Workshop: Becoming with Alien Encounters and Speculative Storytelling

Welcome to the workshop “Becoming with Alien Encounters and Speculative Storytelling in a More-than-human World” that takes place on 4th June at 13:15 – 16:00, in the big seminar room at Division of History of Science, Technology and Environment, KTH (Teknikringen 74 D, Stockholm).

No registration is required.

Workshop: Becoming with Alien Encounters and Speculative Storytelling

Speculative storytelling refers to a wide range of narrative fiction, poetic and artistic articulations that employ ’fantastic’, supernatural, spiritual or other non-mimetic elements. In the times of the climate change and environmental crisis, accompanied by futuristic ’technology-will-save-us’ scenarios, on the one hand, and visions of  ‘doom and gloom’, on the other, speculative storytelling has gained momentum as a way to reimagine futures beyond the human-centred narratives of the Anthropocene. This, importantly, includes a reimagining and experimentally re-establishing of new posthuman relationalities, corpo-affectively grounded in a situated caring ethics, as well as a decentring and deconstruction of the sovereign human subject and its claim to an exceptional position of enunciation. In this poetic/artistic-philosophical workshop, we will reflect on theoretical and practical tools to be interpellated to approach the radically different, without gesturing towards anthropomorphisation or domestication. Alongside of the theorising, we will also, through poetic-artistic articulations, explore the processes of decentring the human subject position and preparing for ’alien encounters’ – what in the ethics of Gilles Deleuze is framed as ’making yourself worthy of the event’. We will draw examples from alien encounters with lichen, algae, pollen, and underwater creatures, among others. As part of the workshop, we will invite the audience to try out their own approaches to such encounters through short writing prompts.

Speakers/workshop facilitators:

Katja Aglert, independent artist and researcher, SE

Line Henriksen, University of Copenhagen and IT University of Copenhagen, DK

Nina Lykke, University of Linköping, SE

Camila Marambio, Melbourne University, AUS

Tara Mehrabi, Karlstad University, SE

Marietta Radomska, Linköping University, SE and University of Helsinki, FI

PHOTO - M. RADOMSKA
Photo: Marietta Radomska
Bios:

Katja Aglert is a Stockholm based independent artist and researcher whose practice – situated in feminist, more-than-human imaginaries – is transdisciplinary in nature, and includes both individual and collaborative projects. Currently she examines artistically through hybrid forms of storytelling how we through the experiences of multi-beings-encounters can investigate what it can mean to materialise perspectives beyond the human-centred narratives. She exhibited widely, including venues such as Marabouparken and Biologiska Museet, Stockholm (SE); Solyanka State Gallery, Moscow (RU); Polarmuseet, Tromsø (NO); Fotografisk center, Copenhagen (DK); FLORA ars+natura, Bogota (COL); Museum for Contemporary Art, Santiago (CHL). She is an executive board member of The Seed Box, an international environmental humanities collaboratory headquartered at Linköping University. She teaches regularly at Umeå Art Academy, and Konstfack University of Arts, Crafts, and Design. katjaaglert.com

Line Henriksen, PhD is a lecturer in Gender Studies at the University of Copenhagen and IT University Copenhagen, DK. She holds a PhD in Gender Studies from the Unit of Gender Studies at Linköping University, Sweden. Henriksen has published on the subjects of monster theory, hauntology and digital media in journals such as Women & Performance and Somatechnics, and her fiction has appeared in Andromeda Spaceways and Tales to Terrify, among others. She is a founding member of the Monster Network.

Nina Lykke, PhD, Professor Emerita, Gender Studies, Linköping University, Sweden. Co-founder of Queer Death Studies Network, and The International Network for ECOcritical and DECOlonial Research. Current research: queering of cancer, death, and mourning in queerfeminist materialist, decolonial and eco-critical perspectives; autophenomenographic and poetic writing. Recent publications:  Queer Widowhood. Lambda Nordica. 2015:4; Academic Feminisms: Between Disidentification, Messy Everyday Utopianism, and Cruel Optimism. Feminist Encounters.  2017:1(1); When death cuts apart, in: Juvonen & Kohlemainen: Affective Inequalities in Intimate Relationships. Routledge, New York 2018; Rethinking socialist and Marxist legacies in feminist imaginaries of protest from postsocialist perspectives. Social Identities. Journal for the Study of Race, Nation and Culture.  2018:24 (2). Website: https://ninalykke.net

