The Kelp Congress at LIAF (Lofoten International Art Festival) 2019 between the 17th and 22nd of September in Svolvær is an event consisting of three parallel workshops that will lead into a weekend public programme. These workshops will harness the recent discourse surrounding seaweed within contexts such as energy, nutrition, agriculture, and medicine, and will shift the focus onto lesser explored artistic and cultural dimensions related to kelp and other macroalgae.
Who can apply?
Artists, scientists, activists, writers, film-makers, researchers, and those working within arts and culture organisations. The Kelp Congress is grounded within a Nordic context, but the call is open to all nationalities.
Food, accommodation, and local transportation will be provided. Travel to and from Lofoten is not included.
How to Apply:
If you are interested in participating, please submit an Application Form.
We aim to contact all applicants by mid-May.
Thursday 2 May, 2019
The Kelp Congress is organised as part of LIAF 2019, in collaboration with Mustarinda, The Department of Seaweed, Posthumanities Hub, ArtLab Gnesta, Skaftfell – Center for Visual Art, and co-produced with Annette Wolfsberger. LIAF 2019 is curated by Hilde Methi, Neal Cahoon, Karolin Tampere, and Torill Østby Haaland.
Ruptured Times: Call for Films to Annals of Crosscuts 2019
CROSSCUTS: Stockholm Environmental Humanities for Film & Text welcomes submissions for Annals of Crosscuts—a new peer-reviewed publication format
for film-based research. Deadline for abstract submissions 22 May 2019.
Welcome to The Posthumanities Hub seminar with Dr. Marietta Radomska on Deterritorialising Death: Queer(ing) Methodology and Contemporary Art, which takes place on 22 January (Tuesday) at 10:15 – 12:00 in the seminar room at Division of History of Science, Technology and Environment KTH, Teknikringen 74 D, Stockholm.
Deterritorialising Death: Queer(ing) Methodology and Contemporary Art
This paper stems from a project that asks what happens when contemporary art – in a dialogue with feminist materialist philosophies – is mobilised in order to challenge conventional (i.e. anchored in the Western tradition of the autonomous (exclusively) human subject) understandings of death, and assess multiple vulnerabilities and power differentials that form part of the materialisations of ecologies of death in the context of the Anthropocene.
In other words, the project examines how contemporary art read through the lens of feminist materialist philosophies (e.g. Colebrook, MacCormack, Grosz) may – and do – queer, that is, unsettle, subvert and exceed binaries, given norms, normativities, and conventions that frame and govern the bodies and processes constitutive of death, extinction and annihilation, especially in the given environmental context.
In order to do so, we need an adequate set of tools. In this paper, I argue for a tripartite methodology that queers the traditional human-exceptionalist concept of death: (1) feminist biophilosophy as an examination that does not search for an ‘essence’ of life, but instead focuses on the processes that take life beyond itself; (2) ‘the non/living’ (Radomska 2016) as a way to conceptualise death/life entanglement; and (3) queer vitalism as a ground for aesthetics (Colebrook 2014). By discussing each of these components and employing them in the analysis of select artworks, I hope to open up a space for discussion on this queer(ing) methodology’s potential for mobilising a novel feminist-materialist understanding of both ontology and ethics of death.
Marietta Radomska, PhD, is a Postdoc at the Department of Thematic Studies (Gender Studies), Linköping University, SE, and a Visiting Postdoctoral Researcher at the Department of Cultures (Art History), University of Helsinki, FI. She is the co-director of The Posthumanities Hub; founder of The Eco- and Bioart Research Network, co-founder of International Network for ECOcritical and DECOlonial Studies and a founding member of Queer Death Studies Network. Radomska is a feminist philosopher and transdisciplinary gender studies and posthumanities scholar. Her current research project focuses on ecologies of death in the context of contemporary art. She is the author of the monograph Uncontainable Life: A Biophilosophy of Bioart (2016), and has published in Australian Feminist Studies, Somatechnics, and Angelaki, among others.
In spring we commemorated together the 10th anniversary of Bioart Society. It is now again time to celebrate big time and with great pleasure, we invite you to the opening of our new SOLU Space. The new SOLU Space is a major component of an ongoing transformation from Bioart Society to SOLU – an artistic laboratory and platform for art, science and society. Please join us on Nov. 9th and 10th at Luotsikatu 13 in Katajanokka to celebrate and reminisce the past successful years and to toast to the coming ones!
Friday 9th of November 15:00h
We start with brief opening speeches by Mari Keski Korsu (Bioart Society), Antti Tenetz (TAIKE), Anna Talasniemi (Kone Foundation), Atte Korhola (HY) and a toast to the new SOLU Space with sparkling. After that we continue with an inaugural speech, a journey through (bio)art history with bioart pioneer Antero Kare, performative interventions by Till Bovermann, Kira O’Reilly and Ava Grayson, and the opening of a photographic retrospective of ten years work of the Bioart Society. We commence with food and a proper party. For the party in the evening we kindly ask you to bring some drinks.
