE: 2 May 2019]

See: The Kelp Congress open call (LIAF 2019 website)

The Kelp Congress at LIAF (Lofoten International Art Festival) 2019 between the 17th and 22nd of September in Svolvær is an event consisting of three parallel workshops that will lead into a weekend public programme. These workshops will harness the recent discourse surrounding seaweed within contexts such as energy, nutrition, agriculture, and medicine, and will shift the focus onto lesser explored artistic and cultural dimensions related to kelp and other macroalgae.

Who can apply? 
Artists, scientists, activists, writers, film-makers, researchers, and those working within arts and culture organisations. The Kelp Congress is grounded within a Nordic context, but the call is open to all nationalities.

Conditions:
Food, accommodation, and local transportation will be provided. Travel to and from Lofoten is not included.

How to Apply:
If you are interested in participating, please submit an Application Form.
We aim to contact all applicants by mid-May.

Deadline: 
Thursday 2 May, 2019

The Kelp Congress is organised as part of LIAF 2019, in collaboration with Mustarinda, The Department of Seaweed, Posthumanities Hub, ArtLab Gnesta, Skaftfell – Center for Visual Art, and co-produced with Annette Wolfsberger. LIAF 2019 is curated by Hilde Methi, Neal Cahoon, Karolin Tampere, and Torill Østby Haaland.

Contact & Further Information: info@liaf.no

Open call in a pdf format..

Call for Contributions to the Edited Volume of the InterGender Research School!

Editors: Edyta Just, Maria Udén, Vera Weetzel, Cecilia Åsberg

What is Gender Studies to you? How can Gender Studies contribute to society, academia and the state of our world at large? What is your view to the interdisciplinarity of Gender Studies? How has Gender Studies changed your career, your life, your world? How could Gender Studies change the world, or, perhaps better be changed with it?
Your situated knowledges count!
With this edited volume we would like to bring forward the importance of Gender Studies as an academic discipline in general and Gender Studies research training (PhD training) in particular using as an example the InterGender Consortium and Research School in Interdisciplinary Gender Studies. In this sense we would like this volume to be of an academic and political significance especially in the light of the current attacks on Gender Studies. The import of Gender Studies research training and as such of Gender Studies can be demonstrated on two, nonetheless intersecting, levels. The first level
corresponds with the significance of research in the field and its transformative power in and, crucially, outside the academia. The second relates to the value of networking/community building for professional and personal development. The idea is that chapters in this volume are written by current and recently graduated PhD candidates and advanced MA students that have participated in InterGender
activities. We also plan to include in the volume interviews with senior Gender Studies professors and their reflections regarding this field of study and its integration and developments.

Therefore, we would like to invite current PhD candidates, recently graduated PhD candidates (up to 6 years after obtaining a degree) and advanced MA students, who have participated in the InterGender activities: courses and cohort meetings, to send us their ideas for contributions.
For this volume we welcome contributions in different formats: academic papers, poetry, short literary stories that address, discuss, reflect on and also problematize and complexify:

  • the significance and transformative power and potential of theories and methodologies developed within the field of Gender Studies for academia and society (you, as a prospective author, are especially invited to refer to/mention a particular InterGender activity: a course and/or cohort meeting and write from the perspective of your own research interests!).
  • the value of networking and community building during Gender Studies research training (you, as a prospective author, are in particular invited to refer to, or, mention a given InterGender activity such as a course and/or cohort meeting that made an impact on your life!)

Interested? Of course! This is your chance to tell the stories of your Gender
Studies training, networking and how it affected you, and thereby tell
something about the state of Gender Studies today!
Please send us your idea for contribution!

What do I need to do?
What we need is an abstract of 500 words excluding references – please indicate the format of the contribution (i.e., paper, poetry, literary story).

Extended Deadline: 5 May 2019.

Please send your idea for contribution to Edyta Just, edyta.just[at]liu.se

We, the editors, look very much forward to your contributions.