Camila Marambio is curator of Ensayos, and her work with the program has been represented in exhibitions and performances at the Kadist Art Foundation, Paris; the Institute for Art and Olfaction, Los Angeles; BHQFU, New York; Puerto de Ideas, Valparaíso; Festival Cielos del Infinito, Puerto Williams, CL; Kurant, Tromsø, NO; and Psi #22, Melbourne, AU. Currently a PhD Candidate in Curatorial Practice at MADA in Melbourne, Australia, Marambio received an M.A. in Modern Art: Critical Studies at Columbia University and a Master of Experiments in Art and Politics at Science Po in Paris; attended the Curatorial Programme at de Appel Arts Center in Amsterdam; and was Head Curator at Matucana 100 (Santiago, CL) and Assistant Curator at Exit Art (New York, NY).

Tara Mehrabi, PhD, is a Lecturer at the Centre for Gender Studies, Karlstad University (Sweden). She is a feminist technoscience studies scholar who is interested in the intersection of gender studies, medical humanities and environmental humanities. She is a founding member of Queer Death Studies Network and a member of The Posthumanities Hub. Meharbi is the author of the monograph Making Death Matter: A Feminist Technoscience Study of Alzheimer’s Sciences in the Laboratory (2016). She has published in anthologies such as Animal Places. Lively Cartographies of Human Animal Relations, (eds.) by J. Bull, T. Holmberg & C. Åsberg, Routledge (2018), Gendering Drugs: feminist studies of pharmaceuticals, (ed.) by E. Johnson, Palgrave (2017) and journal Gender, Women & Research (2018).  Website: https://taramehrabi.wordpress.com/.

Marietta Radomska, PhD, is a Postdoc at the Department of Thematic Studies (Gender Studies), Linköping University, SE, and at the Department of Cultures (Art History), University of Helsinki, FI. She is the co-director of The Posthumanities Hub; founder of The Eco- and Bioart Research Network, co-founder of International Network for ECOcritical and DECOlonial Studies and a founding member of Queer Death Studies Network. Her current research focuses on ecologies of death in the context of contemporary art. She is the author of the monograph Uncontainable Life: A Biophilosophy of Bioart (2016), and has published in Australian Feminist Studies, Somatechnics, and Angelaki, among others. Website: https://mariettaradomska.com/

The Posthumanities Hub Seminar with Dr. Line Henriksen (University of Copenhagen)

Welcome to The Posthumanities Hub Seminar with Dr. Line Henriksen (University of Copenhagen, Denmark) on “Weird Ecologies – Stories from the Void and the Web”!

The seminar takes place on 12 March 2019 at 10:15 – 12:00 in the room HYPATIA at the Department of History and Philosophy (a corridor opposite to the usual seminar location at the Division of History of Science, Technology and Environment), KTH Royal Institute of Technology (Teknikringen 74D, level 5, SE-114 28 Stockholm).

 

Weird Ecologies – stories from the void and the web

Line Henriksen

Abstract

In the podcast series Welcome to Night Vale, the host of the show – Cecil Palmer – warns his listeners about the night sky: behind the stars there is nothing at all, he says, and who knows what might be staring back at us from this nothingness? Who knows what will arrive from out of the void? “Fear the night sky!” he concludes, for it is unfathomable. Disregarding Cecil’s impossible but otherwise excellent advice to avoid the night sky at all cost, this seminar explores portrayals of the void in contemporary digital storytelling, focusing especially on the speculative sub-genre of ‘the weird’. In digital weird fiction, the nothingness of the void seems to hint at the limits of human thought and imagination, which makes it a favoured antagonist – but perhaps there is also a promise to the void, as it reminds us that the world is always much more complex than we can possibly know, and the ecologies we form part of much weirder than we can ever imagine? In other words, perhaps what is arriving from out of the void of the night sky is not something to fear, but a promise that the impossible (something arriving from out of nothing) is possible, including – maybe – a more just world?

Bio:

Line Henriksen is a lecturer in Gender Studies at the University of Copenhagen. She holds a BA in Comparative Literature and an MA in Modern Culture and Cultural Communication, both from the University of Copenhagen, as well as a PhD in Gender Studies from The Unit of Gender Studies at Linköping University. She is the author of the monograph In the Company of Ghosts – Hauntology, Ethics, Digital Monsters (2016), and she has published on the subjects of monster theory, hauntology, creepypasta, speculative fiction and digital storytelling. She is the author of award nominated speculative fiction and a founding member of The Monster Network as well as Queer Death Studies Network.