10:00-12:00h What we do in the shadows
– a sneak preview into the upcoming book of the Bioart Society with writers and the editorial team moderated by Kira O’Reilly with
Marietta Radomska: Doing Away with Life: On Biophilosophy, the Non/Living, Toxic Embodiment, and Reimagining Ethics Erich Berger: (Deep) Time Machines – artistic vehicles and the scope of the real Antti Tenetz: Machine Wilderness – a field report
Helena Sederhom: Examining the Monstrous Kaspari Mäki Reinikka: Cave paintings for the AI – Art in the age of Singularity
12:00-13:00 Pizza, lemonade, coffee, mingling
13:00-14:00 What we do in the lights
– an art and science Petcha Kutcha session with Leena Valkeapää, Minna Langström, Paula Humberg, Lauri Linna, Björn Kröger, Jose Cano Arias, Maarit Laihonen, Jussi Eronen
14:15-15:00 Discussion panel moderated by Juha Huuskonen/HIAP with Taru Elfving/Seili residency, Lucy Davies/Aalto Univ., Paul O’Neill/Publics, Pauliina Leikas/Mustarinda, Piritta Puhto/Bioart Society
On 10-13 October 2018 Prof. Cecilia Åsberg and Dr. Marietta Radomska are representing The Posthumanities Hub at the State of the Art: A Multidisciplinary Collaboration Facing the Anthropocene seminar and network meeting, taking place in Silkeborg, DK, and organised by The Independent AIR.
Recognizing that Wikipedia is the first point of entry for curious people everywhere, we are launching a new project to increase the representation of key environmental figures on the Wikipedia platform. We are especially interested in women, people of color, and social justice activists, as well as in terms, concepts, or key historical events in the realms of environmental justice and feminist environmental practices.
Who are the people, concepts, or events you have found missing from Wikipedia? Who is there, but needs a more up-to-date or more nuanced entry?
Please feel free to consult either the Swedish or English-language sites, and specify below from which Wikipedia your person, concept, or event is missing. For example, perhaps the English site has a person the Swedish site does not, or vice versa. We aim to update pages for both audiences.
Over the next few months, we’ll be focusing on adding and revising entries within the broad areas of environmental justice and feminist environmental studies, and we’ll keep you posted about our results.
Join the 8th Biennial Conference of the European Association for the Study of Literature, Culture and Environment (EASLCE): “The Garden – Ecological Paradigms of Space, History, and Community” at the University of Würzburg (Germany) from September 26 -29, 2018.
The International Network for ECOcritical and DECOlonial Research in collaboration with The Posthumanities Hub and with a generous support by Konstfack University of Arts, Crafts, and Design present:
The Second International Symposium
Eco/Decolonial Arts: Re-imagining Futures
28th August 2018, 10:15 – 18:00
Venue: Konstfack University of Arts, Crafts, and Design, Stockholm
As the current ecological crises and different forms of oppression, discrimination and injustice around the globe demonstrate, the questions of the environment and the people, as well as of social and environmental justice, are not isolated from one another. These concerns and connections come to the fore in both implicit and explicit ways in the work of artists, activists and academics working with the issues of decolonisation, on the one hand, and ecology, on the other.
The network was officially launched at the workshop ‘Eco/Decolonial Arts: Open-ended Poetic/Philosophical Forays’, which took place on 28-29 June 2017 in Linköping. The two-day event was focused on the developing of transversal dialogues between various ways of engagement with both decolonial and ecocritical/ecological perspectives. The slash [‘/’] in the name of the workshop (‘Eco/Decolonial’) refers to feminist scholar Karen Barad’s (2014) concept of ‘cutting together apart’ that points to the necessary entanglement of nature and culture; the environment and the human; epistemic, symbolic and physical violence towards nonhumans and humans alike; and finally, to the call for environmental and social justice.
The rich conversations that arose during the last-year workshop and still fuel the network’s activities have also inspired us to organise the second edition of ‘Eco/Decolonial Arts’ – yet, this time in a form of a one-day symposium. Thus, the upcoming event, scheduled on 28th August 2018 and taking place at Konstfack University of Arts, Crafts, and Design in Stockholm, will focus not only on the urgency of posing questions that combine concerns with the environment and decolonial critique in their broadest understanding, but also on the arts’ unique potential for a diverse, multifaceted, creative and critical query of what such transdisciplinary engagements might mean for reimaging a different future in a ‘more-than-human’ world.
