KTH advertises for a Ragnar Holm postdoc position within a KTH research group.
Are you into STS, history of technology, or techno-humanities, electrics and contact-making (and contact unmakings, such as corrosion, fritting or friction) – and would want do work with us at The Posthumanities Hub of the Department of Philosophy and History? If so please contact Cecilia Åsberg urgently, cecilia.asberg[at]abe.kth.se to discuss this possibility.
NB deadline is extended to March 13, 2020.
Postdoc scholarship from Fysikern fil dr Ragnar Holms stiftelse i Kungliga Tekniska högskolan (The Physicist Dr. Ragnar Holm’s Foundation). Registration number VT-2020-0015
Application period March 2-13 2020
KTH Royal Institute of Technology in Stockholm has grown to become one of Europe’s leading technical and engineering universities, as well as a key centre of intellectual talent and innovation. We are Sweden’s largest technical research and learning institution and home to students, researchers and faculty from around the world. Our research and education covers a wide area including natural sciences and all branches of engineering, as well as architecture, industrial management, urban planning, history and philosophy.
KTH invites applications for a postdoctoral scholarship in honor of the physicist Ragnar Holm (1879-1970), regarded as the scientific founder of electric contacts and their use, and author of the book “Electric Contacts: Theory and Applications”, Hugo Gerbers Förlag 1946.
A successful candidate should have a PhD-degree, be of any nationality, and is expected to join an existing research group at KTH in a relatively broad field, encompassing Engineering Physics and related subjects, or the History of Science and Technology. Preference is given to areas close to Ragnar Holm’s scientific activities or the history thereof, such as the theory of electric contacts, novel applications of electric phenomena in current constrictions as well as friction, wear, fritting, corrosion and tarnish phenomena on electric contacts and related devices, such electromechanical components including MEMS and NEMS, switching contacts, and micro- or nanoelectronic components. Preference is also given to tunneling effects including the more recent physics of single electronics, and carbon contacts including developments on fullerenes and graphene. Finally, preference is given to historical perspectives on relations between industrial and public research as well as engineering and scientific practices.
The duration of the stay is a minimum of one year and a maximum of two years, starting as soon as possible. Postdoctoral studies must be commenced within six months of the date of the decision. The fellowship amounts to 27 500 SEK per month (travel grants included). The scholarship is tax-free. The recipient will also receive the Ragnar Holm plaque in silver. The candidate must obtain an agreement with a senior contact person at KTH expressing that he/she is welcome as postdoc in the research group.
Candidates must have their PhD degree from outside KTH. The period of post-doctoral fellowship at KTH must be started within five years of graduation.
You are the main responsible to ensure that your application is complete according to the ad. Your complete application must be received at KTH no later than 2020-03-13.
The application must include the following documents:
Curriculum vitae (max 2 pages)
A list of the ten most relevant publications
A description of the research the candidate will take part in at KTH (max 2 pages)
Three letters of recommendations, including one from the contact person at KTH
The candidate should also give the full address, including telephone and e-mail, at which he/she can be reached.About the position
Period: minimum of one year and a maximum of two years
Amount of scholarship: 27 500 SEK per month (travel expenses included)
Start date: According to the agreement
Professor Mats Göthelid (Applicants within Engineering Physics)
Telefon: +46 8 790 41 54
Professor Nina Wormbs (Applicants within History of Science and Technology)
Telefon: +46 8 790 85 83
t4t4t4t4t: Fourfold Sex and Trans-Individuation at the End of the World
by Andria Nyberg Forshage
At present, 20th-century notions of bodily immune systems modelled as repressive-productive sovereign border controls — and vice versa — are at once being superseded, obsolesced, reinforced and reinvigorated as perhaps never before. At the same time, 21st-century notions of desiring-productive, flexible, molecular immuno-security, already dated as hyper-modern, are being folded into and onto any imaginable kind of body, society, or network. In terms of data, flesh, sex, nation, sense-making, resource extraction, ecological disaster, and ongoing resistance, it is at once a situation of planetary global or civil war, armed peace, state of emergency, and stasis.
