The Posthumanities Hub Seminar with Adam Wickberg (KTH) on 5th June, 10:15 – 12:00

Welcome to The Posthumanities Hub Seminar with Adam Wickberg on Coloniality, Media and the Anthropocene in Early Americas.

The seminar takes place in the seminar room at the Division of History of Science, Technology and Environment, KTH (Teknikringen 74 D, Stockholm).

When: 5th June, 10:15 – 12:00

FB event

Abstract:

This talk will address historiography and layers of time based on a decolonial understanding of modernity and its relation to the Anthropocene. The point of departure for my critical discussion of history is the geological evidence for an Anthropocene golden spike proposed by Lewis & Maslin (2015) known as the ”Orbis hypothesis”, as well as the discourse on futurity built into current policy on climate change. The aim is to develop a critical temporality for the Anthropocene, drawing on work by historians on the contemporary crisis of time (Assmann 2013, Hartog 2016) as well as insights from environmental and media history. I argue that the emergence of global political expansionism and extractionist politics with the Spanish Empire in the latter part of the 16th century marked the beginning of an era which is still affecting policy and politics, particularly in relation to climate change. Particularly, I argue that the systematic use of media and information technology for extractionist purposes is integral to what has been understood as modernity (Latour 2017, Haraway 2017, Moore 2015, Mignolo 2015, Sloterdijk 2015). At the same time, the established way of addressing climate change sustains coloniality and projects the cost of carbon intense living a century into the future, as most models end with 2100. The insights of what might then be termed Anthropocene historiography challenges traditional linear conceptions of time by highlighting how the present eco crisis is an effect of past political actions, just as current inability to properly address these issues will come into effect and cause damage in the future.

Bio: 

Adam Wickberg is a Postdoctoral fellow in media history at the Environmental Humanities Lab and a visiting scholar at the Max Planck Institute for History of Science in Berlin (MPWIG I). His current research concerns the Early Modern media history of the Anthropocene, where he traces the global changes of long distance governing of nature brought about by early Spanish colonialism. The project studies the human-nature relationship of Iberian colonial history using the critical aspects of media and anthropogenic altering of natural habitats as a material and discursive practice. The bureaucratic use of paper – documents, files, maps, surveys, orders – as a form of governance of nature over great distances is a focal point of the study and are conceptualized as environing media. Recent publications include Pellucid Paper: Poetry and Bureaucratic Media (Open Humanities Press 2018) and “Plus Ultra: Francisco Hernández and the Mapping of American Natureculture” in Necsus: European Journal of Media Studies (2018:2).

Workshop: Becoming with Alien Encounters and Speculative Storytelling

Welcome to the workshop “Becoming with Alien Encounters and Speculative Storytelling in a More-than-human World” that takes place on 4th June at 13:15 – 16:00, in the big seminar room at Division of History of Science, Technology and Environment, KTH (Teknikringen 74 D, Stockholm).

No registration is required.

Workshop: Becoming with Alien Encounters and Speculative Storytelling

Speculative storytelling refers to a wide range of narrative fiction, poetic and artistic articulations that employ ’fantastic’, supernatural, spiritual or other non-mimetic elements. In the times of the climate change and environmental crisis, accompanied by futuristic ’technology-will-save-us’ scenarios, on the one hand, and visions of  ‘doom and gloom’, on the other, speculative storytelling has gained momentum as a way to reimagine futures beyond the human-centred narratives of the Anthropocene. This, importantly, includes a reimagining and experimentally re-establishing of new posthuman relationalities, corpo-affectively grounded in a situated caring ethics, as well as a decentring and deconstruction of the sovereign human subject and its claim to an exceptional position of enunciation. In this poetic/artistic-philosophical workshop, we will reflect on theoretical and practical tools to be interpellated to approach the radically different, without gesturing towards anthropomorphisation or domestication. Alongside of the theorising, we will also, through poetic-artistic articulations, explore the processes of decentring the human subject position and preparing for ’alien encounters’ – what in the ethics of Gilles Deleuze is framed as ’making yourself worthy of the event’. We will draw examples from alien encounters with lichen, algae, pollen, and underwater creatures, among others. As part of the workshop, we will invite the audience to try out their own approaches to such encounters through short writing prompts.

