The 2020 Archipelago Lecture: Reflections on Planetary Habitability with Prof. Achille Mbembe

Welcome to The 2020 Archipelago Lecture: Reflections on Planetary Habitability with Prof. Achille Mbembe, hosted by KTH Environmental Humanities Laboratory.

The event takes place on 25th November 2020 at 15:00 – 17:00 online.

You can join the event on Facebook: here.

via KTH Environmental Humanities Laboratory:

“We are so proud to present Prof. Achille Mbembe for this years Archipelago Lecture. He is one of the most influential African philosophers, a political scientist, and a global public intellectual. His books have been translated into 13 languages.

This year the Archipelago Lecture will happen on ZOOM. More information will come, but until then: please mark your calendars and help us to spread the word.

November 25th, at 15:00 CET
Reflections on Planetary Habitability
Achille Mbembe
Research Professor of History and Politics at the Wits Institute for Social and Economic Research in Johannesburg, South Africa
Visiting Professor at Duke University”

PhD course – Gender & Sustainability: Introducing Feminist Environmental Humanities

Enroll NOW for the PhD course at KTH
Gender & Sustainability: Introducing Feminist Environmental Humanities

Coordinators: Cecilia Åsberg (cecilia.asberg@abe.kth.se) and Meike Schalk (meike.Schalk@konstfack.se, meike.schalk@arch.kth.se).

Funded by KTH Sustainability and Equality Office, this course is intended for PhD-students across KTH, within the KTD (Art, Technology, Design PhD-Programme between Konstfack and KTH), SKH and KMH, and the InterGender Research School and its universities.

MORE INFO COMING SOON!

The Physicist Dr. Ragnar Holm’s Foundation Postdoc position

KTH advertises for a Ragnar Holm postdoc position within a KTH research group.

Are you into STS, history of technology, or techno-humanities, electrics and contact-making (and contact unmakings, such as corrosion, fritting or friction) – and would want do work with us at The Posthumanities Hub of the Department of Philosophy and History? If so please contact Cecilia Åsberg urgently, cecilia.asberg[at]abe.kth.se to discuss this possibility.

NB deadline is extended to March 13, 2020.

Postdoc scholarship from Fysikern fil dr Ragnar Holms stiftelse i Kungliga Tekniska högskolan (The Physicist Dr. Ragnar Holm’s Foundation). Registration number VT-2020-0015

Application period March 2-13 2020

KTH Royal Institute of Technology in Stockholm has grown to become one of Europe’s leading technical and engineering universities, as well as a key centre of intellectual talent and innovation. We are Sweden’s largest technical research and learning institution and home to students, researchers and faculty from around the world. Our research and education covers a wide area including natural sciences and all branches of engineering, as well as architecture, industrial management, urban planning, history and philosophy.

Project description

KTH invites applications for a postdoctoral scholarship in honor of the physicist Ragnar Holm (1879-1970), regarded as the scientific founder of electric contacts and their use, and author of the book “Electric Contacts: Theory and Applications”, Hugo Gerbers Förlag 1946.

Qualifications

A successful candidate should have a PhD-degree, be of any nationality, and is expected to join an existing research group at KTH in a relatively broad field, encompassing Engineering Physics and related subjects, or the History of Science and Technology. Preference is given to areas close to Ragnar Holm’s scientific activities or the history thereof, such as the theory of electric contacts, novel applications of electric phenomena in current constrictions as well as friction, wear, fritting, corrosion and tarnish phenomena on electric contacts and related devices, such electromechanical components including MEMS and NEMS, switching contacts, and micro- or nanoelectronic components. Preference is also given to tunneling effects including the more recent physics of single electronics, and carbon contacts including developments on fullerenes and graphene. Finally, preference is given to historical perspectives on relations between industrial and public research as well as engineering and scientific practices.

