It is our great pleasure to announce details about the upcoming online event series ‘Braiding Friction’, conceived by the Biofriction network with Hangar.org, Cultivamos Cultura, Galerija Kapelica / Kapelica Gallery and Bioart Society . As a result of the COVID-19 pandemic and postponed activities, Biofriction has set up a series of Working Groups and online events. The aim is to answer to the need of an informed discussion on the science and politics of the pandemic and the possible role of artists and researchers, to unpack and understand the enormous complexity we are confronted with. The group hosted by the Bioart Society is called Non-Living Queerings and consists of philosopher Marietta Radomska, biologist Markus Schmidt, and artists and researchers Terike Haapoja, Margherita Pevere, and Mayra Citlalli Rojo Gómez. The launch event which will introduce all groups will take place on 2nd of June 18h (CET) with consecutive public events following. For more, see Biofricition website.
As part of The Posthumanities Hub Seminar Series, we are exited to present Cooking Sections (Daniel Fernández Pascual & Alon Schwabe), a duo of spatial practitioners based out of London exploring how forms of extraction and intensive agriculture and aquaculture can be approached through other forms of eating. Don’t miss this opportunity to cross the boundaries between visual arts, science, architecture, ecology and geopolitics with us!
Curator Caroline Elgh Klingborg from Bonniers konsthall will also join the discussion.
When: 4th March, 13:15-15
Where: in the big seminar room at the Division of History of Science, Technology and Environment, KTH (Teknikringen 74 D, Level 5, Stockholm).
Also, another event 4th March, 18:00 at Bonniers konsthall: Cooking Sections in conversation with Daniel Lindvall and Caroline Elgh Klingborg.
Read more the talk at Bonniers konsthall
ABOUT THE SEMINAR:
How We Eat as Humans Change Climate
CLIMAVORE is a long-term project initiated by Cooking Sections in 2015. It sets out to envision seasons of food production and consumption that react to human-induced climatic events and landscape alterations. Different from the now obsolete cycle of spring, summer, autumn and winter, CLIMAVORE rethinks the construction of space and infrastructure by focusing on how climate alterations offer a new set of clues to adapt our diet to them. Unexpected climatic phenomena, like subsidence, flash floods or drought, may span minutes, days, months, years or centuries. CLIMAVORE is then proposed as a form of devouring following their effects on anthropogenic landscapes. Unlike carnivore, omnivore, locavore, vegetarian or vegan, CLIMAVORE is not only about the origin of ingredients, but also about the agency that those ingredients have in providing spatial and infrastructural responses to human-induced climatic events for a certain period of time. At the core is to embrace a flexible form of eating, shifting, for instance, to drought resistant crops in a period of water scarcity or filter feeders during times of polluted or acidified waters.
For the upcoming exhibition at Bonniers Konsthall, Cooking Sections will continue to explore how forms of extraction and intensive agriculture and aquaculture can be approached through other forms of eating. Building on the work developed on the Isle of Skye in the past years CLIMAVORE is seeking to divest away from intensive salmon farming and develop regenerative aquacultures. The exhibition will be an opportunity to explore the role of salmon in the Scandinavian context, the construction of salmon as an invented synthetic colour and artificial species, and the toll its farming and production of feed pellets takes on communities in countries such as Peru, Chile and Senegal. Furthermore a new project will look into histories of runoff and expand the understanding of eutrophication of the Baltic Sea, as a way to address the changing relations between the human and the non-human, the natural and the cultural.
About Cooking Sections Cooking Sections (Daniel Fernández Pascual & Alon Schwabe) is a duo of spatial practitioners based out of London. It was born to explore the systems that organise the WORLD through FOOD. Using installation, performance, mapping and video, their research-based practice explores the overlapping boundaries between visual arts, architecture, ecology and geopolitics. In 2016 they opened The Empire Remains Shop, a platform to critically speculate on implications of selling the remains of Empire today. Their first book about the project was published by Columbia Books on Architecture and the City.
Cooking Sections was part of the exhibition at the U.S. Pavilion, 2014 Venice Architecture Biennale. Their work has also been exhibited at the 13th Sharjah Biennial; Manifesta12, Palermo; Lafayette Anticipations, Paris; Serpentine Galleries, London; Atlas Arts, Skye; Neue Nationalgalerie, Berlin; Storefront for Art & Architecture, New York; Peggy Guggenheim Collection; HKW Berlin; Akademie der Künste, Berlin; and have been residents in The Politics of Food at Delfina Foundation, London. Their work has been featured in a number of international publications (Lars Müller, Sternberg Press, Volume, Frieze Magazine amongst others). They currently lead a studio unit at the Royal College of Art, London. They have recently been awarded the Special Prize at the 2019 Future Generation Art Prize and are nominated for the Visible Award.