Departing from a scenario of societal collapse following transgender bioterrorism on a hormonal and molecular scale as imagined in Torrey Peters’ sci-fi novella Infect Your Friends and Loved Ones (2016), this talk explores the drift of t4t desiring-machines in and through the bodies, farms, fields and factories of contemporary and imagined pharmacopornographic capitalism. Where t4t designates trans for trans desire, in the trans woman commune the logograph becomes self-replicating as desire and senseless noise, burnt and embedded through fleshy, tranimal metabolism.
Connecting the fourfold of subjectivation as theorised by Gilles Deleuze in Foucault (1988) with the t4t fourfold complexes of infectious human-animal-societal undoings, as developed through a reading of Infect Your Friends and Loved Ones, how might t4t4t4t4t be understood as an operation-operator of what Gilbert Simondon has termed the transindividual?
Andria Nyberg Forshage is a writer, theorist and poet, part of the editorial team for the Paletten Art Journal and currently working with the Knowledge Hub at Public Art Agency Sweden. She has previously presented research at conferences including the First International Trans*Studies Conference at the University of Arizona and The First International Queer Death Studies Conference at Karlstad University. They have a room of their own in Stockholm and a Scorpio rising.
Chemicals, endocrine disruptors and unruly bodies in trans and queer art
by Wibke Straube
In 2018, the post of a vegan group on facebook went viral which argued, that trans and queer bodies are the “damaged” outcome of environmental pollution and endocrine disruption by POP. The post argued further that to lobby for trans and gay rights would mean to support a capitalist, exploitative system of ecological destruction. In response other vegans and this group in particular, dismissed this (cishetero)econormative position and argued this is merely one individual’s opinion. In my talk, I would like to firstly address this “singular” opinion and unpack the idea of the trans and intersex bodies as a result of endocrine disrupting chemical. I will to do this by considering the trans and intersex body as bodily entangled with environmental pollution and toxic contamination (Ah-King/Hayward 2014; DiChiro 2010; Pollock 2016). Secondly, and most centrally, I explore how endocrine disrupting toxins emerge in trans and queer art, intoxicate art practices and artistic bodies, and foster creative pollution that subverts the gender binary norms of EDC discourses and reclaims the toxic body as a monstrous, alien becoming through and within Otherness.
Wibke Straube, PhD, is a Senior Lecturer at the Centre for Gender Studies, Karlstad University, SE. Their work focuses on intersectional analysis of trans, non-binary and queer embodiment, affective methodologies and the affinities of different socially marginalised bodies, their forms of survival and possibilities to create zones of liveability. They have published in Environmental Humanities and NORMA International Journal for Masculinity Studies, among others. E-mail: wibke.straube[at]kau.se
As part of The Posthumanities Hub Seminar Series, we are exited to present Cooking Sections(Daniel Fernández Pascual & Alon Schwabe), a duo of spatial practitioners based out of London exploring how forms of extraction and intensive agriculture and aquaculture can be approached through other forms of eating. Don’t miss this opportunity to cross the boundaries between visual arts, science, architecture, ecology and geopolitics with us! Curator Caroline Elgh Klingborg from Bonniers konsthall will also join the discussion.
When: 4th March, 13:15-15 Where: in the big seminar room at the Division of History of Science, Technology and Environment, KTH (Teknikringen 74 D, Level 5, Stockholm). Facebook
ABOUT THE SEMINAR: How We Eat as Humans Change Climate
CLIMAVORE is a long-term project initiated by Cooking Sections in 2015. It sets out to envision seasons of food production and consumption that react to human-induced climatic events and landscape alterations. Different from the now obsolete cycle of spring, summer, autumn and winter, CLIMAVORE rethinks the construction of space and infrastructure by focusing on how climate alterations offer a new set of clues to adapt our diet to them. Unexpected climatic phenomena, like subsidence, flash floods or drought, may span minutes, days, months, years or centuries. CLIMAVORE is then proposed as a form of devouring following their effects on anthropogenic landscapes. Unlike carnivore, omnivore, locavore, vegetarian or vegan, CLIMAVORE is not only about the origin of ingredients, but also about the agency that those ingredients have in providing spatial and infrastructural responses to human-induced climatic events for a certain period of time. At the core is to embrace a flexible form of eating, shifting, for instance, to drought resistant crops in a period of water scarcity or filter feeders during times of polluted or acidified waters.