The duration of the stay is a minimum of one year and a maximum of two years, starting as soon as possible. Postdoctoral studies must be commenced within six months of the date of the decision. The fellowship amounts to 27 500 SEK per month (travel grants included). The scholarship is tax-free. The recipient will also receive the Ragnar Holm plaque in silver. The candidate must obtain an agreement with a senior contact person at KTH expressing that he/she is welcome as postdoc in the research group.

Candidates must have their PhD degree from outside KTH. The period of post-doctoral fellowship at KTH must be started within five years of graduation.

Application

You are the main responsible to ensure that your application is complete according to the ad. Your complete application must be received at KTH no later than 2020-03-13.

Application form https://live.barium.se/Link/ExternalForm/12daa7dc-1711-47b1-b468-7533b65535c3

The application must include the following documents:

  • Curriculum vitae (max 2 pages)
  • A list of the ten most relevant publications
  • A description of the research the candidate will take part in at KTH (max 2 pages)
  • Three letters of recommendations, including one from the contact person at KTH
  • The candidate should also give the full address, including telephone and e-mail, at which he/she can be reached.About the position

    Period: minimum of one year and a maximum of two years
    Extent: Full-time
    Amount of scholarship: 27 500 SEK per month (travel expenses included)
    Location: Stockholm
    Start date: According to the agreement

    Contact

    Professor Mats Göthelid (Applicants within Engineering Physics)
    Telefon: +46 8 790 41 54
    gothelid[at]kth.se

    Professor Nina Wormbs (Applicants within History of Science and Technology)
    Telefon: +46 8 790 85 83
    nina[at]kth.se

The Posthumanities Hub Seminar “Toxic/Trans/Bodies” – new date TBA (Feb 2021)

Welcome to The Posthumanities Hub Seminar “Toxic/Trans/Bodies” with speakers Andria Nyberg Forshage (writer, poet and theorist based in Stockholm, SE) and dr Wibke Straube (Karlstad University, SE)!

When: Feb 2021

Where: online

 

More info:

t4t4t4t4t: Fourfold Sex and Trans-Individuation at the End of the World

by Andria Nyberg Forshage

Abstract

At present, 20th-century notions of bodily immune systems modelled as repressive-productive sovereign border controls — and vice versa — are at once being superseded, obsolesced, reinforced and reinvigorated as perhaps never before. At the same time, 21st-century notions of desiring-productive, flexible, molecular immuno-security, already dated as hyper-modern, are being folded into and onto any imaginable kind of body, society, or network. In terms of data, flesh, sex, nation, sense-making, resource extraction, ecological disaster, and ongoing resistance, it is at once a situation of planetary global or civil war, armed peace, state of emergency, and stasis.  

Departing from a scenario of societal collapse following transgender bioterrorism on a hormonal and molecular scale as imagined in Torrey Peters’ sci-fi novella Infect Your Friends and Loved Ones (2016), this talk explores the drift of t4t desiring-machines in and through the bodies, farms, fields and factories of contemporary and imagined pharmacopornographic capitalism. Where t4t designates trans for trans desire, in the trans woman commune the logograph becomes self-replicating as desire and senseless noise, burnt and embedded through fleshy, tranimal metabolism. 

Connecting the fourfold of subjectivation as theorised by Gilles Deleuze in Foucault (1988) with the t4t fourfold complexes of infectious human-animal-societal undoings, as developed through a reading of Infect Your Friends and Loved Ones, how might t4t4t4t4t be understood as an operation-operator of what Gilbert Simondon has termed the transindividual?

Bio

Andria Nyberg Forshage is a writer, theorist and poet, part of the editorial team for the Paletten Art Journal and currently working with the Knowledge Hub at Public Art Agency Sweden. She has previously presented research at conferences including the First International Trans*Studies Conference at the University of Arizona and The First International Queer Death Studies Conference at Karlstad University. They have a room of their own in Stockholm and a Scorpio rising.