Speakers/workshop facilitators:

Katja Aglert, independent artist and researcher, SE

Line Henriksen, University of Copenhagen and IT University of Copenhagen, DK

Nina Lykke, University of Linköping, SE

Camila Marambio, Melbourne University, AUS

Tara Mehrabi, Karlstad University, SE

Marietta Radomska, Linköping University, SE and University of Helsinki, FI

PHOTO - M. RADOMSKA
Photo: Marietta Radomska
Bios:

Katja Aglert is a Stockholm based independent artist and researcher whose practice – situated in feminist, more-than-human imaginaries – is transdisciplinary in nature, and includes both individual and collaborative projects. Currently she examines artistically through hybrid forms of storytelling how we through the experiences of multi-beings-encounters can investigate what it can mean to materialise perspectives beyond the human-centred narratives. She exhibited widely, including venues such as Marabouparken and Biologiska Museet, Stockholm (SE); Solyanka State Gallery, Moscow (RU); Polarmuseet, Tromsø (NO); Fotografisk center, Copenhagen (DK); FLORA ars+natura, Bogota (COL); Museum for Contemporary Art, Santiago (CHL). She is an executive board member of The Seed Box, an international environmental humanities collaboratory headquartered at Linköping University. She teaches regularly at Umeå Art Academy, and Konstfack University of Arts, Crafts, and Design. katjaaglert.com

Line Henriksen, PhD is a lecturer in Gender Studies at the University of Copenhagen and IT University Copenhagen, DK. She holds a PhD in Gender Studies from the Unit of Gender Studies at Linköping University, Sweden. Henriksen has published on the subjects of monster theory, hauntology and digital media in journals such as Women & Performance and Somatechnics, and her fiction has appeared in Andromeda Spaceways and Tales to Terrify, among others. She is a founding member of the Monster Network.

Nina Lykke, PhD, Professor Emerita, Gender Studies, Linköping University, Sweden. Co-founder of Queer Death Studies Network, and The International Network for ECOcritical and DECOlonial Research. Current research: queering of cancer, death, and mourning in queerfeminist materialist, decolonial and eco-critical perspectives; autophenomenographic and poetic writing. Recent publications:  Queer Widowhood. Lambda Nordica. 2015:4; Academic Feminisms: Between Disidentification, Messy Everyday Utopianism, and Cruel Optimism. Feminist Encounters.  2017:1(1); When death cuts apart, in: Juvonen & Kohlemainen: Affective Inequalities in Intimate Relationships. Routledge, New York 2018; Rethinking socialist and Marxist legacies in feminist imaginaries of protest from postsocialist perspectives. Social Identities. Journal for the Study of Race, Nation and Culture.  2018:24 (2). Website: https://ninalykke.net

Camila Marambio is curator of Ensayos, and her work with the program has been represented in exhibitions and performances at the Kadist Art Foundation, Paris; the Institute for Art and Olfaction, Los Angeles; BHQFU, New York; Puerto de Ideas, Valparaíso; Festival Cielos del Infinito, Puerto Williams, CL; Kurant, Tromsø, NO; and Psi #22, Melbourne, AU. Currently a PhD Candidate in Curatorial Practice at MADA in Melbourne, Australia, Marambio received an M.A. in Modern Art: Critical Studies at Columbia University and a Master of Experiments in Art and Politics at Science Po in Paris; attended the Curatorial Programme at de Appel Arts Center in Amsterdam; and was Head Curator at Matucana 100 (Santiago, CL) and Assistant Curator at Exit Art (New York, NY).

Tara Mehrabi, PhD, is a Lecturer at the Centre for Gender Studies, Karlstad University (Sweden). She is a feminist technoscience studies scholar who is interested in the intersection of gender studies, medical humanities and environmental humanities. She is a founding member of Queer Death Studies Network and a member of The Posthumanities Hub. Meharbi is the author of the monograph Making Death Matter: A Feminist Technoscience Study of Alzheimer’s Sciences in the Laboratory (2016). She has published in anthologies such as Animal Places. Lively Cartographies of Human Animal Relations, (eds.) by J. Bull, T. Holmberg & C. Åsberg, Routledge (2018), Gendering Drugs: feminist studies of pharmaceuticals, (ed.) by E. Johnson, Palgrave (2017) and journal Gender, Women & Research (2018).  Website: https://taramehrabi.wordpress.com/.