For the upcoming exhibition at Bonniers Konsthall, Cooking Sections will continue to explore how forms of extraction and intensive agriculture and aquaculture can be approached through other forms of eating. Building on the work developed on the Isle of Skye in the past years CLIMAVORE is seeking to divest away from intensive salmon farming and develop regenerative aquacultures. The exhibition will be an opportunity to explore the role of salmon in the Scandinavian context, the construction of salmon as an invented synthetic colour and artificial species, and the toll its farming and production of feed pellets takes on communities in countries such as Peru, Chile and Senegal. Furthermore a new project will look into histories of runoff and expand the understanding of eutrophication of the Baltic Sea, as a way to address the changing relations between the human and the non-human, the natural and the cultural.
About Cooking Sections Cooking Sections (Daniel Fernández Pascual & Alon Schwabe) is a duo of spatial practitioners based out of London. It was born to explore the systems that organise the WORLD through FOOD. Using installation, performance, mapping and video, their research-based practice explores the overlapping boundaries between visual arts, architecture, ecology and geopolitics. In 2016 they opened The Empire Remains Shop, a platform to critically speculate on implications of selling the remains of Empire today. Their first book about the project was published by Columbia Books on Architecture and the City.
Cooking Sections was part of the exhibition at the U.S. Pavilion, 2014 Venice Architecture Biennale. Their work has also been exhibited at the 13th Sharjah Biennial; Manifesta12, Palermo; Lafayette Anticipations, Paris; Serpentine Galleries, London; Atlas Arts, Skye; Neue Nationalgalerie, Berlin; Storefront for Art & Architecture, New York; Peggy Guggenheim Collection; HKW Berlin; Akademie der Künste, Berlin; and have been residents in The Politics of Food at Delfina Foundation, London. Their work has been featured in a number of international publications (Lars Müller, Sternberg Press, Volume, Frieze Magazine amongst others). They currently lead a studio unit at the Royal College of Art, London. They have recently been awarded the Special Prize at the 2019 Future Generation Art Prize and are nominated for the Visible Award.
Welcome to KTH Division of History of Science, Technology and Environment Higher Seminar with Dr Otso Kortekangas on ”Indigenous avant la lettre. The origins and livelihoods of the Sámi in European scholarly thought 1930–1960”
Time: Mon 2020-02-10 13.15 – 14.45
Lecturer: Otso Kortekangas, KTH, Div. History of Science, Technology and Environment and Stockholm University
My project studies the pre-history of the concept indigenous. It shows in
what ways Nordic and European scholars produced the Sámi as precisely indigenous before the term itself was widely in use. When this UN-backed concept gained ground during and following the anti- and postcolonial political processes of the 1960’s, the Nordic Sámi minority could tap in to the global indigenous identity movement.2 This was possible since both the scholarly and, with a certain delay, the popular understanding had gravitated to a direction where the Sámi were considered the original inhabitants of the northern areas of Fennoscandia. Ever since the indigenous label was introduced in the Nordic countries, it has become the first and foremost label and lens through which the Sámi population is studied.