Welcome to the Edited Volume of the InterGender research school!

The Posthumanities Hub Seminar with Dr. Marietta Radomska at KTH Royal Institute of Technology Stockholm (22nd January)

Welcome to The Posthumanities Hub seminar with Dr. Marietta Radomska on Deterritorialising Death: Queer(ing) Methodology and Contemporary Art, which takes place on 22 January (Tuesday) at 10:15 – 12:00 in the seminar room at Division of History of Science, Technology and Environment KTH, Teknikringen 74 D, Stockholm.

Deterritorialising Death: Queer(ing) Methodology and Contemporary Art

Abstract:

This paper stems from a project that asks what happens when contemporary art – in a dialogue with feminist materialist philosophies – is mobilised in order to challenge conventional (i.e. anchored in the Western tradition of the autonomous (exclusively) human subject) understandings of death, and assess multiple vulnerabilities and power differentials that form part of the materialisations of ecologies of death in the context of the Anthropocene.

In other words, the project examines how contemporary art read through the lens of feminist materialist philosophies (e.g. Colebrook, MacCormack, Grosz) may – and do – queer, that is, unsettle, subvert and exceed binaries, given norms, normativities, and conventions that frame and govern the bodies and processes constitutive of death, extinction and annihilation, especially in the given environmental context.

In order to do so, we need an adequate set of tools. In this paper, I argue for a tripartite methodology that queers the traditional human-exceptionalist concept of death: (1) feminist biophilosophy as an examination that does not search for an ‘essence’ of life, but instead focuses on the processes that take life beyond itself; (2) ‘the non/living’ (Radomska 2016) as a way to conceptualise death/life entanglement; and (3) queer vitalism as a ground for aesthetics (Colebrook 2014). By discussing each of these components and employing them in the analysis of select artworks, I hope to open up a space for discussion on this queer(ing) methodology’s potential for mobilising a novel feminist-materialist understanding of both ontology and ethics of death.

Bio:

Marietta Radomska, PhD, is a Postdoc at the Department of Thematic Studies (Gender Studies), Linköping University, SE, and a Visiting Postdoctoral Researcher at the Department of Cultures (Art History), University of Helsinki, FI. She is the co-director of The Posthumanities Hub; founder of The Eco- and Bioart Research Network, co-founder of International Network for ECOcritical and DECOlonial Studies and a founding member of Queer Death Studies Network. Radomska is a feminist philosopher and transdisciplinary gender studies and posthumanities scholar. Her current research project focuses on ecologies of death in the context of contemporary art. She is the author of the monograph Uncontainable Life: A Biophilosophy of Bioart (2016), and has published in Australian Feminist Studies, Somatechnics, and Angelaki, among others.

Dr. Tara Mehrabi’s Talk at KTH Royal Insitute of Technology Stockholm (6th November)

The Posthumanities Hub has a great pleasure to welcome to KTH Royal Institute of Technology Stockholm our guest, Dr. Tara Mehrabi (University of Turku, FI/Karlstad University, SE).

On 6th November Dr. Mehrabi gives a talk on “Queer Ecologies of Death” at KTH.

OBS!!! The event takes place in the seminar room at Division of History of Science, Technology and Environment, KTH Royal Insitute of Technology in Stockholm (address: Teknikringen 74 D, 5th floor).

It is open to the public and free of charge.

Queer Ecologies of Death

Abstract:
In this paper I explore the human-fly relation within the context of laboratory sciences. I rely on my ethnographic material collected from one year of participatory observation in an Alzheimer’s laboratory in Sweden in which scientists work with Drosophila Melanogaster, commonly known as fruit flies. Drawing on new materialism, posthuman theories and queer theories I explore queer ecologies of death. In other words, I explore how flies bodies as waste crosses the boundaries of natural/artificial, inside/outside, nature/laboratory, safe/hazardous and life/death. I argue that thinking with queer ecologies of death suggests understanding of nature, agency, non/human, and intimacy in ways that goes beyond the limits of human exceptionalism and hierarchical binary logic.