Marietta Radomska, PhD, is a Postdoc at the Department of Thematic Studies (Gender Studies), Linköping University, SE, and at the Department of Cultures (Art History), University of Helsinki, FI. She is the co-director of The Posthumanities Hub; founder of The Eco- and Bioart Research Network, co-founder of International Network for ECOcritical and DECOlonial Studies and a founding member of Queer Death Studies Network. Her current research focuses on ecologies of death in the context of contemporary art. She is the author of the monograph Uncontainable Life: A Biophilosophy of Bioart (2016), and has published in Australian Feminist Studies, Somatechnics, and Angelaki, among others. Website: https://mariettaradomska.com/

The Posthumanities Hub Seminar with Nina Lykke and Camila Marambio: 4th June, 10:15 – 12:00

Welcome to The Posthumanities Hub Seminar with Nina Lykke and Camila Marambio on Decolonialising Mourning Through Speculative Wonder and Unthinkable Questions? On the Selk’nam ‘Hain’ and Its Layers of Lostness.

The seminar takes place in the seminar room at the Division of History of Science, Technology and Environment, KTH (Teknikringen 74 D, Stockholm).

When: 4th June, 10:15 – 12:00

Cementerio grupo

Abstract:

This lecture investigates multi-layered meanings of mourning, death and loss in the context of decolonialising endeavours to learn from indigenous cosm-onto-epistemologies.  In focus is the so-called Hain, an initiation ceremony of the Selk’nam people of Tierra del Fuego. As described by Austrian ethnologist and Christian priest Martin Gusinde (1886-1969), it is recorded as having been performed for the last time in 1923. Gusinde’s research was later revised by US anthropologist Anne Chapman (1922-2010) and her Selk’nam research participant Lola Kiepja (died 1966). Since the ceremony is no longer performed, it is ‘lost’ as lived spiritual experience. Accordingly, Gusinde and Chapman embed their accounts in a context of white Western melancholia (cf. reoccurring phrases such as ‘the last Selk’nam’, ‘the last Hain’ etc). The lecture aims at critically analysing these ways of sustaining coloniality through mourning, and exploring other critically-affirmative, decolonialising approaches, and caring ethics. It builds on one author’s (Marambio) longtime fieldwork in Tierra del Fuego, carried out together with Fuegans, and on both authors’ joint work to organise Hain-workshops, using speculative wonder (Stengers 2011) and creative analytical practices to ask unthinkable questions and engage participants in collective endeavours to approach the Hain and mourn its layers of lostness otherwise.

Bio:

Camila Marambio is curator of Ensayos, and her work with the program has been represented in exhibitions and performances at the Kadist Art Foundation, Paris; the Institute for Art and Olfaction, Los Angeles; BHQFU, New York; Puerto de Ideas, Valparaíso; Festival Cielos del Infinito, Puerto Williams, CL; Kurant, Tromsø, NO; and Psi #22, Melbourne, AU. Currently a PhD Candidate in Curatorial Practice at MADA in Melbourne, Australia, Marambio received an M.A. in Modern Art: Critical Studies at Columbia University and a Master of Experiments in Art and Politics at Science Po in Paris; attended the Curatorial Programme at de Appel Arts Center in Amsterdam; and was Head Curator at Matucana 100 (Santiago, CL) and Assistant Curator at Exit Art (New York, NY).

Nina Lykke, PhD, Professor Emerita, Gender Studies, Linköping University, Sweden. Has participated in the building of Feminist Studies in Scandinavia and Europe more broadly since the 1970s. Co-founder of International Network for Queer Death Studies, and International Network for ECOcritical and DECOlonial Research. Current research interests: queering of cancer, death, and mourning in posthuman, queerfeminist, materialist, decolonial and eco-critical perspectives; autophenomenographic and poetic writing. Recent publications:  Queer Widowhood. Lambda Nordica. 2015:4; Assisted Reproduction Across Borders (co-ed. Merete Lie, Routledge 2016); Academic Feminisms: Between Disidentification, Messy Everyday Utopianism, and Cruel Optimism. Feminist Encounters.  2017:1(1); When death cuts apart: On affective difference, compassionate companionship and lesbian widowhood. T.Juvonen & M.Kohlemainen (eds): Affective Inequalities in Intimate Relationships. (Routledge 2018). She has served on numerous international editorial boards, among others for European Journal of Women’s Studies; currently she is in the advisory board of Signs. Journal of Women in Culture and Society, and co-editor of the book series Routledge Advances in Feminist Studies and Intersectionality.