OBS! Please REGISTER FOR THIS EVENT by sending an email to: the.posthumanities.hub[at]gmail.com
To end the anthropocene is a call to activism at a time where ways of living seem impossible to proscribe and the world’s many urban and natural environments and organisms are increasingly transforming, some becoming more vulnerable while others increase their exertion of power over global systems of information and control. During these ages it can be difficult to imagine new and multiple ways of existing where hopelessness and imagination exist simultaneously. Beyond the Posthuman, but firmly within this world, my concept of the Ahuman acknowledges we aren’t nonhuman, but devalues the term human and its thus far devastating consequences for the world in order to suggest vitalistic, perhaps even optimistic, ways to negotiate some of the difficulties in thinking and acting in a world where meaning and reality are tentative but material actuality and lives (of all varieties) are in need of novel modes of intervention and interaction for the liberation and creative freedom of all organisms and the ecology of the Earth as a whole. Collapsing activism, artistic practice and affirmative ethics, while introducing some radical contemporary ideas such as human extinction and vegan abolition this paper navigates the ways in which we must compose the human differently, specifically beyond nihilism and post – and trans-humanism and outside human privilege. This is in order to actively think and live with connectivity (actual not virtual), viscerally, with passion and grace, toward a new world. The irony of the apocalypse is that the world continues nonetheless. How can we live more ethically? How can the end of the human (even the posthuman) mean the end of human privilege as that which assists in opening the world to all life and to the human apocalypse being the birth of the world through deep ecology?
Patricia MacCormack is Professor of Continental Philosophy at Anglia Ruskin University. She is the author of Cinesexuality (2008), Posthuman Ethics (2012) and The Ahuman Manifesto (2020), the editor of The Animal Catalyst: Toward Ahuman Theory (2014) and the co-editor of Deleuze and the Schizoanalysis of Cinema (2008), Deleuze and the Animal (2017) and Ecosophical Aesthetics (2018). She publishes extensively in the posthuman, queer theory, animal studies, horror film, and Continental Philosophy.
The event is organised in collaboration with the Konstfack Research Week 2020 – see the detailed programme here.
We remember those vibrant days in May with such warmth. We had 26 amazing speakers sharing their reflections, projects and research with an engaged crowd. All keynotes and panels are now online and you can find them here!
In the pilot project “Popularizing environmental humanities: Film and media resources for young adults pondering the stakes for the future”* (Formas communication grant), the challenge of “popularizing” was approached through integrative learning and co-storytelling in the classroom. Instead of creating media resources for the students to digest, they were asked to critically engage with environmental issues through creative storytelling and film making. In this Roundtable session, the project will be introduced and some key questions concerning teaching and communicating EH addressed. Another approach to teaching and communicating has been practiced by Marco Armiero in his open-air classes during Fridays for Future climate strikes, and through this Roundtable we wish to share and compare experiences from these two approaches.
Participants: Marco Armiero, Janna Holmstedts, Jesse Petersen, Lotten Wiklund and Cecilia Åsberg. Chair: Roberta Biasillo.
*”Popularizing environmental humanities”, a collaboration between Professor Cecilia Åsberg (pi), the Posthumanities Hub, KTH, and Lotten Wiklund (co-pi), science journalist at Kajman Media, was implemented mainly during spring 2019 together with researchers affiliated with the Posthumanities Hub, and a group of third grade students attending Samhällsvetenskapsprogrammet at Bromma gymnasium in Stockholm. Janna Holmstedt, PhD, acted as facilitator for the workshops. Participating researchers were Christina Fredengren, Jesse Petersen, Vera Weetzel, Janna Holmstedt and Cecila Åsberg.
Welcome to The Posthumanities Hub Seminar with Prof. Dr. Isabelle Doucet (Chalmers University of Technology, Sweden, and Hélène Frichot, Professor of Architecture in Critical Studies and Gender Theory (KTH, Sweden) on To Care is To Resist: Situated Perspectives on Architecture
When: 23rd October, 13:15-15:00 Where: in the seminar room at the Division of History of Science, Technology and Environment, KTH (Teknikringen 74 D, Stockholm).
Abstract: In this joint seminar Doucet and Frichot will discuss overgrowth, care and resistance while drawing inspiration from Isabelle Stengers and Maria Puig de la Bella Casa’s work, as well as share reflections from Doucet and Frichot’s jointly edited journal issue Resist Reclaim Speculate. Situated Perspectives on Architecture and the City, Architectural Theory Review, 2018, Vol. 22/1https://www.tandfonline.com/toc/ratr20/22/1?nav=tocList
Isabelle Doucet is professor of theory
and history of architecture at Chalmers University of Technology, Sweden. At
the department of Architecture and Civil Engineering, Isabelle acts as the coordinator for the Chalmers-wide Gender
Initiative for Excellence (Genie) initiative.