 

Chemicals, endocrine disruptors and unruly bodies in trans and queer art

by Wibke Straube

Abstract:

In 2018, the post of a vegan group on facebook went viral which argued, that trans and queer bodies are the “damaged” outcome of environmental pollution and endocrine disruption by POP. The post argued further that to lobby for trans and gay rights would mean to support a capitalist, exploitative system of ecological destruction. In response other vegans and this group in particular, dismissed this (cishetero)econormative position and argued this is merely one individual’s opinion. In my talk, I would like to firstly address this “singular” opinion and unpack the idea of the trans and intersex bodies as a result of endocrine disrupting chemical. I will to do this by considering the trans and intersex body as bodily entangled with environmental pollution and toxic contamination (Ah-King/Hayward 2014; DiChiro 2010; Pollock 2016). Secondly, and most centrally, I explore how endocrine disrupting toxins emerge in trans and queer art, intoxicate art practices and artistic bodies, and foster creative pollution that subverts the gender binary norms of EDC discourses and reclaims the toxic body as a monstrous, alien becoming through and within Otherness.

Bio:

Wibke Straube, PhD, is a Senior Lecturer at the Centre for Gender Studies, Karlstad University, SE. Their work focuses on intersectional analysis of trans, non-binary and queer embodiment, affective methodologies and the affinities of different socially marginalised bodies, their forms of survival and possibilities to create zones of liveability. They have published in Environmental Humanities and NORMA International Journal for Masculinity Studies, among others. E-mail: wibke.straube[at]kau.se

Seminar with Dr Otso Kortekangas on “Indigenous avant la lettre. The origins and livelihoods of the Sámi in European scholarly thought 1930–1950.”

Welcome to KTH Division of History of Science, Technology and Environment Higher Seminar with Dr Otso Kortekangas on ”Indigenous avant la lettre. The origins and livelihoods of the Sámi in European scholarly thought 1930–1960”

Time: Mon 2020-02-10 13.15 – 14.45

Lecturer: Otso Kortekangas, KTH, Div. History of Science, Technology and Environment and Stockholm University

Location: Teknikringen 74D, 5th floor, Seminar room

Short excerpt of the abstract:

My project studies the pre-history of the concept indigenous. It shows in
what ways Nordic and European scholars produced the Sámi as precisely indigenous before the term itself was widely in use. When this UN-backed concept gained ground during and following the anti- and postcolonial political processes of the 1960’s, the Nordic Sámi minority could tap in to the global indigenous identity movement.2 This was possible since both the scholarly and, with a certain delay, the popular understanding had gravitated to a direction where the Sámi were considered the original inhabitants of the northern areas of Fennoscandia. Ever since the indigenous label was introduced in the Nordic countries, it has become the first and foremost label and lens through which the Sámi population is studied.

Workshop: Becoming with Alien Encounters and Speculative Storytelling

Welcome to the workshop “Becoming with Alien Encounters and Speculative Storytelling in a More-than-human World” that takes place on 4th June at 13:15 – 16:00, in the big seminar room at Division of History of Science, Technology and Environment, KTH (Teknikringen 74 D, Stockholm).

No registration is required.

Workshop: Becoming with Alien Encounters and Speculative Storytelling

Speculative storytelling refers to a wide range of narrative fiction, poetic and artistic articulations that employ ’fantastic’, supernatural, spiritual or other non-mimetic elements. In the times of the climate change and environmental crisis, accompanied by futuristic ’technology-will-save-us’ scenarios, on the one hand, and visions of  ‘doom and gloom’, on the other, speculative storytelling has gained momentum as a way to reimagine futures beyond the human-centred narratives of the Anthropocene. This, importantly, includes a reimagining and experimentally re-establishing of new posthuman relationalities, corpo-affectively grounded in a situated caring ethics, as well as a decentring and deconstruction of the sovereign human subject and its claim to an exceptional position of enunciation. In this poetic/artistic-philosophical workshop, we will reflect on theoretical and practical tools to be interpellated to approach the radically different, without gesturing towards anthropomorphisation or domestication. Alongside of the theorising, we will also, through poetic-artistic articulations, explore the processes of decentring the human subject position and preparing for ’alien encounters’ – what in the ethics of Gilles Deleuze is framed as ’making yourself worthy of the event’. We will draw examples from alien encounters with lichen, algae, pollen, and underwater creatures, among others. As part of the workshop, we will invite the audience to try out their own approaches to such encounters through short writing prompts.