 

 

Meeting with Hester Blum: 16th May

Welcome to the meeting with Hester Bloom about her book The News at the Ends of the Earth: The Print Culture of Polar Exploration (Duke University Press, 2019) she has just published and about her new project on ice and temporality (Seed Box project).

When: 16th May, 13:30 – 15:00

Where: KTH Royal Institute of Technology, EHL Labroom, Teknikringen 74D, Stockholm

Hester Blum is Associate Professor of English at Penn State University in the US. Her scholarship and teaching focus on oceanic and polar studies, nineteenth-century U.S. literature and culture, Herman Melville, and the environmental humanities. Her most recent book is The News at the Ends of the Earth: The Print Culture of Polar Exploration (Duke University Press, 2019). In it she examines polar expeditionary newspapers and other forms of knowledge that circulate geophysical and climatic extremity, both in the age of polar exploration and in our current moment of climate change and polar resource extraction. In summer 2019 she will participate in the Northwest Passage Project, an Arctic expedition tracking climate change. She is at work on two new book projects: Ice Ages, about the temporalities of ice in an epoch of anthropogenic climate change; and Castaways, a meditation on female Robinson Crusoes.​

QUEERING THE HAIN – DECOLONIALIZING MOURNING: Creative and reflexive writing workshop with Camila Marambio and Nina Lykke

Creative and reflexive writing workshop with

Camila Marambio, Monash University, Australia

Nina Lykke, Linköping University

QUEERING THE HAIN – DECOLONIALIZING MOURNING

An invitation to gather and ask the unthinkable

May 23, 2019, 10-15

Venue:   Linköping University: Campus Norrköping.

Building: Kopparhammaren, Norra Grytgatan, Entrance 10A, Floor 2, room KO22.

Registration:  Please register with name, address/affiliation and e-mail, at the latest May 20, to nina.lykke@liu.se  (max 20 participants)

Cementerio grupo

WORKSHOP FORMAT:

Through creative writing, listening exercises, and sharing of reflections, the workshop will question the Hain and other similar ceremonies, as they are understood through the anthropological material that represents them.

The workshop will take as a point of departure an introduction to the Hain, as it appears in the anthropological/ethnological literature, then move through stories told by descendants of those performing the last Hain in the early 20th century, and to the implied layers of “lostness” and the task of translation and decolonializing.

WHAT IS THE HAIN?

As described by Austrian ethnologist and Christian priest Martin Gusinde (1886-1969), the Kloketen-Hain is an initiation ceremony of the Selk’nam people of Tierra del Fuego.  It is recorded as having been performed for the last time in 1923. Gusinde’s research was later revised by the anthropologist Anne Chapman (1922-2010) and her Selk’nam research participant Lola Kiepja (died 1966). Since the ceremony is no longer performed, it seems to have been “lost” as a lived spiritual experience. Anthropologists and ethnologists, most coming from colonial Western contexts, who have described ceremonies such as the Hain, often limit their description to the specific event (located in space and time) and from their situatedness in the outlooks of White Western Modernity.

SOME KEY QUESTIONS:

* If and, if yes, how, is it possible to “read/write/perform in-between the lines” of the descriptions, framed from the point of view of a specifically located white Western, colonial gaze?

* What kind of “readings/writings/performings-in-between-the-lines” can and can’t “we” (differently located workshop participants) perform

* Which tools and performative re/worlding practices can and can’t “we” collectively develop?

* What can “we” learn as well as unlearn from such processes of collective “reading/writing/performing in-between-the-lines”?

* Which kinds of ethical reflections does the process of generating new approaches to the Hain require and produce?

BACKGROUND

The workshop builds on Camila Marambio’s longtime fieldwork in Tierra del Fuego, as part of the nomadic research programme Ensayos and her  PhD research in Curatorial Practice at Monash University, Melbourne, and on both authors’ joint work to organize ‘Queering the Hain-workshops’ (Melbourne, Australia, 2018, and Santiago, Chile, 2019), recently in collaboration with Hema’ny Molina Vargas, President of the Selk’nam organization Covadonga Ona (Corporación Selk’nam Chile, Comunidad indigena Covadonga Ona).