Her research focuses on the relationship between architecture, (urban)
politics, and social responsibility; and since joining Chalmers, Isabelle
initiated research on women architecture graduates after 1968. Her books include
The Practice Turn in Architecture. Brussels after 1968 (2015).
Architectural theorist and
philosopher, writer and critic, Professor Hélène
Frichot (PhD) is the director of Critical Studies in Architecture, School of Architecture, KTH (Royal Institute of
Technology) Stockholm, Sweden. Her
research examines the transdisciplinary field between architecture and
philosophy, with an emphasis on feminist theories and practices. In 2020 she
joins the Faculty of Architecture, Construction and Planning, University of
Melbourne, Australia as Professor of Architecture and Philosophy. She is the
author of Creative Ecologies: Theorizing the Practice of Architecture
(Bloomsbury 2018) and How to Make Yourself a Feminist Design Power Tool
16 Aug 2019, 13:00-16:00 R1 Reactor hall, KTH, Stockholm (Drottning Kristinas väg 51)
In this mixed and postdisciplinary gathering,
with listening sessions and talks by artists and researchers, we will visit the
limits of communication(s) – when our technologies, ideas, languages and
intentions fail us. We will among other things encounter phenomena that
cannot be decoded, interspecies communication experiments, and speculations
about how we can communicate with not only aliens but also inhabitants on
planet Earth in a distant future.
In a society imbued with communication technologies and a
positive belief in the possibilities of accurately
formulating, transmitting, receiving and archiving,
it might be sobering to consider situations where the communicative attempt
takes us elsewhere. Where it derails
our assumptions and intentions and where we admittedly are out of control. What
can be gleaned from these limits and borderlands? What can be unlearned? What
ethico-political considerations do they confront us with?
Participants Cecilia Åsberg (founder and director of the Posthumanities Hub, KTH/Linköping Univ., SE), Marietta Radomska (co-director of the Posthumanities Hub, Linköping Univ., SE/Univ. of Helsinki, FI), Janna Holmstedt (artist, SE), mirko nikolić (artist, SE/FI), Jacek Smolicki, (artist, SE/PL).
Curated by Janna Holmstedt, the Posthumanities Hub, in collaboration with Jacek Smolicki, Fragmentarium Club, at the invitation of the Public Art Agency. The session will take place inside the large-scale art installation “The Interplanetary Species Society (ISS)” by Jonas Staal. ISS is part of the project “Choreograhies of the Social” curated by Edi Muka, the Public Art Agency Sweden (Statens Konstråd). More information and full program for all the events, 13-25 Aug: www.publicartagencysweden.com
Program, 16 Aug, 13:00-16:00 (in no specific order):
Cecilia Åsberg, Planetary Speculation: Cultivating
Ursula K Le Guin stated: “The only thing that
makes life possible is permanent, intolerable uncertainty; not knowing what
comes next”. Today we have, dare I say, enough science facts and credible
information to convince us that planetary changes like rampant mass species
extinction rates, climate change, glacial melting and sea rise, plastic
pollution and environmental health concerns are a very real part of the
planetary challenges we now face. What we do not have enough of,
perhaps, seem like a sense of belonging to the ecologies of this
planet, or enough of an ecological sense of wonder and curiosity to close the
emotional gap between values and action, and to sway our ways in more
sustainable directions. This is why we need to cultivate the more than human
arts of living on a damaged planet. Art and humanities have a particular role
to play here, and so does the notion of planetarity. In my talk, while
discussing a few unexpected vistas of environmental feminism, I will discuss
what the role and function of planetary speculation might entail for more
careful ways of knowing.
Cecilia Åsberg, PhD, is Guest Professor of STS, Gender
and Environment at KTH Royal Institute of Technology in Stockholm 2018-2020,
and since 2015 Professor of Gender, Nature, Culture at Linköping University.