Het Nieuwe Instituut, Rotterdam, 21st February, 17:00-18:30
As part of Zoönomic Futures – an immersive workshop on ethics for a society that is no longer human-centric – The Posthumanities Hub researcher and artist Janna Holmstedt will present her talk Follow the Blind, Mimic a Worm, and Listen to the Tangle. The talk will be followed by a conversation with Anne van Leeuwen (board member at the Embassy of the North Sea) and Het Nieuwe Instituut researcher Klaas Kuitenbrouwer.
Read more here!
Zoönomic Futures is part of a series exploring Multispecies Urbanism, one of the themes of the Dutch contribution to the 17th Venice Architecture Biennale.
Francesca Ferrando (NYU) will be presenting the talk How Philosophical Posthumanism Can Bring Change on Friday 14th February, 3:00-5:00 PM at Brock University Cairns 207. Read more here!
Welcome to the exhibition and program of The Age of Entanglements:
- Open daily, Feb 3-9, Mon-Fri 10-18, Sat-Sun 11-16, Volvo Studio, Kungsträdgården
- Wednesday 5/2 Panel Talk, Drinks & Mingle: Designing for a Symbiotic Revolution – Space Corals, Mother Cultures and Extremophiles: Presented by Franska Institutet Stockholm. Note! At Bio Capitol, Sankt Eriksgatan 82. Doors open at 17, cost 50 kr, rsvp: se https://www.capitolbio.se/filmerochbiljetter/1060/
- Thursday 6/2 Guided Tour & Performance: Exploring Alternative Systems: An upside-down Ecology, Mutualism and Personhood for Mars: Volvo Studio at 16:00 – 17:30
- 3-9/2 Design Performance: The End of the World, every day at Volvo Studio (for details, see nonagency Facebook)
Link to more info, see Stockholm Design Week 20 guide here.
See all Fb-events here.
The project is funded by Kulturbryggan.
Please feel free to spread this information and invite all your friends!
If you weren’t able to come but are interested in what happened on the 6th of December at the Poetics of Future Work event in Stockholm, below you find a link where you can see the introduction and panel discussion.
Don’t miss the retro-futuristic country-inspired Love Song! It kind of sticks (“You can’t digitize this”).
Film at Vimeo opens in new tab:
00:00 – Welcome by JP Iversen (CIO, Electrolux)
02:10 – Introduction by project leader Nina Bozic (senior researcher and innovation enabler at RISE)
9:50 – A retro-futuristic Love Song between a cowboy and an AI girl, written and performed by Dragana Zarevska (artist) and Andi Kravljaca (digital strategist, Nacka Municipality), inspired by the future work scenarios created in DIGI Futures project.
20:48 – Panel discussion on the future of work with Tove Chevalley (Digital Innovation Director, Electrolux), Janna Holmstedt (artist and researcher, the Posthumanities Hub at KTH), Sandor Albrecht (Vice President, AI@RISE & Wallenberg Launch Pad) and Per Johansson (speaker, writer and visionary consultant), hosted by Nina Bozic.
Welcome to the first Posthumanities Hub event in 2020 – the seminar with Prof. Patricia MacCormack (Anglia Ruskin University, UK) on A Joyful Apocalypse: Activism for the End of the Anthropocene.
When: 30th January, 13:15 – 15:00
Where: the seminar room at the Division of History of Science, Technology and Environment, KTH Royal Institute of Technology Stockholm (Teknikringen 74 D, Stockholm).
OBS! Please REGISTER FOR THIS EVENT by sending an email to: the.posthumanities.hub[at]gmail.com
To end the anthropocene is a call to activism at a time where ways of living seem impossible to proscribe and the world’s many urban and natural environments and organisms are increasingly transforming, some becoming more vulnerable while others increase their exertion of power over global systems of information and control. During these ages it can be difficult to imagine new and multiple ways of existing where hopelessness and imagination exist simultaneously. Beyond the Posthuman, but firmly within this world, my concept of the Ahuman acknowledges we aren’t nonhuman, but devalues the term human and its thus far devastating consequences for the world in order to suggest vitalistic, perhaps even optimistic, ways to negotiate some of the difficulties in thinking and acting in a world where meaning and reality are tentative but material actuality and lives (of all varieties) are in need of novel modes of intervention and interaction for the liberation and creative freedom of all organisms and the ecology of the Earth as a whole. Collapsing activism, artistic practice and affirmative ethics, while introducing some radical contemporary ideas such as human extinction and vegan abolition this paper navigates the ways in which we must compose the human differently, specifically beyond nihilism and post – and trans-humanism and outside human privilege. This is in order to actively think and live with connectivity (actual not virtual), viscerally, with passion and grace, toward a new world. The irony of the apocalypse is that the world continues nonetheless. How can we live more ethically? How can the end of the human (even the posthuman) mean the end of human privilege as that which assists in opening the world to all life and to the human apocalypse being the birth of the world through deep ecology?