BIO-NOTES

Camila Marambio,  is curator of Ensayos (https://ensayostierradelfuego.net/), and her work with the program has been represented in exhibitions and performances at the Kadist Art Foundation, Paris; the Institute for Art and Olfaction, Los Angeles; BHQFU, New York; Puerto de Ideas, Valparaíso; Festival Cielos del Infinito, Puerto Williams, CL; Kurant, Tromsø, NO; and Psi #22, Melbourne, AU. Currently a PhD Candidate in Curatorial Practice at MADA in Melbourne, Australia, Marambio received an M.A. in Modern Art: Critical Studies at Columbia University and a Master of Experiments in Art and Politics at Science Po in Paris; attended the Curatorial Programme at de Appel Arts Center in Amsterdam; and was Head Curator at Matucana 100 (Santiago, CL) and Assistant Curator at Exit Art (New York, NY).

Nina Lykke, Professor Emerita, Gender Studies, Linköping University, Sweden. Co-founder of Queer Death Studies Network, and Network for Ecocritical-Decolonial Research. Current research: queering of  cancer, death, and  mourning in queerfeminist materialist, decolonial and eco-critical perspectives; autophenomenographic and poetic writing. Recent publications:  When death cuts apart, in: Juvonen & Kohlemainen: Affective Inequalities in Intimate Relationships. Routledge, New York  2018; Rethinking socialist and Marxist legacies in feminist imaginaries of protest from postsocialist perspectives. Social Identities. Journal for the Study of Race, Nation and Culture.  2018:24 (2). Making Live and Letting Die: Cancerous Bodies between Anthropocene Necropolitics and Chthulucene Kinship. Environmental Humanities. 2019: 11 (1): 108-136. Personal website: https://ninalykke.net

ORGANIZERS: The workshop is co-organized by Tema Genus and REMESO, Linköping University. Contact: Professor Nina Lykke (nina.lykke@liu.se), Tema Genus, and PhD student Asher Goldstein (asher.goldstein@liu.se), REMESO.

 

The launch of DISTANCIA: A more than human web series set in Tierra del Fuego, Chile

Welcome to the Screening of

DISTANCIA

A more than human web series set in Tierra del Fuego, Chile

 Imagined and visualized by

Camila Marambio and Carolina Saquel

With participation of Sebastián Arce, Ariel Bustamante, Javiera Carmona, Julio Gastón Contreras, César Díaz, Valentina Espinoza, Alberto Harambour, Matías Illanes,  Ivette Martinez, Michael Taussig and Cecilia Vicuña.

May 22, 2019, at 15-17h

DIS

THE SCREENING WILL BE FOLLOWED BY A DISCUSSION WITH

DISTANCIA’s CO-DIRECTOR CAMILA MARAMBIO.

 

Distancia is a story of environmental proportions, a series of tales that have demanded to be told from beyond the strait of Magellan. Speaking histories of unlawful appropriations, exterminations, and exploitations, each episode sketches the shape of a place known as Tierra Del Fuego. Documenting the drive for justice and kinship between a few unlikely characters Distancia chronicles a wind so relentless it shapes the mind. Distancia reports on remote civilian entanglement with volatile geopolitical agendas. Distancia murmurs a road under construction, and in doing so opens a poethical portal.

DISTANCIA

Venue:  CNEMA, Norrköping (room: Statisten)

Kungsgatan 54, 602 33 Norrköping

Admission: FREE.

Booking 011-15 63 00

Distancia is produced as part of the nomadic research programme ENSAYOS, curated by Camila Marambio, see https://ensayostierradelfuego.net/

The event is co-organized by Tema Genus and REMESO, Linköping University.

Contact: Professor Nina Lykke nina.lykke@liu.se), Tema Genus

and PhD student Asher Goldstein (asher.goldstein@liu.se), REMESO.

Open Humanities Lab Symposium: New Humanities & the Anthropocene (14-15 May)

Welcome to the Open Humanities Lab Symposium: New Humanities & the Anthropocene, taking place on 14th & 15th May at Openlab, Stockholm.

