The Posthumanities Hub Seminar with Adam Wickberg (KTH) on 5th June, 10:15 – 12:00

Welcome to The Posthumanities Hub Seminar with Adam Wickberg on Coloniality, Media and the Anthropocene in Early Americas.

The seminar takes place in the seminar room at the Division of History of Science, Technology and Environment, KTH (Teknikringen 74 D, Stockholm).

When: 5th June, 10:15 – 12:00

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Abstract:

This talk will address historiography and layers of time based on a decolonial understanding of modernity and its relation to the Anthropocene. The point of departure for my critical discussion of history is the geological evidence for an Anthropocene golden spike proposed by Lewis & Maslin (2015) known as the ”Orbis hypothesis”, as well as the discourse on futurity built into current policy on climate change. The aim is to develop a critical temporality for the Anthropocene, drawing on work by historians on the contemporary crisis of time (Assmann 2013, Hartog 2016) as well as insights from environmental and media history. I argue that the emergence of global political expansionism and extractionist politics with the Spanish Empire in the latter part of the 16th century marked the beginning of an era which is still affecting policy and politics, particularly in relation to climate change. Particularly, I argue that the systematic use of media and information technology for extractionist purposes is integral to what has been understood as modernity (Latour 2017, Haraway 2017, Moore 2015, Mignolo 2015, Sloterdijk 2015). At the same time, the established way of addressing climate change sustains coloniality and projects the cost of carbon intense living a century into the future, as most models end with 2100. The insights of what might then be termed Anthropocene historiography challenges traditional linear conceptions of time by highlighting how the present eco crisis is an effect of past political actions, just as current inability to properly address these issues will come into effect and cause damage in the future.

Bio: 

Adam Wickberg is a Postdoctoral fellow in media history at the Environmental Humanities Lab and a visiting scholar at the Max Planck Institute for History of Science in Berlin (MPWIG I). His current research concerns the Early Modern media history of the Anthropocene, where he traces the global changes of long distance governing of nature brought about by early Spanish colonialism. The project studies the human-nature relationship of Iberian colonial history using the critical aspects of media and anthropogenic altering of natural habitats as a material and discursive practice. The bureaucratic use of paper – documents, files, maps, surveys, orders – as a form of governance of nature over great distances is a focal point of the study and are conceptualized as environing media. Recent publications include Pellucid Paper: Poetry and Bureaucratic Media (Open Humanities Press 2018) and “Plus Ultra: Francisco Hernández and the Mapping of American Natureculture” in Necsus: European Journal of Media Studies (2018:2).

The Posthumanities Hub Seminar with Nina Lykke and Camila Marambio: 4th June, 10:15 – 12:00

Welcome to The Posthumanities Hub Seminar with Nina Lykke and Camila Marambio on Decolonialising Mourning Through Speculative Wonder and Unthinkable Questions? On the Selk’nam ‘Hain’ and Its Layers of Lostness.

The seminar takes place in the seminar room at the Division of History of Science, Technology and Environment, KTH (Teknikringen 74 D, Stockholm).

When: 4th June, 10:15 – 12:00

Cementerio grupo

Abstract:

This lecture investigates multi-layered meanings of mourning, death and loss in the context of decolonialising endeavours to learn from indigenous cosm-onto-epistemologies.  In focus is the so-called Hain, an initiation ceremony of the Selk’nam people of Tierra del Fuego. As described by Austrian ethnologist and Christian priest Martin Gusinde (1886-1969), it is recorded as having been performed for the last time in 1923. Gusinde’s research was later revised by US anthropologist Anne Chapman (1922-2010) and her Selk’nam research participant Lola Kiepja (died 1966). Since the ceremony is no longer performed, it is ‘lost’ as lived spiritual experience. Accordingly, Gusinde and Chapman embed their accounts in a context of white Western melancholia (cf. reoccurring phrases such as ‘the last Selk’nam’, ‘the last Hain’ etc). The lecture aims at critically analysing these ways of sustaining coloniality through mourning, and exploring other critically-affirmative, decolonialising approaches, and caring ethics. It builds on one author’s (Marambio) longtime fieldwork in Tierra del Fuego, carried out together with Fuegans, and on both authors’ joint work to organise Hain-workshops, using speculative wonder (Stengers 2011) and creative analytical practices to ask unthinkable questions and engage participants in collective endeavours to approach the Hain and mourn its layers of lostness otherwise.