Patricia MacCormack is Professor of Continental Philosophy at Anglia Ruskin University. She is the author of Cinesexuality (2008), Posthuman Ethics (2012) and The Ahuman Manifesto (2020), the editor of The Animal Catalyst: Toward Ahuman Theory (2014) and the co-editor of Deleuze and the Schizoanalysis of Cinema (2008), Deleuze and the Animal (2017) and Ecosophical Aesthetics (2018). She publishes extensively in the posthuman, queer theory, animal studies, horror film, and Continental Philosophy.
The event is organised in collaboration with the Konstfack Research Week 2020 – see the detailed programme here.
What is the future of work? Come and discuss, speculate and question!
When: 6 Dec, 2019, 16:00-19:00
Where: Electrolux, Sankt Göransgatan 143, Stockholm, Sweden (Subway: Stadshagen)
Register at: https://nav.confetti.events/poetics-of-future-work
This event is part of Vinnova financed project DIGI Futures, lead by the RISE Research Institutes of Sweden in collaboration with ABB, Electrolux, Karolinska, Nacka Kommun, GodEl, and NAV Sweden.
About the event
The hostess Soft Innovaitress invites you to immerse into a poetic landscape of the future of work through a multidisciplinary artistic approach you have not experienced before. You will meet the AI as well as the human heroes of our future scenarios made during the past year with teams from Electrolux, ABB, GodEl, Nacka Kommun, and Karolinska. Questions about the future of work will be discussed: What will be the new jobs of the future? How will humans and machines relate to each other in new ways? What kind of re-skilling do we need to go through to arrive to that future? And where can we find poetics and softness in this landscape of the future work? Join us and actively explore your own journey into the future you want to co-create.
16.00-17.00: Welcome drink & interactive art exhibition (download the Artivive app for an augmented reality experience)
17.00-18.00: Future of work concert & conversation with guests
18.00-19.00: Create your own journey into the future with “Specularities”(speculative fiction cards for the future of work) & Mingle
Sandor Albrecht, Vice President, AI@RISE & Wallenberg Launch Pad Sandor is a community builder and change driver at RISE where he is actively developing the ecosytem and national agenda for AI. He is engaged also with development of a new innovation platform at the Wallenberg foundation WALP which facilitates innovation arising from investments in strategic research areas of Artificial Intelligence, Autonomous Systems, Software and Quantum Technology. His passion is entrepreneurship and corporate innovation and before coming to RISE he worked almost 20 years for Ericsson where he founded and headed the Ericsson Garage and was the Research Director.
Janna Holmstedt, artist and researcher, The Posthumanities Hub at KTH
Janna’s researchinquiries into entangled issues such as multispecies relations, interspecies communication, and the intra-action of bodies, environs and technology. She focuses on how sound and listening, in a visually dominated culture, could mediate new relationships with the more-than-human and generate a sense of belonging as part of a dynamic ecology. Her work includes sound-based installations, participatory performances, mixed media walks, storytelling, mappings, writing, and collaborative projects. She is affiliated researcher and research engineer for the more-than-human humanities research network The Posthumanities Hub at KTH, Division for History of Science, Technology.
Per Johansson, speaker, writer and visionary consultant
Per is doing various consulting work and talks related to human ecological issues, intellectual and existential conundrums, and concerning the impact of digital technologies on society and culture. He is the co-founder of the think tank Infontology – Imagination and Realisation. He has done several radio programs with prize-winning Swedish radio journalist Eric Schüldt, both for Swedish national radio and independently (Man and Machine, Tree of Knowledge, Myths & Mysteries). He is also an independent expert for the European Commission.
Tove Chevalley, Digital Innovation Director, Electrolux
Tove Chevalley is Digital Innovation Director at Electrolux and dedicates her time to making a global organization run as fast as a startup. She is focused on exploring new experiences and solutions that will continue to enrich people’s lives and the health of our planet and is obsessed with finding tools, methods and approaches to move a ship of 55 000 people towards a new way of developing experiences.
We remember those vibrant days in May with such warmth. We had 26 amazing speakers sharing their reflections, projects and research with an engaged crowd. All keynotes and panels are now online and you can find them here!
Where: the cinema [Bion] at Stockholms Dramatiska Högskola, Valhallavägen 189
If you missed the two events at Reaktorhallen in August, /Mis/communication/s/ and Interstellar Species Society Assembly, where artist Janna Holmstedt delivered a lecture performance and a talk on sonospheric communards, you now have a second chance to see them.
In a combined lecture performance and reading, Janna revisits neurophysiologist John C. Lilly’s interspecies communication experiments, carried out in the 1950s and 60s and partly funded by NASA, where dolphins were supposed to learn to speak English with their blowholes. At the centre of her session are tape recordings from language lessons with the dolphins, and a woman whom during 75 days tried to live under equal conditions with the dolphin Peter in a flooded house.
She will also talk about touching the matter of language, points of listening, and snuggle technologies.
The event is hosted within the framework of the independent course “Sound as Critical practice” at the Department of Film and Media at Uniarts/StDH.