10:00 – 10:30 – Introduction
10:30 – 11:05 – Katja Aglert, Turning over the grounds of sgulS and.
11:05 – 11:40 – Vera Weetzel, White tears and tear art. Reflections on whiteness and complicity in bio/eco art
11:40 – 12:15 – Marietta Radomska, Non/living Archives: Deterritorialising Death
12:15 – 13:30 – Lunch break (self-paid basis)
13:30 – 14:05 – Madina Tlostanova, On the way to a pluriverse? A Feetless Bird in a Vanished Forest-garden
14:05 – 15:15 – Camila Marambio and Nina Lykke, Vulnerable Story Telling. Queering cancer beyond the life/death hierarchy
15:15 – 15:45 – Coffee break (self-paid basis)
15:45 – 16:20 – Cecilia Åsberg, Why the environmental humanities needs art, worldly situatedness and integrative feminist theory-practices
16:20 – 16:55 – Anne Gough, Walking to Al Quds
16:55 – 17:30 – Dalida Maria Benfield, Where We Are Now: A Dispatch From “Indigenous Knowledges and Sustainable Pasts/Futures”
17:30 – 18:00 – Final discussion: the future of the network (‘where do we go from here?’)
Existential concerns around environmental health today involve a much wider set of issues (and a wider set of bodies) as we intra-act with antibiotics, nanoparticles, and untested chemical cocktails through the food we eat, the make-up we wear, the new sofas we sit on, or the environments we dwell in. We are more acutely aware today of how we are in nature, and nature – polluted as it may be – in us. With the recognition of the ecological crisis and its gravity, we have – according to some scientific experts – entered a new geological period: the Anthropocene, in which it is the human who constitutes the biggest threat to the survival of the earth and its human as well as more-than-human inhabitants.
Through the proliferation of plastics and chemical pollution more generally, petrochemicals constitute in effect forms of social, material, and biological writing of toxic embodiment. This makes toxic embodiment an urgent concern for environmental humanities and for environmental literacies at large.
Advancements in genetic engineering, the chemicalization of food production, and the rapid growth of the pharmaceutical industry have made human, animal, and plant embodiments simultaneously enhanced and debilitated. They become ‘toxic bodies’, ‘pharmaceutical subjects’, and they leave a toxic footprint in the world.
By approaching the theme of ‘toxic embodiment’ from a broad and transdisciplinary perspective (eco-cultural studies; body and gender studies; medicine and life sciences; posthumanities; science, technology, and society; and, especially, the environmental humanities), this webinar will explore the risks and the opportunities that these changes may bring.
More specifically, the session will engage with the topic of toxic embodiment as our always-already environed technobodies, and how they/we are shaped by health norms and toxic realities that put into question the notions of health and disease, vulnerability and well-being, as well as life/death, and the dis/ability of the ‘natural’ human body. Here, the ‘human’ emerges as a set of toxic embodiments – ones that are radically tethered to, or shaped by, their milieus, including their more-than-human companions (synthetic molecules, microbes, fungi, plants, and animals), and the ways they/we all come together.
How do questions of toxicity and its impact on both human and nonhuman bodies influence environmental discourses? How do they influence the articulation of environmental problems? What kind of imaginaries do they mobilise and what futures do they seek to envision?
What conceptualisations of the body emerge from the present narratives on toxicity? What are the understandings of the subject that are (re)produced through these narratives?
Environmental discourses that engage with the issues of toxicity often put emphasis on the ideas of the natural and the anthropogenic, the normal and the abnormal, as well as health and illness. How are these notions understood in the context of the webinar readings? Are they reworked or abandoned? What does the enquiry of toxic embodiment do to their conventional understandings?
What new approaches, methodologies, and methods does the work on toxic embodiment offer?
Giovanna DiChiro (2010) ‘Polluted Politics? Confronting Toxic Discourse, Sex Panic, and Eco-Normativity’ in Queer Ecologies, eds. C. Sandilands & B. Erickson. Bloomington: Indiana University Press: 199-230.
Haraway, Donna. 2016. ‘Awash in Urine: DES and Premarin in Multispecies Response-ability’ in Staying with the Trouble. Durham: Duke University Press: 104-116.
Deterritorialising the Future: A symposium on heritage in, of and after the Anthropocene
14th September 2018, 9:30 – 17:30
Senate House London
What does it mean to conserve, collect, curate or interpret ‘the past’ in the shadow of the Anthropocene? How might we reimagine issues of care, vulnerability, diversity and inheritance in this new geological/conceptual framework? Drawing on current investigative work in the environmental humanities, comparative literature, media studies, archaeology, museology, and cultural geography, this transdisciplinary symposium seeks to ‘deterritorialise’ the future by exploring new modes of doing and thinking heritage in more-than-human worlds.