She is Founding Director of the Posthumanities Hub, and of the Seed Box: An
Environmental Humanities Collaboratory, and associate editor of the journal
Environmental Humanities (Duke University Press). Recent publications:
“Feminist Posthumanities in the Anthropocene: Forays into the Postnatural” in
Journal of Posthuman Studies; Animal Places – Lively 15 Cartographies of
Human-Animal Relations, (Routledge, eds with Jacob Bull and Tora Holmberg), and
A Feminist Companion to the Posthumanities (Springer, ed with Rosi Braidotti).
mirko nikolić , lie and
shine: eleven steps of
A listening session, a walk along a narrow boundary of extraction,
presently in the process of negotiation in the semi-periphery of the European
North. Gold, water, arsenic and physical asset currency embody vectors of
interest or disinterest by various power formations. Most of the forces operate
without prior or informed consent, decisions are being largely made in the
absence of the bodies that will experience the material effects. Silent
neighbours are not that silent. Communication waves shimmer with dispersals of
toxicity and gatherings of resilience.
Through performance and critical writing, mirko
nikolić seeks to prefigure more just collaborations among different species and
heterogeneous bodies. In recent projects, mirko has been working on
counter-extractivist ontopolitics, multispecies commoning, performativity of
vegetal touch, and unlearning of anthropocentric and capitalist survival
ideologies. mirko holds a PhD in Arts & Media Practice from the University
of Westminster, London.
Janna Holmstedt, The
Order of the Dolphin
What do we hear when we think we listen? In 1961, a prominent flock of researchers were invited to a semi-secret conference arranged by NASA’s Space Science Board to discuss a subject not yet considered scientifically legitimate: What are the conditions required for establishing contact with other worlds? Could engaging in communication with dolphins prepare us for an encounter with non-human intelligence? At this time, attempts to reach out to intelligent life on other planets happened to coincided with attempts to get inside the minds and bodies of bottlenose dolphins. In this listening session, I’ll move between the human, the synthetic and the beastly while revisiting some of the interspecies communication experiments that were carried out in the 1950s and 60s, partly funded by NASA, where dolphins were supposed to learn to speak English with their blowholes. At the centre of my session are tape recordings from language lessons with dolphins, and a woman, whom during 75 days tried to live under equal conditions with the dolphin Peter in a flooded house.
Janna Holmstedt is an artist and researcher based in
Stockholm. She works across various media, ranging between installation, sonic
fiction, text, drawing, mapping and performance, with a particular interest in
listening, storying and situated practices. Her projects work transversally in order to weave a
web of parasitic relations in an attempt to story more-than-human relations and
less anthropocentric we-formations. She explores entangled
issues such as multispecies relations, interspecies communication, and the
intra-action of bodies, environs and technology. She holds a PhD in Fine Arts
in Visual Arts from Lund University, is affiliated researcher with the
Posthumanities Hub, and currently research engineer at the Division of History
of Science, Technology and Environment at KTH. More: www.jannaholmstedt.com
Marietta Radomska, From Terminal Ecologies to the
Non/Living Earth: Storying an Archive
her work on queer ecocriticism, literary scholar Sarah Ensor offers the concept
of ‘terminality’ understood as a state, a practice, an intimate belonging, and
a horizon; in other words, a ‘lifelong’ and shared condition, characterised by
the potential for relations, non-linear temporality, and an ongoing
responsibility for and accountability towards the harmed, the ill, the
perishing, and the dead (environments, ecosystems, organisms, and other
entities). Staying with the trouble of terminality is but one example of a
biophilosophical approach that does not start from a given image of life, but
instead, from a multiplicity of relations, forces, and materialities (that
which transforms and traverses life) encompassing the potentials for both
growth/development and decomposition/decay. Against the backdrop of the current
ecological crisis, this short intervention asks what it means to story(tell) an
archive of ‘terminal ecologies’, what modes of (non)communication it might
entail, and how it matters in an ethico-political sense.
Radomska, PhD, is a Postdoc at the Department of Thematic Studies, Linköping
University, SE, and at the Department of Cultures, University of Helsinki, FI.
She is the co-director of The Posthumanities Hub; founder of The Eco- and
Bioart Research Network, co-founder of International Network for ECOcritical
and DECOlonial Studies and a founding member of Queer Death Studies Network.