Bio:

Camila Marambio is curator of Ensayos, and her work with the program has been represented in exhibitions and performances at the Kadist Art Foundation, Paris; the Institute for Art and Olfaction, Los Angeles; BHQFU, New York; Puerto de Ideas, Valparaíso; Festival Cielos del Infinito, Puerto Williams, CL; Kurant, Tromsø, NO; and Psi #22, Melbourne, AU. Currently a PhD Candidate in Curatorial Practice at MADA in Melbourne, Australia, Marambio received an M.A. in Modern Art: Critical Studies at Columbia University and a Master of Experiments in Art and Politics at Science Po in Paris; attended the Curatorial Programme at de Appel Arts Center in Amsterdam; and was Head Curator at Matucana 100 (Santiago, CL) and Assistant Curator at Exit Art (New York, NY).

Nina Lykke, PhD, Professor Emerita, Gender Studies, Linköping University, Sweden. Has participated in the building of Feminist Studies in Scandinavia and Europe more broadly since the 1970s. Co-founder of International Network for Queer Death Studies, and International Network for ECOcritical and DECOlonial Research. Current research interests: queering of cancer, death, and mourning in posthuman, queerfeminist, materialist, decolonial and eco-critical perspectives; autophenomenographic and poetic writing. Recent publications:  Queer Widowhood. Lambda Nordica. 2015:4; Assisted Reproduction Across Borders (co-ed. Merete Lie, Routledge 2016); Academic Feminisms: Between Disidentification, Messy Everyday Utopianism, and Cruel Optimism. Feminist Encounters.  2017:1(1); When death cuts apart: On affective difference, compassionate companionship and lesbian widowhood. T.Juvonen & M.Kohlemainen (eds): Affective Inequalities in Intimate Relationships. (Routledge 2018). She has served on numerous international editorial boards, among others for European Journal of Women’s Studies; currently she is in the advisory board of Signs. Journal of Women in Culture and Society, and co-editor of the book series Routledge Advances in Feminist Studies and Intersectionality.

 

 

The launch of DISTANCIA: A more than human web series set in Tierra del Fuego, Chile

Welcome to the Screening of

DISTANCIA

A more than human web series set in Tierra del Fuego, Chile

 Imagined and visualized by

Camila Marambio and Carolina Saquel

With participation of Sebastián Arce, Ariel Bustamante, Javiera Carmona, Julio Gastón Contreras, César Díaz, Valentina Espinoza, Alberto Harambour, Matías Illanes,  Ivette Martinez, Michael Taussig and Cecilia Vicuña.

May 22, 2019, at 15-17h

DIS

THE SCREENING WILL BE FOLLOWED BY A DISCUSSION WITH

DISTANCIA’s CO-DIRECTOR CAMILA MARAMBIO.

 

Distancia is a story of environmental proportions, a series of tales that have demanded to be told from beyond the strait of Magellan. Speaking histories of unlawful appropriations, exterminations, and exploitations, each episode sketches the shape of a place known as Tierra Del Fuego. Documenting the drive for justice and kinship between a few unlikely characters Distancia chronicles a wind so relentless it shapes the mind. Distancia reports on remote civilian entanglement with volatile geopolitical agendas. Distancia murmurs a road under construction, and in doing so opens a poethical portal.

DISTANCIA

Venue:  CNEMA, Norrköping (room: Statisten)

Kungsgatan 54, 602 33 Norrköping

Admission: FREE.