Speakers/workshop facilitators:

Katja Aglert, independent artist and researcher, SE

Line Henriksen, University of Copenhagen and IT University of Copenhagen, DK

Nina Lykke, University of Linköping, SE

Camila Marambio, Melbourne University, AUS

Tara Mehrabi, Karlstad University, SE

Marietta Radomska, Linköping University, SE and University of Helsinki, FI

PHOTO - M. RADOMSKA
Photo: Marietta Radomska

Bios:

Katja Aglert is a Stockholm based independent artist and researcher whose practice – situated in feminist, more-than-human imaginaries – is transdisciplinary in nature, and includes both individual and collaborative projects. Currently she examines artistically through hybrid forms of storytelling how we through the experiences of multi-beings-encounters can investigate what it can mean to materialise perspectives beyond the human-centred narratives. She exhibited widely, including venues such as Marabouparken and Biologiska Museet, Stockholm (SE); Solyanka State Gallery, Moscow (RU); Polarmuseet, Tromsø (NO); Fotografisk center, Copenhagen (DK); FLORA ars+natura, Bogota (COL); Museum for Contemporary Art, Santiago (CHL). She is an executive board member of The Seed Box, an international environmental humanities collaboratory headquartered at Linköping University. She teaches regularly at Umeå Art Academy, and Konstfack University of Arts, Crafts, and Design. katjaaglert.com

Line Henriksen, PhD is a lecturer in Gender Studies at the University of Copenhagen and IT University Copenhagen, DK. She holds a PhD in Gender Studies from the Unit of Gender Studies at Linköping University, Sweden. Henriksen has published on the subjects of monster theory, hauntology and digital media in journals such as Women & Performance and Somatechnics, and her fiction has appeared in Andromeda Spaceways and Tales to Terrify, among others. She is a founding member of the Monster Network.

Nina Lykke, PhD, Professor Emerita, Gender Studies, Linköping University, Sweden. Co-founder of Queer Death Studies Network, and The International Network for ECOcritical and DECOlonial Research. Current research: queering of cancer, death, and mourning in queerfeminist materialist, decolonial and eco-critical perspectives; autophenomenographic and poetic writing. Recent publications:  Queer Widowhood. Lambda Nordica. 2015:4; Academic Feminisms: Between Disidentification, Messy Everyday Utopianism, and Cruel Optimism. Feminist Encounters.  2017:1(1); When death cuts apart, in: Juvonen & Kohlemainen: Affective Inequalities in Intimate Relationships. Routledge, New York 2018; Rethinking socialist and Marxist legacies in feminist imaginaries of protest from postsocialist perspectives. Social Identities. Journal for the Study of Race, Nation and Culture.  2018:24 (2). Website: https://ninalykke.net

Camila Marambio is curator of Ensayos, and her work with the program has been represented in exhibitions and performances at the Kadist Art Foundation, Paris; the Institute for Art and Olfaction, Los Angeles; BHQFU, New York; Puerto de Ideas, Valparaíso; Festival Cielos del Infinito, Puerto Williams, CL; Kurant, Tromsø, NO; and Psi #22, Melbourne, AU. Currently a PhD Candidate in Curatorial Practice at MADA in Melbourne, Australia, Marambio received an M.A. in Modern Art: Critical Studies at Columbia University and a Master of Experiments in Art and Politics at Science Po in Paris; attended the Curatorial Programme at de Appel Arts Center in Amsterdam; and was Head Curator at Matucana 100 (Santiago, CL) and Assistant Curator at Exit Art (New York, NY).