In order to register for the event, please send an email to: the.posthumanities.hub[at]gmail.com

New Humanities & the Anthropocene (Uncertainty, response-ability and humankind)

Now, the environment is in us, and we humans are fully in the environment: that much is clear in this new planetary era of uncertainty some call the Anthropocene. This new geological period, the environmental ‘Age of Man’, is often defined by unparalleled human disturbance of the Earth’s ecosystems, climate, and biodiversity. Almost half of the wildlife on Earth has been lost in the past forty years. Perhaps we will soon have spawned more transgenic organisms, synthetic biological systems, hybrid creatures or artificial intelligences than we ever asked for. In the age of the Anthropocene, humans have become a ‘force of nature’, making nature – in its classical sense – over.  The old idea of Universal Man  in its classical and imagined sense of a bounded individual, safely zipped up in a white skin of his own, guided by rational thought rather than sociability, preconceptions and desires, along with his anthropocentrism seem dated, if not down-right detrimental to our planetary existence. Conventional divides between nature and culture, sex and gender, body and technology, human and animal, and between science and society, have collapsed.

During the past several decades, emerging research in the humanities has turned its attention to subjects that were previously conceived as ‘not human enough’: women, queers, children, migrants, people of colour, elderly, and other groups. Simultaneously, popular culture, technologies, animal subjects, insects, plants, whole ecosystems, along with all kinds of human and more-than-human infrastructures, call for our attention. After all, values, purpose, existential conditions and sociocultural formations that are historically sustained, or not, on local or larger scales, are the expertise of the humanities (and its sibling social sciences). The human exceptionalism of the humanities is increasingly abandoned in favour of planetary ethics, societal accountability, and a more-than-human humanities of conviviality. We witness now the exciting emergence of new humanities, responding to present societal challenges.

How can the humanities accommodate the transformations associated with advances in science, technology, medicine, with the Anthropocene and the ‘great acceleration’ of planetary damage following suit with ’progress’ and ‘growth’? Is there a solidarity in our precarious diversity as we now all have to learn to live with the wounds of the world, to live on a damaged planet? Can we, like Timothy Morton, re-imagine kindness in its human and more-than-human sense? How can the new humanities, like environmental humanities, feminist bio-philosophy, cyborg studies, architectural philosophy, multispecies studies, eco-art, citizen humanities, gender studies, human-animal studies, plant theory, techno-humanities, media studies and digital humanities, respond to the challenges of the Anthropocene? Such forms of posthumanities – or new humanities – often share a sense of belonging in a world not divided across nature and culture, arts and sciences. For new humanities, postdisciplinary bridge-building and collaborations are crucial. So is responsibility, response-ability, and situated knowledges, as Donna Haraway and decades worth of feminist theorising on what gets to count as human or natural remind us.

Can the new humanities, transformative and integrative in nature, become not just relevant to society but also enact real change? Can we have research that is participatory, communicable, and, as Rosi Braidotti puts it, ‘worthy of our times’?

Come join the conversation on uncertainty, response-ability, and humankind in the age of the Anthropocene, and see if the new humanities’ cultivation of attentiveness, curiosity, care, concern, and critique can do something for you, co-existentially with others.

Warmly welcome to an open dialogue amongst various artists, scholars, educators, citizens, academic activists, and journalists, a symposium where we break bread together in public and forge new brave alliances in the face of the unexpected!

After all, humanities is for everybody.

Speakers:

Katja Aglert, independent artist and researcher, SE

Marco Armiero, KTH, SE

Rosi Braidotti, Utrecht University, UK

Christine Daigle, Brock University, CA

Hayden Lorimer, University of Glasgow, UK

Christina Fredengren, Stockholm University, SE

Hélène Frichot, KTH, SE

Matthew Fuller, Goldsmiths, UK

Myra Hird, Queen’s University, CA

Janna Holmstedt, KTH, SE

Lauren LaFauci, Linköping University, SE

Nina Lykke, Linköping University, SE

Tara Mehrabi, Karlstad University, SE

Norie Neumark, LaTrobe University, AU

mirko nikolić, independent artist, SE/FI

Jesper Olsson, Linköping University, SE

Marietta Radomska, Linköping University, SE/University of Helsinki, FI

Lina Rahm, Linköping University, SE

Margrit Shildrick, Stockholm University, SE

Sverker Sörlin, KTH, SE

Lotten Wiklund, journalist, SE

Cecilia Åsberg, KTH, SE/Linköping University, SE

Full programme in PDF

UPDATE (13.05):

The registration for the event is now CLOSED as we have reached the capacity of the venue. There might be a few spots left in case anyone from the registered participants cancels last minute.