The Posthumanities Hub Seminar with Dr. Marietta Radomska at KTH Royal Institute of Technology Stockholm (22nd January)

Welcome to The Posthumanities Hub seminar with Dr. Marietta Radomska on Deterritorialising Death: Queer(ing) Methodology and Contemporary Art, which takes place on 22 January (Tuesday) at 10:15 – 12:00 in the seminar room at Division of History of Science, Technology and Environment KTH, Teknikringen 74 D, Stockholm.

Deterritorialising Death: Queer(ing) Methodology and Contemporary Art

Abstract:

This paper stems from a project that asks what happens when contemporary art – in a dialogue with feminist materialist philosophies – is mobilised in order to challenge conventional (i.e. anchored in the Western tradition of the autonomous (exclusively) human subject) understandings of death, and assess multiple vulnerabilities and power differentials that form part of the materialisations of ecologies of death in the context of the Anthropocene.

In other words, the project examines how contemporary art read through the lens of feminist materialist philosophies (e.g. Colebrook, MacCormack, Grosz) may – and do – queer, that is, unsettle, subvert and exceed binaries, given norms, normativities, and conventions that frame and govern the bodies and processes constitutive of death, extinction and annihilation, especially in the given environmental context.

In order to do so, we need an adequate set of tools. In this paper, I argue for a tripartite methodology that queers the traditional human-exceptionalist concept of death: (1) feminist biophilosophy as an examination that does not search for an ‘essence’ of life, but instead focuses on the processes that take life beyond itself; (2) ‘the non/living’ (Radomska 2016) as a way to conceptualise death/life entanglement; and (3) queer vitalism as a ground for aesthetics (Colebrook 2014). By discussing each of these components and employing them in the analysis of select artworks, I hope to open up a space for discussion on this queer(ing) methodology’s potential for mobilising a novel feminist-materialist understanding of both ontology and ethics of death.

Bio:

Marietta Radomska, PhD, is a Postdoc at the Department of Thematic Studies (Gender Studies), Linköping University, SE, and a Visiting Postdoctoral Researcher at the Department of Cultures (Art History), University of Helsinki, FI. She is the co-director of The Posthumanities Hub; founder of The Eco- and Bioart Research Network, co-founder of International Network for ECOcritical and DECOlonial Studies and a founding member of Queer Death Studies Network. Radomska is a feminist philosopher and transdisciplinary gender studies and posthumanities scholar. Her current research project focuses on ecologies of death in the context of contemporary art. She is the author of the monograph Uncontainable Life: A Biophilosophy of Bioart (2016), and has published in Australian Feminist Studies, Somatechnics, and Angelaki, among others.

Mini-symposium ‘Becoming with Alien Encounters and Speculative Storytelling’: Part 4 (and last)

Radomska - Archives of LichenologyImage: Marietta Radomska, Archives of Lichenology  (2017)

There are only three days left till the Symposium “Becoming with Alien Encounters and Speculative Storytelling”, co-organised by The Posthumanities Hub and TEMA GENUS Higher Seminar Series at Linköping University, and thus, we continue to provide you with some sneak peeks into what you’ll be able to fully enjoy on 5th April at Tema Genus!

More specifically, every other day we’ve given you a little insight into what our speakers are going to talk about. Or, in other words, every other day you’ve been able to learn a bit more about each presenter and their paper!:)

Today we present our last speaker, Dr. Marietta Radomska!

Bio:

Marietta Radomska is a Postdoc at Linköping University, SE; co-director of the Posthumanities Hub; founder of The Eco- and Bioart Research Network, co-founder of International Network for Ecocritical and Decolonial Studies and a founding member of Queer Death Studies Network. Her current research project focuses on ecologies of death in the context of contemporary art. She is the author of the monograph Uncontainable Life: A Biophilosophy of Bioart (2016).

Paper abstract:

Non/Living Archives of Lichenology: Between Stories of Living and Dying in a More-than-human World

The ‘Postmodern Synthesis’ of evolutionary biology (Koonin 2009) challenges the paradigmatic ideas of evolutionary decent, reproductive transmission of genes, and the notion of the individual (be it an organism, a population, or a species). As biologist Scott F.Gilbert argues, instead of individuals, we should talk about ‘holobionts’: composite organisms becoming through multiple cooperative processes.
This paper, being itself a piece of speculative storytelling, aims to explore what thinking with and through the figuration of the lichen – a primary example of a holobiont – can do to the cultural imaginaries and our understandings of the ontologies (and ecologies) of living and dying in a more-than-human world.