Tara Mehrabi, PhD, is a Lecturer at the Centre for Gender Studies, Karlstad University (Sweden). She is a feminist technoscience studies scholar who is interested in the intersection of gender studies, medical humanities and environmental humanities. She is a founding member of Queer Death Studies Network and a member of The Posthumanities Hub. Meharbi is the author of the monograph Making Death Matter: A Feminist Technoscience Study of Alzheimer’s Sciences in the Laboratory (2016). She has published in anthologies such as Animal Places. Lively Cartographies of Human Animal Relations, (eds.) by J. Bull, T. Holmberg & C. Åsberg, Routledge (2018), Gendering Drugs: feminist studies of pharmaceuticals, (ed.) by E. Johnson, Palgrave (2017) and journal Gender, Women & Research (2018).  Website: https://taramehrabi.wordpress.com/.

Marietta Radomska, PhD, is a Postdoc at the Department of Thematic Studies (Gender Studies), Linköping University, SE, and at the Department of Cultures (Art History), University of Helsinki, FI. She is the co-director of The Posthumanities Hub; founder of The Eco- and Bioart Research Network, co-founder of International Network for ECOcritical and DECOlonial Studies and a founding member of Queer Death Studies Network. Her current research focuses on ecologies of death in the context of contemporary art. She is the author of the monograph Uncontainable Life: A Biophilosophy of Bioart (2016), and has published in Australian Feminist Studies, Somatechnics, and Angelaki, among others. Website: https://mariettaradomska.com/

Meeting with Hester Blum: 16th May

Welcome to the meeting with Hester Bloom about her book The News at the Ends of the Earth: The Print Culture of Polar Exploration (Duke University Press, 2019) she has just published and about her new project on ice and temporality (Seed Box project).

When: 16th May, 13:30 – 15:00

Where: KTH Royal Institute of Technology, EHL Labroom, Teknikringen 74D, Stockholm

Hester Blum is Associate Professor of English at Penn State University in the US. Her scholarship and teaching focus on oceanic and polar studies, nineteenth-century U.S. literature and culture, Herman Melville, and the environmental humanities. Her most recent book is The News at the Ends of the Earth: The Print Culture of Polar Exploration (Duke University Press, 2019). In it she examines polar expeditionary newspapers and other forms of knowledge that circulate geophysical and climatic extremity, both in the age of polar exploration and in our current moment of climate change and polar resource extraction. In summer 2019 she will participate in the Northwest Passage Project, an Arctic expedition tracking climate change. She is at work on two new book projects: Ice Ages, about the temporalities of ice in an epoch of anthropogenic climate change; and Castaways, a meditation on female Robinson Crusoes.​

Open Humanities Lab Symposium: New Humanities & the Anthropocene (14-15 May)

Welcome to the Open Humanities Lab Symposium: New Humanities & the Anthropocene, taking place on 14th & 15th May at Openlab, Stockholm.

In order to register for the event, please send an email to: the.posthumanities.hub[at]gmail.com

New Humanities & the Anthropocene (Uncertainty, response-ability and humankind)

Now, the environment is in us, and we humans are fully in the environment: that much is clear in this new planetary era of uncertainty some call the Anthropocene. This new geological period, the environmental ‘Age of Man’, is often defined by unparalleled human disturbance of the Earth’s ecosystems, climate, and biodiversity. Almost half of the wildlife on Earth has been lost in the past forty years. Perhaps we will soon have spawned more transgenic organisms, synthetic biological systems, hybrid creatures or artificial intelligences than we ever asked for. In the age of the Anthropocene, humans have become a ‘force of nature’, making nature – in its classical sense – over.  The old idea of Universal Man  in its classical and imagined sense of a bounded individual, safely zipped up in a white skin of his own, guided by rational thought rather than sociability, preconceptions and desires, along with his anthropocentrism seem dated, if not down-right detrimental to our planetary existence. Conventional divides between nature and culture, sex and gender, body and technology, human and animal, and between science and society, have collapsed.