 

OpenHumanitiesLab new version-page-001

Open call: The Kelp Congress

[DEADLINE: 2 May 2019]

See: The Kelp Congress open call (LIAF 2019 website)

The Kelp Congress at LIAF (Lofoten International Art Festival) 2019 between the 17th and 22nd of September in Svolvær is an event consisting of three parallel workshops that will lead into a weekend public programme. These workshops will harness the recent discourse surrounding seaweed within contexts such as energy, nutrition, agriculture, and medicine, and will shift the focus onto lesser explored artistic and cultural dimensions related to kelp and other macroalgae.

Who can apply? 
Artists, scientists, activists, writers, film-makers, researchers, and those working within arts and culture organisations. The Kelp Congress is grounded within a Nordic context, but the call is open to all nationalities.

Conditions:
Food, accommodation, and local transportation will be provided. Travel to and from Lofoten is not included.

How to Apply:
If you are interested in participating, please submit an Application Form.
We aim to contact all applicants by mid-May.

Deadline: 
Thursday 2 May, 2019

The Kelp Congress is organised as part of LIAF 2019, in collaboration with Mustarinda, The Department of Seaweed, Posthumanities Hub, ArtLab Gnesta, Skaftfell – Center for Visual Art, and co-produced with Annette Wolfsberger. LIAF 2019 is curated by Hilde Methi, Neal Cahoon, Karolin Tampere, and Torill Østby Haaland.

Contact & Further Information: info@liaf.no

Open call in a pdf format..

Call for Contributions to the Edited Volume of the InterGender Research School!

Editors: Edyta Just, Maria Udén, Vera Weetzel, Cecilia Åsberg

What is Gender Studies to you? How can Gender Studies contribute to society, academia and the state of our world at large? What is your view to the interdisciplinarity of Gender Studies? How has Gender Studies changed your career, your life, your world? How could Gender Studies change the world, or, perhaps better be changed with it?
Your situated knowledges count!
With this edited volume we would like to bring forward the importance of Gender Studies as an academic discipline in general and Gender Studies research training (PhD training) in particular using as an example the InterGender Consortium and Research School in Interdisciplinary Gender Studies. In this sense we would like this volume to be of an academic and political significance especially in the light of the current attacks on Gender Studies. The import of Gender Studies research training and as such of Gender Studies can be demonstrated on two, nonetheless intersecting, levels. The first level
corresponds with the significance of research in the field and its transformative power in and, crucially, outside the academia. The second relates to the value of networking/community building for professional and personal development. The idea is that chapters in this volume are written by current and recently graduated PhD candidates and advanced MA students that have participated in InterGender
activities. We also plan to include in the volume interviews with senior Gender Studies professors and their reflections regarding this field of study and its integration and developments.

Therefore, we would like to invite current PhD candidates, recently graduated PhD candidates (up to 6 years after obtaining a degree) and advanced MA students, who have participated in the InterGender activities: courses and cohort meetings, to send us their ideas for contributions.
For this volume we welcome contributions in different formats: academic papers, poetry, short literary stories that address, discuss, reflect on and also problematize and complexify:

  • the significance and transformative power and potential of theories and methodologies developed within the field of Gender Studies for academia and society (you, as a prospective author, are especially invited to refer to/mention a particular InterGender activity: a course and/or cohort meeting and write from the perspective of your own research interests!).
  • the value of networking and community building during Gender Studies research training (you, as a prospective author, are in particular invited to refer to, or, mention a given InterGender activity such as a course and/or cohort meeting that made an impact on your life!)

Interested? Of course! This is your chance to tell the stories of your Gender
Studies training, networking and how it affected you, and thereby tell
something about the state of Gender Studies today!
Please send us your idea for contribution!

What do I need to do?
What we need is an abstract of 500 words excluding references – please indicate the format of the contribution (i.e., paper, poetry, literary story).

Extended Deadline: 5 May 2019.

Please send your idea for contribution to Edyta Just, edyta.just[at]liu.se

We, the editors, look very much forward to your contributions.

Welcome to the Edited Volume of the InterGender research school!