Booking 011-15 63 00

Distancia is produced as part of the nomadic research programme ENSAYOS, curated by Camila Marambio, see https://ensayostierradelfuego.net/

The event is co-organized by Tema Genus and REMESO, Linköping University.

Contact: Professor Nina Lykke nina.lykke@liu.se), Tema Genus

and PhD student Asher Goldstein (asher.goldstein@liu.se), REMESO.

The Second International Symposium “Eco/Decolonial Arts: Re-imagining Futures”, 28 August at Konstfack, Stockholm, SE

The International Network for ECOcritical and DECOlonial Research in collaboration with The Posthumanities Hub and with a generous support by Konstfack University of Arts, Crafts, and Design present:

The Second International Symposium

Eco/Decolonial Arts: Re-imagining Futures

28th August 2018, 10:15 – 18:00

Venue: Konstfack University of Arts, Crafts, and Design, Stockholm

(room: MANDELGREN)

eco deco Aug 2018
Photo: Cecilia Åsberg

As the current ecological crises and different forms of oppression, discrimination and injustice around the globe demonstrate, the questions of the environment and the people, as well as of social and environmental justice, are not isolated from one another. These concerns and connections come to the fore in both implicit and explicit ways in the work of artists, activists and academics working with the issues of decolonisation, on the one hand, and ecology, on the other.

The International Network for ECOcritical and DECOlonial Research connects artists, activists and academics, who in their work, in both implicit and explicit ways, concentrate on these connections and concerns: the issues of ecology, on the one hand, and decolonisation, on the other.

The network was officially launched at the workshop ‘Eco/Decolonial Arts: Open-ended Poetic/Philosophical Forays’, which took place on 28-29 June 2017 in Linköping. The two-day event was focused on the developing of transversal dialogues between various ways of engagement with both decolonial and ecocritical/ecological perspectives. The slash [‘/’] in the name of the workshop (‘Eco/Decolonial’) refers to feminist scholar Karen Barad’s (2014) concept of ‘cutting together apart’ that points to the necessary entanglement of nature and culture; the environment and the human; epistemic, symbolic and physical violence towards nonhumans and humans alike; and finally, to the call for environmental and social justice.

The rich conversations that arose during the last-year workshop and still fuel the network’s activities have also inspired us to organise the second edition of ‘Eco/Decolonial Arts’ – yet, this time in a form of a one-day symposium. Thus, the upcoming event, scheduled on 28th August 2018 and taking place at Konstfack University of Arts, Crafts, and Design in Stockholm, will focus not only on the urgency of posing questions that combine concerns with the environment and decolonial critique in their broadest understanding, but also on the arts’ unique potential for a diverse, multifaceted, creative and critical query of what such transdisciplinary engagements might mean for reimaging a different future in a ‘more-than-human’ world.

Programme :

10:00 – 10:30 – Introduction

10:30 – 11:05 – Katja Aglert, Turning over the grounds of sgulS and.

11:05 – 11:40 – Vera Weetzel, White tears and tear art. Reflections on whiteness and    complicity in bio/eco art

11:40 – 12:15 – Marietta Radomska, Non/living Archives: Deterritorialising Death

12:15 – 13:30 – Lunch break (self-paid basis)

13:30 – 14:05 – Madina Tlostanova, On the way to a pluriverse? A Feetless Bird in a Vanished Forest-garden

14:05 – 15:15 – Camila Marambio and Nina Lykke, Vulnerable Story Telling. Queering cancer beyond the life/death hierarchy

15:15 – 15:45 – Coffee break (self-paid basis)

15:45 – 16:20 – Cecilia Åsberg, Why the environmental humanities needs art, worldly situatedness and integrative feminist theory-practices

16:20 – 16:55 – Anne Gough, Walking to Al Quds

16:55 – 17:30 – Dalida Maria Benfield, Where We Are Now: A Dispatch From “Indigenous Knowledges and Sustainable Pasts/Futures”

17:30 – 18:00 – Final discussion: the future of the network (‘where do we go from here?’)

Full programme with abstracts and bios: click HERE.