During the past several decades, emerging research in the humanities has turned its attention to subjects that were previously conceived as ‘not human enough’: women, queers, children, migrants, people of colour, elderly, and other groups. Simultaneously, popular culture, technologies, animal subjects, insects, plants, whole ecosystems, along with all kinds of human and more-than-human infrastructures, call for our attention. After all, values, purpose, existential conditions and sociocultural formations that are historically sustained, or not, on local or larger scales, are the expertise of the humanities (and its sibling social sciences). The human exceptionalism of the humanities is increasingly abandoned in favour of planetary ethics, societal accountability, and a more-than-human humanities of conviviality. We witness now the exciting emergence of new humanities, responding to present societal challenges.

How can the humanities accommodate the transformations associated with advances in science, technology, medicine, with the Anthropocene and the ‘great acceleration’ of planetary damage following suit with ’progress’ and ‘growth’? Is there a solidarity in our precarious diversity as we now all have to learn to live with the wounds of the world, to live on a damaged planet? Can we, like Timothy Morton, re-imagine kindness in its human and more-than-human sense? How can the new humanities, like environmental humanities, feminist bio-philosophy, cyborg studies, architectural philosophy, multispecies studies, eco-art, citizen humanities, gender studies, human-animal studies, plant theory, techno-humanities, media studies and digital humanities, respond to the challenges of the Anthropocene? Such forms of posthumanities – or new humanities – often share a sense of belonging in a world not divided across nature and culture, arts and sciences. For new humanities, postdisciplinary bridge-building and collaborations are crucial. So is responsibility, response-ability, and situated knowledges, as Donna Haraway and decades worth of feminist theorising on what gets to count as human or natural remind us.

Can the new humanities, transformative and integrative in nature, become not just relevant to society but also enact real change? Can we have research that is participatory, communicable, and, as Rosi Braidotti puts it, ‘worthy of our times’?

Come join the conversation on uncertainty, response-ability, and humankind in the age of the Anthropocene, and see if the new humanities’ cultivation of attentiveness, curiosity, care, concern, and critique can do something for you, co-existentially with others.

Warmly welcome to an open dialogue amongst various artists, scholars, educators, citizens, academic activists, and journalists, a symposium where we break bread together in public and forge new brave alliances in the face of the unexpected!

After all, humanities is for everybody.

Speakers:

Katja Aglert, independent artist and researcher, SE

Marco Armiero, KTH, SE

Rosi Braidotti, Utrecht University, UK

Christine Daigle, Brock University, CA

Hayden Lorimer, University of Glasgow, UK

Christina Fredengren, Stockholm University, SE

Hélène Frichot, KTH, SE

Matthew Fuller, Goldsmiths, UK

Myra Hird, Queen’s University, CA

Janna Holmstedt, KTH, SE

Lauren LaFauci, Linköping University, SE

Nina Lykke, Linköping University, SE

Tara Mehrabi, Karlstad University, SE

Norie Neumark, LaTrobe University, AU

mirko nikolić, independent artist, SE/FI

Jesper Olsson, Linköping University, SE

Marietta Radomska, Linköping University, SE/University of Helsinki, FI

Lina Rahm, Linköping University, SE

Margrit Shildrick, Stockholm University, SE

Sverker Sörlin, KTH, SE

Lotten Wiklund, journalist, SE

Cecilia Åsberg, KTH, SE/Linköping University, SE

Full programme in PDF

UPDATE (13.05):

The registration for the event is now CLOSED as we have reached the capacity of the venue. There might be a few spots left in case anyone from the registered participants cancels last minute.