Her current research focuses on ecologies of death in the context of
contemporary art. She is the author of the monograph Uncontainable Life: A
Biophilosophy of Bioart (2016), and has published in Australian Feminist
Studies, Somatechnics, and Angelaki, among others. More: www.mariettaradomska.com
Jacek Smolicki, Per
Aspera Ad Astra
Per Aspera Ad Astra (from Latin ‘through hardship to the stars’) was a morse-coded sentence launched alongside other sound recordings onboard Voyager space probe sent into space in 1977. Just like many other signals sent by humans to reach extraterrestrial beings, the Voyager message has so far remained unanswered. Per Aspera Ad Astra is an ongoing artistic and media archaeological exploration of our persistent desire to connect with the non-human, and, more specifically, the extraterrestrial. The project takes the form of a performative soundscape composition built successively of archival material and sounds characterizing technologies used historically to establish contact with aliens. The archival recordings include glitches from digitized interviews with UFO witnesses from the Sweden’s Archive for the Unexplained, snippets from the famous Voyager message, radio signals from the outer space, and reenactments of historical messages sent into space. All these are combined with gradually intercepted remediations of Stanislaw Lem’s deliberations on the inherently flawed idea of establishing contact with other-than-human residents of the deep space.
Jacek Smolickiis a cross-media artist, designer,
researcher and “walker” exploring intersections of aesthetics,
technology, memory and everyday life. In his design and art practice, besides
engaging with existing archives and heritage, Smolicki develops new techniques
for recording, experiencing, and para-archiving human and other-than-human
environments. In his research, informed by art practice, philosophy of
technology, and media archaeology, Smolicki explores how transformations of
communication, recording, and computing technologies have been affecting
aesthetic, material, performative, and ethical aspects of archiving and memory
practices (both personal and public), but also everyday life practices at
large. In 2017, he completed his PhD from the School of Arts and Communication
at Malmö University where he was a member of the Living Archives, a research
project funded by the Swedish Research Council. In 2016 Smolicki
founded Fragmentarium Club, an independent initiative uniting enthusiasts
of listening, soundwalking, field recording, and soundscape archiving. More: www.smolicki.com and www.fragmentarium.club
Welcome to the workshop “Becoming with Alien Encounters and Speculative Storytelling in a More-than-human World” that takes place on 4th June at 13:15 – 16:00, in the big seminar room at Division of History of Science, Technology and Environment, KTH (Teknikringen 74 D, Stockholm).
No registration is required.
Workshop: Becoming with Alien Encounters and Speculative Storytelling
Speculative storytelling refers to a wide range of narrative fiction, poetic and artistic articulations that employ ’fantastic’, supernatural, spiritual or other non-mimetic elements. In the times of the climate change and environmental crisis, accompanied by futuristic ’technology-will-save-us’ scenarios, on the one hand, and visions of ‘doom and gloom’, on the other, speculative storytelling has gained momentum as a way to reimagine futures beyond the human-centred narratives of the Anthropocene. This, importantly, includes a reimagining and experimentally re-establishing of new posthuman relationalities, corpo-affectively grounded in a situated caring ethics, as well as a decentring and deconstruction of the sovereign human subject and its claim to an exceptional position of enunciation. In this poetic/artistic-philosophical workshop, we will reflect on theoretical and practical tools to be interpellated to approach the radically different, without gesturing towards anthropomorphisation or domestication. Alongside of the theorising, we will also, through poetic-artistic articulations, explore the processes of decentring the human subject position and preparing for ’alien encounters’ – what in the ethics of Gilles Deleuze is framed as ’making yourself worthy of the event’. We will draw examples from alien encounters with lichen, algae, pollen, and underwater creatures, among others. As part of the workshop, we will invite the audience to try out their own approaches to such encounters through short writing prompts.
