“We are so proud to present Prof. Achille Mbembe for this years Archipelago Lecture. He is one of the most influential African philosophers, a political scientist, and a global public intellectual. His books have been translated into 13 languages.
This year the Archipelago Lecture will happen on ZOOM. More information will come, but until then: please mark your calendars and help us to spread the word.
November 25th, at 15:00 CET Reflections on Planetary Habitability Achille Mbembe Research Professor of History and Politics at the Wits Institute for Social and Economic Research in Johannesburg, South Africa Visiting Professor at Duke University”
Check out this year’s programme of the Collaboration with Society Day / Samverkansdagen taking place at Linköping University. This year’s theme is: adjustment to a sustainable lifestyle. The event takes place on 4th November at 13:00 – 16:00 online and is held in Swedish.
The keynote speakers are: Prof. Cecilia Åsberg (LiU, KTH, The Posthumanities Hub); Louise Ridderström (project manager at Östgötamat); and Robert Bäckström (project manager, Stångåstaden). For more information, also on how to register, see here.
Meet Australian/Swedish curator, writer and lecturer Bronwyn Bailey-Charteris! Bronwyn is based in Stockholm, a current PhD student at UNSW Art & Design researching water and art in her thesis entitled ‘Ingesting the Hydrocene: Watery thinking for artistic response-ability in the climate crisis’. She is employed at Stockholm University, based at Accelerator and leading the Art+Research program, as well as a Lecturer in Department of Culture and Aesthetics for the Masters of Art Curating. Bronwyn was previously Curator at Index – The Swedish Contemporary Arts Foundation. Research interests are focused upon processes of ecology in contemporary art, water as social metaphor and feminist methodologies. Working with practical learning platforms, artistic research, publications, and exhibitions, she works internationally as a curator and lecturer. https://bronwynbc.com/ https://su-se.academia.edu/BronwynBaileyCharteris
Ingesting the Hydrocene
The Hydrocene is a curatorial theory and practice Bronwyn has created to amplify the pioneering ways some artists and curators are collaborating with water. The Hydrocene argues for artistic methods of thinking with water in the age of accelerating climate crises. The Hydrocene is embodied and relational. It amplifies unexamined perspectives on the interrelation of art, climate, water and intersectional feminisms. By arguing for water-centered artistic practices, the Hydrocene offers up a model for engaging with embodiment, hydrofeminism, transcorporeality and response-ability in the interconnected zone of natureculture. The presentation will offer a short introduction to the Hydrocene and then expand upon artist Latai Taumoepeau – specifically her work with ice, water torture and the climate crisis.
Enroll NOW for the PhD course at KTH Gender & Sustainability: Introducing Feminist Environmental Humanities
Coordinators: Cecilia Åsberg (email@example.com) and Meike Schalk (meike.Schalk@konstfack.se, firstname.lastname@example.org).
Funded by KTH Sustainability and Equality Office, this course is intended for PhD-students across KTH, within the KTD (Art, Technology, Design PhD-Programme between Konstfack and KTH), SKH and KMH, and the InterGender Research School and its universities.
All through the extended history of Earth, the coast line has been a zone of unrest where waves and tides have forged life and land on this planet. Despite sudden changes to our oceanic environments, the wrack zone by the edge of the sea with its kelp forests, mussel beds, flotsam and jetsam, remains a strange and beautiful place (as noted by Rachel Carson). This is one of the starting points for the research in the oceanic (environmental) humanities project, Sea Change. Another starting point is the possibilities for cooking, curing and curating with kelp explored at Lofoten International Arts Festival in 2019, the artistic duo Cooking Sections (and their exhibition 2021 at Bonniers Kunsthall), and that we are now entering the declared UN Decade of the Oceans (2021-2030). Sea Change is a knowledge- and capacity-building project for feminist posthumanities, aiming to connect science with art, humanities and local people so to catalyze societal transformation on low trophic ways of eating, socializing and thinking, together.
Cecilia Åsberg, PhD, Guest Professor of STS, Gender and Environment at KTH Royal Institute of Technology Stockholm; Professor of Gender, Nature, Culture at Linköping University, and since 2008 founding director of the Posthumanities Hub. In 2005 she was the first to defend a PhD in Gender Studies in Sweden (a feminist science study on the popular imaginary of the new genetics), and in 2013 she inaugurated environmental humanities in The Seed Box (Mistra-Formas) research programme as Founding Director. Åsberg has attracted over €6 million in grants for her team; supervised 14 PhD students; published extensively (in Swedish, Dutch, English); given talks and taught gender studies, EH, STS, and posthumanities to BA-MA and PhD students in various positions at a range of international universities, incl Lancaster U, Utrecht Utrecht, NL, and as Fellow of Rachel Carson Centre, LMU, Germany.