 

OpenHumanitiesLab new version-page-001

The Posthumanities Hub Seminar with Dr. Lauren LaFauci

Welcome to the Posthumanities Hub seminar with Dr. Lauren LaFauci (Linköping University, SE) on “Histories and Perceptions of Climate in Early American Literature and Culture”.

The event takes place on 8th April 2019 at 13:15 – 15:00 in the big seminar room at the Division of History of Science, Technology and Environment, KTH Royal Institute of Technology (Teknikringen 74D, level 5, SE-114 28 Stockholm).

Histories and Perceptions of Climate in Early American Literature and Culture

Abstract:

This society [British America before the Revolution] . . . does not afford that variety of tinges and gradations which may be observed in Europe, we have colours peculiar to ourselves. For instance, it is natural to conceive that those who live near the sea must be very different from those who live in the woods; the intermediate space will afford a separate and distinct class.
Men are like plants; the goodness and flavor of the fruit proceeds from the peculiar soil and exposition in which they grow. We are nothing but what we derive from the air we breathe, the climate we inhabit, the government we obey, the system of religion we profess, and the nature of our employment.
. . .Whoever traverses the continent must easily observe those strong differences, which will grow more evident in time. The inhabitants of Canada, Massachusetts, the middle provinces, the southern ones, will be as different as their climates; their only points of unity will be those of religion and language.
—J. Hector St. John de Crèvecoeur, Letter III, Letters from an American Farmer (1782)

In this passage from Crèvecoeur’s famous essay, “What is an American,” he offers a defining imagination of Americans growing alongside and in harmony with their environments. Importantly, he considers the social, political, cultural, and ecological as all part of the “environment” shaping the individual, and ultimately, the collective in the nation that was then taking shape. While Crèvecoeur himself fled the “New World” upon outbreak of Revolution to return to the Old, his collection of Letters from an American Farmer defined for many Europeans and Americans alike a way of understanding the citizen as an ever-evolving constellation of multivalent forces acting upon the body.

How did early Americans imagine, perceive, and interpret their climate? How did these formulations change over time, between first European contact and the turn of the 20th century? This talk will provide an overview of some of the ideas and assumptions about weather and climate common to early Americans. The place-based ontology Crèvecoeur theorizes here was not in itself a new way of understanding human development, but his formulation opened up the space for an enormous variety of regional and local human peculiarities as varied as the climates (and weathers) associated with them. The resultant environmental determinism became, in the United States at least, the dominant way of theorizing embodiment—including physical and mental disease and health—until the advent of germ theory at the turn of the 20th century.

A second, broader concern of this talk is to discuss the role of historicist environmental humanities work in an age of climate change. Much environmental humanities research is, understandably, presentist: we face a daily barrage of environmental crises, local and global, as well as the longer-term, slower violences of climate change at large. Amidst these imminent crises, the presentist focus is not only understandable; it may also be desirable. But where does such a focus leave those of us who spend our days teaching and researching in pre-Anthropocenic periods? What is the relevance and significance of environmental humanities research before the Anthropocene? What does such work have to contribute to environmental humanities at large? This second focus of my talk will, I hope, generate discussion about the theoretical concepts, empirical materials, and/or historiographical interventions that are significant to EH research today.

Bio:

Lauren LaFauci is assistant professor of environmental humanities in the Unit of Gender Studies, Department of Thematic Studies at Linköping University in Sweden, where she also directs the “Multispecies Stories” research area of the Seed Box Environmental Humanities Collaboratory and serves as an international liaison for ASLE, the Association for the Study of Literature and Environment. She is part of the interdisciplinary team behind the citizen humanities website, Herbaria 3.0 (www.herbaria3.org), which collects stories about the intertwined relationships between plants and people. Her research and teaching are wide-ranging, focusing on histories of racial formation, medicine, and the body; US literature, history, and culture from to 1900; Scandinavian cultural studies; and multispecies story-telling. Lauren’s talk with the PH Hub will form the basis of a short article in preparation for a Cambridge UP volume on Climate in American Literature.