Katja Aglert, independent artist and researcher, SE
Line Henriksen, University of Copenhagen and IT University of Copenhagen, DK
Nina Lykke, University of Linköping, SE
Camila Marambio, Melbourne University, AUS
Tara Mehrabi, Karlstad University, SE
Marietta Radomska, Linköping University, SE and University of Helsinki, FI
Katja Aglert is a Stockholm based independent artist and researcher whose practice – situated in feminist, more-than-human imaginaries – is transdisciplinary in nature, and includes both individual and collaborative projects. Currently she examines artistically through hybrid forms of storytelling how we through the experiences of multi-beings-encounters can investigate what it can mean to materialise perspectives beyond the human-centred narratives. She exhibited widely, including venues such as Marabouparken and Biologiska Museet, Stockholm (SE); Solyanka State Gallery, Moscow (RU); Polarmuseet, Tromsø (NO); Fotografisk center, Copenhagen (DK); FLORA ars+natura, Bogota (COL); Museum for Contemporary Art, Santiago (CHL). She is an executive board member of The Seed Box, an international environmental humanities collaboratory headquartered at Linköping University. She teaches regularly at Umeå Art Academy, and Konstfack University of Arts, Crafts, and Design. katjaaglert.com
Line Henriksen, PhD is a lecturer in Gender Studies at the University of Copenhagen and IT University Copenhagen, DK. She holds a PhD in Gender Studies from the Unit of Gender Studies at Linköping University, Sweden. Henriksen has published on the subjects of monster theory, hauntology and digital media in journals such as Women & Performance and Somatechnics, and her fiction has appeared in Andromeda Spaceways and Tales to Terrify, among others. She is a founding member of the Monster Network.
Nina Lykke, PhD, Professor Emerita, Gender Studies, Linköping University, Sweden. Co-founder of Queer Death Studies Network, and The International Network for ECOcritical and DECOlonial Research. Current research: queering of cancer, death, and mourning in queerfeminist materialist, decolonial and eco-critical perspectives; autophenomenographic and poetic writing. Recent publications: Queer Widowhood. Lambda Nordica. 2015:4; Academic Feminisms: Between Disidentification, Messy Everyday Utopianism, and Cruel Optimism. Feminist Encounters. 2017:1(1); When death cuts apart, in: Juvonen & Kohlemainen: Affective Inequalities in Intimate Relationships. Routledge, New York 2018; Rethinking socialist and Marxist legacies in feminist imaginaries of protest from postsocialist perspectives. Social Identities. Journal for the Study of Race, Nation and Culture. 2018:24 (2). Website: https://ninalykke.net
Camila Marambio is curator of Ensayos, and her work with the program has been represented in exhibitions and performances at the Kadist Art Foundation, Paris; the Institute for Art and Olfaction, Los Angeles; BHQFU, New York; Puerto de Ideas, Valparaíso; Festival Cielos del Infinito, Puerto Williams, CL; Kurant, Tromsø, NO; and Psi #22, Melbourne, AU. Currently a PhD Candidate in Curatorial Practice at MADA in Melbourne, Australia, Marambio received an M.A. in Modern Art: Critical Studies at Columbia University and a Master of Experiments in Art and Politics at Science Po in Paris; attended the Curatorial Programme at de Appel Arts Center in Amsterdam; and was Head Curator at Matucana 100 (Santiago, CL) and Assistant Curator at Exit Art (New York, NY).
Tara Mehrabi, PhD, is a Lecturer at the Centre for Gender Studies, Karlstad University (Sweden). She is a feminist technoscience studies scholar who is interested in the intersection of gender studies, medical humanities and environmental humanities. She is a founding member of Queer Death Studies Network and a member of The Posthumanities Hub. Meharbi is the author of the monograph Making Death Matter: A Feminist Technoscience Study of Alzheimer’s Sciences in the Laboratory (2016). She has published in anthologies such as Animal Places. Lively Cartographies of Human Animal Relations, (eds.) by J. Bull, T. Holmberg & C. Åsberg, Routledge (2018), Gendering Drugs: feminist studies of pharmaceuticals, (ed.) by E. Johnson, Palgrave (2017) and journal Gender, Women & Research (2018). Website: https://taramehrabi.wordpress.com/.