Where: Online. In order to take part in the seminar, please register by sending an email to email@example.com by 3rd November 2020 at the latest.
As part of The Posthumanities Hub Seminar Series, we are exited to present Dr. Evelien Geerts (PhD UC Santa Cruz), a multidisciplinary philosopher and postdoctoral researcher at the University of Birmingham (UK), working on the ERC-funded ‘Urban Terrorism in Europe (2004-19): Remembering, Imagining, and Anticipating Violence’ project. Her research interests include new materialisms, critical epistemologies, political philosophical questions of identity, difference, and violence, and critical & diffractive pedagogies. She has published in Philosophy Today, Women’s Studies International Forum and Rhizomes: Cultural Studies in Emerging Knowledge, is furthermore an avid philosophy meme-creator, and part of the Dutch Journal of Gender Studies’ editorial board.
A Critical Cartography of New Materialist Constellations & Interventions in Times of Terror(ism)
Abstract: This paper anticipates on my monograph project on critical new materialist theories and the idea of “theorizing from the ground up” during times of global crisis (such as the COVID-19 crisis we are currently experiencing; see Geerts 2020) and terror(ism) in particular.
Using (and commenting on) the new materialist methodologies of critical cartography and diffraction, this paper first of all wishes to reflect upon what it means to “theorize from the ground up” in a feminist philosophical manner by offering a situated critical cartography of contemporary new materialist thought. It is then argued that such a critical cartography is not only a novel but also much needed undertaking, as we, more than almost two decades after the Habermas-Derrida dialogues on terror(ism) (Borradori 2003), are in need of a Zeitgeist-adjusted conceptual framework that takes the more-than-human seriously. Such a “grounded”, critical new materialist framework could assist us with painting a more holistic picture of the complex ontological, epistemological, and eco-ethico-political entangled aspects of global crises, and, specifically, terrorist events, such as the Paris 2015 and Brussels 2016 attacks; the actual terror they produce; and the bio-/necropolitical repercussions they often engender.
Last month the book The KelpCongress (in English) / Tangboka (in Norwegian), edited by Hilde Mehti, Neal Cahoon and Annette Wolfsberger, was published by NNKS Press (Nordnorsk kunstnersenter). The volume contains contributions by the participants of the Kelp Congress, an event forming part of Lofoten International Art Festival, which took place in September 2019. Among many brilliant chapters by artists and researchers you may also find an essay by Cecilia Åsberg, Janna Holmstedt and myself, entitled ‘Methodologies of Kelp: On Feminist Posthumanities, Transversal Knowledge Production and Multispecies Ethics in an Age of Entanglement’.
STREAMS is an international conference for the Environmental Humanities (EH) that gathers researchers from a wide range of academic disciplines as well as artists, activists and practitioners. It takes place on 3-5 August 2021 in Stockholm.
Yet, as you may know from our previous post, already this year you could join a virtual event (ahead of the next year’s conference on location): Streaming STREAMS, which was held last week (5-7 Aug).
To whet your appetite for the many affordances of feminist posthumanities and multispecies futures and the more-than-human arts – collected under of the streams of this conference in 2021 – this trailer will take you on a journey via Art Lab Gnesta. Here you will get to know some of the people and projects of The Posthumanities Hub. You get to meet artists, archaeologist, feminist philosophers and environmental humanities people like Signe Johannessen, Christina Fredengren, Janna Holmstedt, Marietta Radomska and Cecilia Åsberg.
Prepare to submerge, and visit exposures that catalyse and cultivate a range of stories on thinking, eating and socializing for multispecies futures together with The Posthumanities Hub, and …
STREAMS, an international conference for the Environmental Humanities (EH), seeks to offer a space in which the experimental and dynamic field of EH can meet, discuss and set out future directions for thinking and acting amidst the ongoing ecological disaster.
The next upcoming event is Streaming STREAMS, 5–7 August 2020, where several presentations are streamed live.
It is our great pleasure to announce details about the upcoming online event series ‘Braiding Friction’, conceived by the Biofriction network with Hangar.org,Cultivamos Cultura, Galerija Kapelica / Kapelica Gallery and Bioart Society . As a result of the COVID-19 pandemic and postponed activities, Biofriction has set up a series of Working Groups and online events. The aim is to answer to the need of an informed discussion on the science and politics of the pandemic and the possible role of artists and researchers, to unpack and understand the enormous complexity we are confronted with. The group hosted by the Bioart Society is called Non-Living Queerings and consists of philosopher Marietta Radomska, biologist Markus Schmidt, and artists and researchers Terike Haapoja, Margherita Pevere, and Mayra Citlalli Rojo Gómez. The launch event which will introduce all groups will take place on 2nd of June 18h (CET) with consecutive public events following. For more, see Biofricition website.