Bio:
Tara Mehrabi, PhD, is a Postdoc at the Unit of Gender Studies, University of Turku (Finland) and Lecturer at the Centre for Gender Studies, Karlstad University (Sweden). She is a feminist technoscience studies scholar who is interested in the intersection of gender studies, medical humanities and environmental humanities. Her doctoral dissertation, Making Death Matter (2016), is an ethnographic study of Alzheimer’s sciences in a Drosophila lab from a feminist materialism perspective. She is a founding member of Queer Death Studies Network. Website: https://taramehrabi.wordpress.com/.

Bioart Society: SOLU Space Opening

[Repost from Bioart Society]

SOLU_Space_merged_new
source: Bioart Society https://bioartsociety.fi/posts/solu-space-opening

SOLU Space opening

Dear friends and colleagues,

In spring we commemorated together the 10th anniversary of Bioart Society. It is now again time to celebrate big time and with great pleasure, we invite you to the opening of our new SOLU Space. The new SOLU Space is a major component of an ongoing transformation from Bioart Society to SOLU – an artistic laboratory and platform for art, science and society. Please join us on Nov. 9th and 10th at Luotsikatu 13 in Katajanokka to celebrate and reminisce the past successful years and to toast to the coming ones!

Friday 9th of November 15:00h

We start with brief opening speeches by Mari Keski Korsu (Bioart Society), Antti Tenetz (TAIKE), Anna Talasniemi (Kone Foundation), Atte Korhola (HY) and a toast to the new SOLU Space with sparkling. After that we continue with an inaugural speech, a journey through (bio)art history with bioart pioneer Antero Kare, performative interventions by Till BovermannKira O’Reilly and Ava Grayson, and the opening of a photographic retrospective of ten years work of the Bioart Society. We commence with food and a proper party. For the party in the evening we kindly ask you to bring some drinks.

Saturday 10th of November 09:30h – 15:30h

A Conversation in Progress
ambiguous, changeable, erratic, fickle, insecure, irrational, precarious, risky, rocky, sensitive, shaky, slippery, ticklish, tricky, uncertain, unpredictable, unsettled, unsteady, volatile, weak, wobbly, borderline, capricious, dizzy, dubious, fitful, fluctuating, giddy, inconsistent, inconstant, lubricious, mercurial, mobile, movable, moving, mutable, not fixed, rickety, shifty, suspect, teetering, temperamental, untrustworthy, vacillating, variable, wavering, weaving, wiggly

09:30-10:00h Welcome with coffees and pulla

10:00-12:00h What we do in the shadows
– a sneak preview into the upcoming book of the Bioart Society with writers and the editorial team moderated by Kira O’Reilly with

Marietta RadomskaDoing Away with Life: On Biophilosophy, the Non/Living, Toxic Embodiment, and Reimagining Ethics
Erich Berger(Deep) Time Machines – artistic vehicles and the scope of the real
Antti TenetzMachine Wilderness – a field report

Short break

Helena SederhomExamining the Monstrous
Kaspari Mäki ReinikkaCave paintings for the AI – Art in the age of Singularity

12:00-13:00 Pizza, lemonade, coffee, mingling

13:00-14:00 What we do in the lights
– an art and science Petcha Kutcha session with
Leena Valkeapää, Minna Langström, Paula Humberg, Lauri Linna, Björn Kröger, Jose Cano Arias, Maarit Laihonen, Jussi Eronen

Short break

14:15-15:00 Discussion panel moderated by Juha Huuskonen/HIAP with
Taru Elfving/Seili residency, Lucy Davies/Aalto Univ., Paul O’Neill/Publics, Pauliina Leikas/Mustarinda, Piritta Puhto/Bioart Society

For more see: Bioart Society